Tag Archives: Queen Elizabeth

KPK on the CINEMA (138): “The Films of August 2023”

Posted on September 1, 2023 by KPKeelan

. > Last month: OPPENHEIMER. This month: BARBIE. What an odd couple. (What would their offspring look like? A plastic Shiva- destroyer of worlds and purveyor of high fashion?) Kinda slow month. Busy realizing some old, previously unrecorded stories. Three … Continue reading →

Posted in KPK on the CINEMA | Tagged 65, Abraham Lincoln, Adam Driver, Adolf Hitler, adventure, Agnes Moorehead, Alexander Graham Bell, America Ferrera, anti-nuclear, Arlene Dahl, arts, Barbie, Bernard Herrmann, Broken Lance, Cast Ronald Colman, cattlemen, Cesar Romero, Chico Marx, cinema, classics, Cleopatra, Colm Bairéad, comedy, coming of age, County Waterford, criticism, Dennis Hopper, Diane Baker, dinosaurs, drama, Dua Lipa, Edward Dmytryk, Edward Everett Horton, entertainment, families, fantasy, farce, feminism, films, Gaelic language, gender roles, geology, girls, Greta Gerwig, Groucho Marx, Harpo Marx, Hedy Lamarr, Hippocrates, ideas, Ireland, Irish cinema, Irwin Allen, James Mason, Joan of Arc, John Carradine, John Cena, Journey to the Center of the Earth, Jules Verne, Kate McKinnon, Katharine Hepburn, Kenan Wynn, Kevin Keelan, KPK, KPKeelan, KPKworld, Lucille Ball, Margot Robbie, Marie Antoinette, Mark Antony, Mattel, Michael Cera, miners, Moses, movies, Napoleon, Nero, Noah Baumbach, opinion, parody, Pat Boon, patriarchy, Peter Lorre, Queen Elizabeth, ranchers, reviews, Rhea Perlman, Richard Widmark, Robert Wagner, romance, Ruth Handler, Ryan Gosling, Satan, sci-fi, science fiction, sexism, Simu Liu, Sir Isaac Newton, Sir Walter Raleigh, Spencer Tracy, stereotypes, The Quiet Girl, The Story of Mankind, Vincent Price, Virginia Mayo, westerns, Will Farrell, William Shakespeare, Without Love, women | Leave a comment

KPK on the CINEMA (120): The Films of February 2022″

Posted on March 25, 2022 by KPKeelan

. > February is here, and before the end of the month: the Oscar nominations. This year, I on on it, baby! The quest to see all the previous year’s most celebrated films is on. Titles in PURPLE have been … Continue reading →

