Tag Archives: Senegal

KPK on the CINEMA (116): The Films of October 2021

Posted on December 3, 2021 by KPKeelan

. > This month we get a serving of silent German expressionism from Fritz Lang, an effervescent modern musical from Lin-Manuel Miranda, a handsome American period piece from George Clooney, an early schlock film from Francis Coppola, one of the … Continue reading →

Posted in KPK on the CINEMA | Tagged action, Adam Driver, American history, Anthony Ramos, Arthur Kennedy, arts, B-movies, Barry Fitzgerald, betrayal, biography, Black Girl, boxing films, British cinema, brothers, Bruce Dern, Bruno Ganz, Burt Lancaster, cargo cults, Champion, change, cinema, Colin Firth, colonialism, comedy, commitment, Communism, corruption, crime, criminal masterminds, criticism, dancing, David McCallum, David Strathairn, Dean Stockwell, death, dementia, Dementia 13, demonization, Dennis Hopper, detectives, drama, dreams, economics, Edward R. Murrow, emigration, England, English cinema, entertainment, ethnicity, experimental films, exploitation, fighters, film noir, filmmaking, films, France, Francis Ford Coppola, Frank Langella, Freud, Fritz Lang, gay couples, genius, George Clooney, German cinema, Good Night and Good Luck, growth, Henry Jaglom, hopes, horror, horses, House Un-American Activities Committee, Howard Duff, HUAC, hypnosis, hysteria, I Walk Alone, ideas, illness, immigrants, imperialism, In the Heights, incarceration, inmates, insanity, Ireland, Jeff Daniels, Jimmy Smits, John Huston, Jonathan Pryce, Joseph McCarthy, journalism, justice, Kevin Keelan, Kirk Douglas, KPK, KPKeelan, KPKworld, labor, life, Lin-Manuel Miranda, Lizabeth Scott, love, madness, Marc Anthony, Matthias Schoenaerts, medicine, memory loss, mental illness, metafiction, Michelle Phillips, Miguel de Cervantes, Montgomery Clift, movies, murder, musicals, mystery, neighborhoods, New York, opinion, Patricia Clarkson, Patrick Magee, people, Peru, Peter Fonda, police procedural, politics, prisoners, psychological drama, racism, Ray Wise, reform, rehabilitation, relationships, revenge, reviews, Robert Downey Jr., romance, Rudolf Klein-Rogge, Russ Tamblyn, Samuel Fuller, Sancho Panza, Senegal, Senegalese cinema, Sigmund Freud, silent films, singing, slasher films, Spain, spies, Stanley Tucci, Stellan Skarsgård, Supernova, Susannah York, television, Terry Gilliam, the American dream, The American Friend, The Last Movie, The Man Who Killed Don Quixote, The Mustang, The Naked City, The Secret Passion, therapy, thrillers, Toni Basil, tragedy, villains, violence, Washington Heights, Wim Wenders | Leave a comment

KPK on the CINEMA (94): The Films of December 2019

Posted on July 18, 2021 by KPKeelan

. December! Gad I hate this month. At least there are usually good movies out, vying for Oscar’s attention… (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles … Continue reading →

Posted in KPK on the CINEMA | Tagged action, Adam Driver, Adam McKay, adventure, African cinema, Al Pacino, Alain Resnais, American history, Amy Ryan, animation, Anna Paquin, Anthony Hopkins, art, artists, Atlantics, Bad Times at The El Royale, beauty, Benedict XVI, betrayal, biography, Bishops, Bobby Cannavale, Caesar Romero, Captain Horatio Hornblower, Carl Theodor Dreyer, Cheyenne Autumn, childhood, Chinese cinema, Christianity, classics, comedies, comedy, crime, cruelty, Dean Martin, Deborah Kerr, digital technology, divorce, dogma, Don Rickles, drama, Drew Goddard, Duplo, dysfunction, E. M. Forster, Edward G. Robinson, emigration, Emmanuelle Riva, epics, faith, families, family, family films, fantasy, Fernando Meirelles, Florian Henckel von Donnersmarck, Frank Sheehan, Frank Sinatra, French cinema, Ganges River, gangsters, genocide, German cinema, Gregory Peck, grief, Harvey Keitel, heartbreak, Hiroshima Mon Amor, Huck Finn, humor, Hungarian cinema, I Hear You Paint Houses, ideology, India, Indians, Jack Goes Boating, James Stewart, Jean Renoir, Jeff Bridges, Jesse Plemons, Jimmy Hoffa, Joe Pesci, John C. Reilly, John Ford, John Paul II, Johnathan Pryce, Jorge Bergoglio, Joseph Ratzinger, Juliette Binoche, justice, Laura Dern, Lego Batman, life, love, maritime, Mark Twain, Marriage on the Rocks, Marriage Story, martial arts, Martin Scorsese, Mary Steenburgen, Mati Diop, Mickey Rooney, migration, Milorad Krstic, Mississippi River, Nazi Germany, Netflix, Never Look Away, Noah Baumbach, nuclear war, Ordet, organized crime, Philip Seymour Hoffman, Polish cinema, politics, Pope Francis, racism, Ray Romano, reform, relationships, religion, Ricardo Montalban, Richard Jenkins, Richard Widmark, Robert De Niro, romance, Ruben Brandt Collector, Scarlett Johansson, Sebastian Koch, Senegal, sequels, Shadow, Step Brothers, Steven Van Zandt, supernatural, The Adventures of Huckleberry Finn, The Irishman, The Lego Movie 2 The Second Part, The River, The Two Popes, Toy Story 4, tradition, tragedy, war, westerns, Will Ferrell, Word War II, Wyatt Earp, Zhang Yimou | Leave a comment

Tag Archives: Senegal

KPK on the CINEMA (116): The Films of October 2021

KPK on the CINEMA (94): The Films of December 2019

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