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Tag Archives: Suzanne Bier
KPK on the Cinema (82): The Films of December 2018
. The Big Year-End Releases are out, and December found me in cinema-hyperdrive. Lots of fun stuff to examine this month. Prepare yourself! (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a … Continue reading →
Posted in KPK on the CINEMA
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Tagged 1900, 22 July, A Perfect Day, Alfonso Cuarón, aliens, Australian cinema, authority, Bandersnatch, Benecio del Toro, Bernando Bertolucci, big business, Billy Crudup, biography, Bird Box, Blades of Glory, Bruce Springsteen, Burt Lancaster, Buster Keaton, Charleze Theron, Charlie Brooker, childhood, cinematography, Clarence Clemmons, Claude Chabrol, comedies, Communism, crime, Day of the Soldado, Dennis Hopper, Dominique Sanda, Don Shirley, Donald Sutherland, drama, Duplass brothers, Edmund O’Brien, Ennio Morricone, fascism, filmmaking, Flash of Genius, Ford Motor Company, fraud, Gérard Depardieu, Green Book, Greg Kinnear, Guy Pearce, Happy as Lazzaro, Henry Jaglom, historical epics, history, Hollywood, horror, human smuggling, ice-skating, interactive, inventors, Italian cinema, Joel Edgerton, John Heder, John Huston, Josh Brolin, justice, Kate McKinnon, Leslie Mann, magical realism, Mahershala Ali, Mark Hogancamp, mass murder, Mercedes McCambridge, Mexican cinema, Mexico, Mexico City, motherhood, music, Netflix, NGO’s, Norman Foster, Norway, Orson Welles, Patti Scialfa, Paul Greengrass, Paul Mazursky, Peter Bogdanovich, Professor Philip Zimbardo, psychology, PTSD, racism, RGB, Rip van Winkle, Robert De Niro, Robert Pattinson, Robert Zemeckis, Roma, Ruth Bader Ginsberg, Sandra Bullock, satire, Sicario, silent films, Springsteen On Broadway, Sterling Hayden, Steve Carell, storytelling, survivors, Susan Strasberg, suspense, Suzanne Bier, the Balkans, The Cameraman, The Notorious RBG, The Other Side of the Wind, The Rover, The Stanford Prison Experiment, The Supreme Court, Tim Robbins, Tony Vallelonga, trauma, Tully, Viggo Mortensen, violence, war, Welcome to Marwen, Welcome to Marwencol, Will Ferrell, World War II
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KPK on the CINEMA (32): The Films of AUGUST 2014
. AUGUST 2014- 32 films: French ballet, John Wayne, Errol Morris, Ginger Baker, George Cukor, Howard Hawks and William Wyler, Danish Royalty, Ip Man, Jimmy Stewart, Ralph Fiennes and Charles Dickens, Fredrick Wiseman, Ian McKellan and Patrick Stewart WAITING FOR GODOT, … Continue reading →
Posted in KPK on the CINEMA
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Tagged A Double Life, A Royal Affair, Agnès Jaoui, American politics, Andrew Scott, Angela Lansbury, Ben Stiller, Beware of Mr. Baker, Bille August, Boxing Gym, Charles Dickens, Come and Get It, corruption, Edgar Rice Burroughs, Edward G. Robinson, Errol Morris, Frank Capra, Frederick Wiseman, Frozen, George Cukor, Ginger Baker, Great Expectations, Howard Hawks, Howard Lindsay, Ian McKellen, In a Better World, Ip Man, Jean-Pierre Bacri, Jimmy Stewart, John Wayne, Jonathan Glazer, Katherine Hepburn, Kathleen Hanna, Keeper of the Flame, Le Danse, Let It Rain, Locke, Margaret Hamilton, Max Von Sydow, McLintock!, Mike Birbiglia, Miranda July, Nicole Kidman, Olivia Colman, Patrick Stewart, political campaigns, power, Ralph Fiennes, Richard Brooks, Russel Crouse, Ruth Wilson, Saving Mr. Banks, Sleepwalk With Me, Spencer Tracy, Standard Operating Procedure, Steven Knight, Suzanne Bier, The Baader-Meinhof Complex, The Future, The Grandmaster, The Invisible Woman, The Naked Spur, The Night Train to Lisbon, The Paris Opera Ballet, The Punk Singer, The Secret Life of Walter Mitty, The State of the Union, Theatreland, thrillers, Tom Hanks, Tom Hardy, Tom Holland, Van Johnson, Waiting for Godot, Walt Disney, William Wyler
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