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Tag Archives: The Hidden World
KPK on the CINEMA (96): The Films of February 2020
. February 2020: one day longer than usual and some heavy shit is goin’ down… (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles in purple have been … Continue reading →
Posted in KPK on the CINEMA
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Tagged 007, absurdism, Adolphe Menjou, Aleppo, American Factory, animation, art, Bashar Al-Assad, biography, bombs, Brazil, business, camp, capitalism, Carroll Shelby, cars, Casino Royale, Charles Boyer, children, China, Christian Bale, Christmas, cinema, comedies, competition, corporations, criticism, David Niven, Daytona, Deborah Kerr, Dick Powell, doctors, documentaries, drama, economics, Enzo Ferrari, experimental film, F. Murray Abraham, family films, fantasy, fate, films, For Sama, Ford Motor Company, Ford vs Ferrari, foreign ownership, French cinema, Fuyao, General Motors, George Raft, globalization, Henry Ford II, heroism, history, horror, hospitals, How to Train Your Dragon, I Lost My Body, Ian Fleming, ideas, insanity, It Happened Tomorrow, Jacqueline Bisset, James Bond, James Pattinson, journalism, Ken Miles, Kevin Keelan, kitsch, Klaus, KPK, KPKeelan, KPKworld, Le Mans, Louis Malle, manufacturing, Matt Damon, mermaids, movies, murder, Netflix, newspapers, Ohio, opinion, origin stories, Orson Welles, Paris, Pat O'Brien, Peter Sellers, politics, psychological drama, racing, relationships, reporters, reviews, Robert Eggers, romance, sailors, Santa Claus, satire, sequels, slapstick, spies, supernatural, surrealism, Syria, The Edge of Democracy, The Front Page, The Hidden World, The Lighthouse, the press, Tracy Letts, turkeys, Ursula Andress, violence, Waad al-Kateab, war crimes, warfare, Willem Dafoe, William Holden, Woody Allen, work, workers, Zazie Dans le Metro
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