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Tag Archives: Raquel Welch
KPK on the CINEMA (140): “The Films of October 2023”
. > This month: a Noël Coward comedy of manners, a previously unseen Hitchcock thriller, a return to seminal swashbucklers of my youth, the Greatest Concert Film Ever Made, a silly Marx Brothers lark, Tracy and Hepburn meet Elia Kazan, … Continue reading →
Posted in KPK on the CINEMA
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Tagged adventure, Africa, African safaris, Alexandre Dumas, Alfred Hitchcock, American Indians, Angel on My Shoulder, Angie Dickinson, animation, Ann Margaret, Anne Baxter, Anthony Asquith, Anthony Perkins, appearances, Aramis, Archie Mayo, artists, arts, Athos, Australian outback, Ava Gardner, Barry Corbin, Beauty and the Beast, Bobby Rydell, British cinema, Bye Bye Birdie, celebrities, celebrity, Charlie Musselwhite, Chris Frantz, cinema, Clark Gable, class, classics, Claude Rains, collectives, comedies, comedy, concerts, corruption, crime, criticism, D'Artagnan, Dan Duryea, David Byrne, Dead Ringer, Dean Stockwell, Dick Van Dyke, divorce, documentaries, drama, Dyan Cannon, dysfunctional relationships, Ed Sullivan, Edgar Buchanan, Elemental, Elia Kazan, Elizabeth Taylor, Elke Sommer, empowerment, England, entertainment, epics, espionage, exploitation, fables, fairy tales, fame, fantasy, farming, feuds, films, France, Frank Finlay, fraud, French cinema, game trafficking, George Sidney, Go West, God, good and evil, Grace Kelly, greed, Greer Garson, Gregory Peck, HBO, Herbert Ross, Hume Cronyn, humor, Ian McShane, ideas, infidelity, injustice, intrigue, Jack White, James Colburn, James Garner, James Mason, Janet Leigh, Jean Cocteau, Jerry Harrison, Jesse Plemons, Jessica Tandy, Joan Hackett, John Ford, John Lithgow, John Qualen, Jonathan Demme, Joseph Cotton, justice, Karen Morley, Karl Malden, Katharine Hepburn, Kevin Keelan, Killers of the Flower Moon, King Vidor, KPK, KPKeelan, KPKworld, Last Stop Larrimah, Leonardo DiCaprio, Lily Gladstone, Lionel Barrymore, love, Maggie Smith, Margaret Rutherford, marriage, Martin Scorsese, Marx brothers, Maureen Stapelton, Melvyn Douglas, Michael York, Mogambo, morality, movies, murder, music, musicals, mystery, Noel Coward, Norma Shearer, Norman Jewison, Oliver Reed, opinion, Orson Welles, Osage Nation, Our Daily Bread, Paddy Moriarty, Paul Lynde, Paul Muni, personalities, Pete Yorn, Pixar, Porthos, poverty, Private Lives, privilege, racism, Raquel Welch, redemption, relationships, reviews, rich and famous, Richard Benjamin, Richard Burton, Richard Chamberlain, Richard Lester, Robert De Niro, Robert Montgomery, rock and roll, Rod Taylor, romance, Satan, Shadow of a Doubt, slapstick, small towns, socialism, Spencer Tracy, spies, Stephen Sondheim, Stop Making Sense, stunts, supernatural, survival, suspense, swashbuckling, Talking Heads, Tay Garnett, Terrence Rattigan, The Art of Love, the eighties, The Four Musketeers, the great depression, The Last of Sheila, The Sea of Grass, The Three Musketeers, The V.I.P.s, The Valley of Decision, Thornton Wilder, Tina Weymouth, Tom Keene, tragedy, violence, westerns, whodunnit
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FLIX PIX (101): “Nothing Will Prepare You For MYRA BRECKINRIDGE!”
MYRA BRECKINRIDGE (directed by Michael Sarne, 1970) ***** (out of 5) . > This whacky, freaked-out kaleidoscope of a movie was one of the most celebrated misfires of film history. . I haven’t read the book yet, but Gore Vidal’s gender-bending … Continue reading →
Posted in Flix Pix
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Tagged cinema, criticism, entertainment, film criticism, films, Gore Vidal, John Carradine, John Huston, Kevin Keelan, KPK, KPKeelan, KPKworld, Leonard Maltin, Mae West, Michael Sarne, movies, Myra Breckinridge, opinion, Raquel Welch, reviews, Rex Reed, satire, suggestions
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KPK on the CINEMA (60): The Films of FEBRUARY 2017
. Whew. Busy month, Brace yerself maties. The Sea of Cinema yielded a bountiful harvest in February! (Ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles in purple have … Continue reading →
Posted in KPK on the CINEMA
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Tagged A Hard Day's Night, action, Adam Driver, Adam West, Albert Brooks, Alun Owen, animation, autism, Barack Obama, Beatlemania, Bedazzled, biography, Boy & the World, Brazilian cinema, brothers, Captain America Civil War, Captain Kirk, Casey Affleck, Cate Blanchett, Chris Pine, cinema, Civil War, comedies, cults, Damien Chazelle, Diane Keaton, disease, Disney, documentaries, drama, Dudley Moore, Eleanor Bron, Ellen DeGeneres, Elvis & Nixon, Elvis Presley, Emma Stone, erotica, estrangement, Eugene Levy, fantasies, film criticism, films, Finding Dory, Güneş Şensoy, horror, Iceland, Icelandic cinema, Idris Elba, Into the Inferno, Jason Lin, Jeff Nichols, Joel Edgerton, John Cho, Karl Urban, Kevin Keelan, Kevin Spacey, Kirsten Dunst, KPK, KPKeelan, KPKworld, La La Land, Life Animated, livestock, Manchester By the Sea, Marvel Studios, Mia Wasikowska, Michael Shannon, Michelle Obama, Michelle Williams, Midnight Special, movies, musicals, Mustang, Netflix, Norwegian cinema, opinion, Owen Susskind, paranormal, Parker Sawyers, Peter Cook, Pixar, Rams, Raquel Welch, reviews, Richard Lester, Richard Nixon, Roar Uthaug, Robinson Crusoe on Mars, Robyn Davidson, rock 'n' Roll, Roger Ebert, romance, Ron Susskind, Ryan Gosling, Sam Shepard, Satan Comes to Eden, science fiction, Simon Pegg, Southside With You, Stanley Donen, Star Trek Beyond, supernatural, The Beatles, The Boy, the Congo, The Duke of Burgundy, The Galapagos Affair, The Square, The Wave, thrillers, Tika Sumpter, Tracks, tragedy, Turkish cinema, Virunga, volcanoes, Werner Herzog, Zachary Quinto, Zoe Saldana
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