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Tag Archives: Barbara Sukowa
KPK on the CINEMA (141) “The Films of November 2023”
. > There goes November. Here comes the heavy hitters of Oscarbait season. Some good stuff this month- and I suspect, some great stuff next month! Let’s get started: (All films are rated on a 5-star basis and must be … Continue reading →
Posted in KPK on the CINEMA
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Tagged A Time For Drunken Horses, Abu Ghraib, adaptations, Adolphe Menjou, Alan J. Pakula, All the Light We Cannot See, American culture, Amy Sedaris, and the Legend of Midnight Cowboy, animation, Anthony Doerr, Aria Mia Loberti, armed conflict, artists, arts, Bahman Ghobadi, Barbara Sukowa, battle, Ben Kingsley, Ben Platt, biography, Bob Balaban, Brenda Vaccaro, Brian de Palma, British cinema, Cameron Mitchell, Catherine O'Hara, celebrity, Cheaper By the Dozen, child actors, child labor, child soldiers, cinema, circus, classics, Clifton Webb, Columbian cinema, comedies, comedy, Confessions of a Nazi Spy, conspiracies, crime, criminals, criticism, Cromwell, cults, culture, Dalíland, Dark City, Dermot Mulroney, Desperate Souls, Devi, directing, Disney, documentaries, drama, Edgar Allen Poe, Edward G. Robinson, Elemental, Elia Kazan, entertainment, Ernestine Gilbreth Carey, escapes, espionage, European history, exploitation, fame, families, family, family films, fantasy, farce, fascism, filmmaking, films, France, Francis Lederer, Frank Bunker Gilbreth Jr., Fredric March, fundamentalism, Gala Dalí, gambling, Gloria Grahame, greed, guerillas, Harold & Kumar Escape From Guantanamo Bay, Hinduism, historical epics, history, horror, Hugh Laurie, Hume Cronyn, hysteria, ideas, Indian cinema, injustice, Iranian cinema, Joaquin Phoenix, John Cho, John Schlesinger, Jon Voight, Josephine, Jude Law, Julianne Nicholson, Kal Penn, Kevin Keelan, KPK, KPKeelan, KPKworld, Lars Eidinger, Liam Neeson, Louis Hoffman, love, Man on a Tightrope, Manos, Mark Ruffalo, marriage, Melissa McCarthy, Molly Gordon, movies, Myrna Loy, Nancy Buirski, Napoleon, nature, Nazis, Neil Patrick Harris, Netflix, Nick Lieberman, obsession, occupied France, opinion, Oscar Isaacs, parents, parody, patriarchy, Paul Lukas, Paul Schrader, Paula Prentiss, persecution, personalities, Pixar, political assassinations, Post-Traumatic Stress Disorder, precious gems, professional gamblers, PTSD, radio, rebels, relationships, religion, resistance fighters, revenge, reviews, Richard Boone, Ridley Scott, Rob Corddry, Robert Sherwood, romance, Rose Byrne, Saint-Malo, Salvador Dalí, satire, Satyajit Ray, screenwriting, sequels, smuggling, spectacle, spies, spirituality, spoofs, Spy, superstition, survival, The Card Counter, The Conqueror Worm, The Grey, The Parallax View, Theater Camp, thrillers, Tiffany Haddish, torture, totalitarianism, tradition, true stories, TV miniseries, Tye Sheridan, Vanessa Kirby, Vincent Price, violence, war, Warren Beatty, William Daniels, witch hunts, Witchfinder General, wolves, World War II, zealotry
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FLIX PIX (908): “Sam Shepard and Julie Delpy in VOYAGER”
VOYAGER (directed by Volker Schlöndorff, 1991) **** (out of 5) . > Academy Award winning German director Volker Schlöndorff (THE TIN DRUM), directs the late great Sam Shepard and a vital 20-year old Julie Delpy in this heady English language romantic … Continue reading →
Posted in Flix Pix
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Tagged arts, Barbara Sukowa, cinema, criticism, drama, entertainment, fate, films, Homo Faber, ideas, irony, Julie Delpy, Kevin Keelan, KPK, KPKeelan, KPKworld, luck, Max Frisch, movies, opinion, reviews, romance, Sam Shepard, tragedy, Volker Schlöndorff, Voyager
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FLIX PIX (798): “A Study of HANNA ARENDT”
HANNAH ARENDT (directed by Margarethe von Trott, 2012) *** (out of 5) . > This small film is a fairly outspoken biopic of the titular German-American journalist who notoriously covered the Adolph Eichmann trial in Jerusalem I 1961, and had the … Continue reading →
Posted in Flix Pix
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Tagged art, Barbara Sukowa, biography, cinema, criticism, drama, films, Hanna Arendt, ideas, Kevin Keelan, KPK, KPKeelan, KPKworld, Margarethe von Trott, movies, opinion, reviews, war crimes
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