Tag Archives: Anthony Doerr

“ALL THE LIGHT WE CANNOT SEE Leaps From Page to Screen” (a TV review by KPKeelan)

Posted on December 4, 2023 by KPKeelan

. ALL THE LIGHT WE CANNOT SEE (directed by Shawn Levy, 2023) **** (out of 5) . > I have been a rabid fan of the Pulitzer Prize winning book from the brilliant wordsmith Anthony Doerr for years, so I have … Continue reading →

Posted in QUIET in the BACK! | Tagged adaptations, All the Light We Cannot See, Anthony Doerr, Aria Mia Loberti, arts, criticism, drama, entertainment, films, greed, Hugh Laurie, ideas, Kevin Keelan, KPK, KPKeelan, KPKworld, Lars Eidinger, Louis Hoffman, Mark Ruffalo, movies, Nazis, Netflix, occupied France, opinion, precious gems, radio, resistance fighters, reviews, Saint-Malo, Shawn Levy, superstition, TV miniseries, violence, World War II | Leave a comment

KPK on the CINEMA (141) “The Films of November 2023”

Posted on December 2, 2023 by KPKeelan

. > There goes November. Here comes the heavy hitters of Oscarbait season. Some good stuff this month- and I suspect, some great stuff next month! Let’s get started: (All films are rated on a 5-star basis and must be … Continue reading →

Posted in KPK on the CINEMA | Tagged A Time For Drunken Horses, Abu Ghraib, adaptations, Adolphe Menjou, Alan J. Pakula, All the Light We Cannot See, American culture, Amy Sedaris, and the Legend of Midnight Cowboy, animation, Anthony Doerr, Aria Mia Loberti, armed conflict, artists, arts, Bahman Ghobadi, Barbara Sukowa, battle, Ben Kingsley, Ben Platt, biography, Bob Balaban, Brenda Vaccaro, Brian de Palma, British cinema, Cameron Mitchell, Catherine O'Hara, celebrity, Cheaper By the Dozen, child actors, child labor, child soldiers, cinema, circus, classics, Clifton Webb, Columbian cinema, comedies, comedy, Confessions of a Nazi Spy, conspiracies, crime, criminals, criticism, Cromwell, cults, culture, Dalíland, Dark City, Dermot Mulroney, Desperate Souls, Devi, directing, Disney, documentaries, drama, Edgar Allen Poe, Edward G. Robinson, Elemental, Elia Kazan, entertainment, Ernestine Gilbreth Carey, escapes, espionage, European history, exploitation, fame, families, family, family films, fantasy, farce, fascism, filmmaking, films, France, Francis Lederer, Frank Bunker Gilbreth Jr., Fredric March, fundamentalism, Gala Dalí, gambling, Gloria Grahame, greed, guerillas, Harold & Kumar Escape From Guantanamo Bay, Hinduism, historical epics, history, horror, Hugh Laurie, Hume Cronyn, hysteria, ideas, Indian cinema, injustice, Iranian cinema, Joaquin Phoenix, John Cho, John Schlesinger, Jon Voight, Josephine, Jude Law, Julianne Nicholson, Kal Penn, Kevin Keelan, KPK, KPKeelan, KPKworld, Lars Eidinger, Liam Neeson, Louis Hoffman, love, Man on a Tightrope, Manos, Mark Ruffalo, marriage, Melissa McCarthy, Molly Gordon, movies, Myrna Loy, Nancy Buirski, Napoleon, nature, Nazis, Neil Patrick Harris, Netflix, Nick Lieberman, obsession, occupied France, opinion, Oscar Isaacs, parents, parody, patriarchy, Paul Lukas, Paul Schrader, Paula Prentiss, persecution, personalities, Pixar, political assassinations, Post-Traumatic Stress Disorder, precious gems, professional gamblers, PTSD, radio, rebels, relationships, religion, resistance fighters, revenge, reviews, Richard Boone, Ridley Scott, Rob Corddry, Robert Sherwood, romance, Rose Byrne, Saint-Malo, Salvador Dalí, satire, Satyajit Ray, screenwriting, sequels, smuggling, spectacle, spies, spirituality, spoofs, Spy, superstition, survival, The Card Counter, The Conqueror Worm, The Grey, The Parallax View, Theater Camp, thrillers, Tiffany Haddish, torture, totalitarianism, tradition, true stories, TV miniseries, Tye Sheridan, Vanessa Kirby, Vincent Price, violence, war, Warren Beatty, William Daniels, witch hunts, Witchfinder General, wolves, World War II, zealotry | Leave a comment

Tag Archives: Anthony Doerr

“ALL THE LIGHT WE CANNOT SEE Leaps From Page to Screen” (a TV review by KPKeelan)

KPK on the CINEMA (141) “The Films of November 2023”

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