Posted in KPK on the CINEMA | Tagged 101 Dalmatians, A.I., About Endlessness, action, adventure, Afghanistan, aging, Alex Trebek, Alicia Vikander, Alzheimer’s, ambition, America America, animation, artificial intelligence, arts, Barry Keoghan, Bigbug, biographies, Bradley Cooper, carnies, Cate Blanchett, Channing Tatum, child abuse, cinema, classics, Columbian refugees, comedies, comedy, coming of age, con artists, crime, criminals, criticism, Cruella, Daniel Brühl, Danish cinema, David Gordon Green, David Lowery, David Strathairn, death, Dev Patel, diaspora, Dick Johnson is Dead, Disney, Disney animation, documentaries, drama, Dwayne Johnson, dying, dystopia, Elia Kazan, emigration, Emma Stone, Emma Thompson, Encanto, England, entertainment, espionage, families, family, fantasy, fascism, fashion, fate, film noir, films, Flee, fraud, Free Guy, French cinema, Gael García Bernal, Greece, Greek emigration, grief, grifters, Grigori Rasputin, Guillermo Del Toro, hope, human life, human rights, human trafficking, Humphrey Bogart, ideas, immigrants, Jack Farthing, Jean-Pierre Jeunet, Jodie Comer, Joe, Joel Edgerton, John Huston The Green Knight, Jonas Poher Rasmussen, Kaiser Wilhelm, karma, Kevin Keelan, King George, KPK, KPKeelan, KPKworld, Kristen Stewart, Lady Diana, life, Lin-Manuel Miranda, love, M. Night Shyamalan, Maggie Gyllenhaal, Mary Steenburgen, memory, motherhood, movies, musicals, Netflix, Nicholas Cage, Nightmare Alley, obsession, Old, Olivia Coleman, online gaming, opinion, origin stories, people, Peter Lorre, philosophy, poverty, prequels, Prince Charles, Queen Elizabeth, Ralph Fiennes, refugees, remakes, responsibility, revenge, reviews, Rhys Ifans, Richard Jenkins, Ron Perlman, Rooney Mara, Roy Andersson, royal family, royalty, Rufus Sewell, Ryan Reynolds, Sally Hawkins, satire, science fiction, Sean Harris, sequels, smuggling, social criticism, social satire, Spencer, spies, Stanley Tucci, Stathis Giallelis, supernatural, Surface Pressure, surrealism, Swedish cinema, Sydney Greenstreet, Taika Waititi, technology, The Future, the Internet of everything, The King's Man, The Lost Daughter, The Maltese Falcon, The Mitchells Vs. The Machine, Thomasin McKenzie, Tim Blake Nelson, Timothy Spall, Tom Hollander, Toni Collette, tragedy, Tsar Nicholas, Tye Sheridan, villains, We Don’t Talk About Bruno, Willem Dafoe, World War I | Leave a comment

KPK on the CINEMA (84): The Films of February 2019

Posted on July 8, 2021 by KPKeelan

. All hail February! Don’t blink, or you’ll miss it… (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles in purple have been expanded for Flix Pix columns.) … Continue reading →

Posted in KPK on the CINEMA | Tagged 007, A Walk in the Woods, A.O. Scott, acting, action, adolescence, adventure, Angela Bassett, animation, Ant-Man and the Wasp, Appalachian Trail, archival footage, art, art theft, Arthur Penn, bank robbers, Ben Foster, Bill Bryson, Billy Bob Thornton, biography, Bo Burnham, Brad Bird, buddy films, Burt Lancaster, capers, Casey Affleck, Charles Grodin, cinema, classics, climate, cold war, comedy, coming of age, Communism, courtroom drama, crime, David Mamet, Dax Shepard, death, Debra Granik, Derek Flint, Disney, documentaries, drama, editing, Eighth Grade, Elsie Fisher, Emma Thompson, England, families, fantasy, fathers and daughters, fathers and sons, film criticism, film restoration, film technology, filmmaking, films, Forrest Tucker, French resistance, gangs, gender exploitation, growing up, Guy Pearce, Henry Cavill, hiking, historical drama, history, hormones, Iron Curtain, Jake Gyllenhaal, James Bond, James Coburn, Jean Reno, Jeanne Moreau, Jeff Bridges, Jessica Lange, Joanna Kulig, Joaquin Phoenix, John C. Reilly, John Frankenheimer, John Guillermin, John Huston, Jonathan Pryce, Kevin Keelan, King Kong, kitsch, KPK, KPKeelan, KPKworld, Leave No Trace, Lee J. Cobb, lovers, Margot Robbie, Mary of Scotland, Mary Queen of Scots, masterworks, Mission Impossible Fallout, movies, murder, My Abandonment, Natascha McElhone, nature, Nazis, Netflix, Nick Nolte, opinion, Orson Welles, Our Man Flint, parenting, Paul Rudd, Paul Scofield, Paweł Pawlikowski, period pieces, Peter Bogdanovich, Peter Jackson, Pixar, Polish cinema, politics, power, PTSD, Queen Elizabeth, racism, relationships, religion, remakes, reviews, Robert De Niro, Robert Downey Jr., Robert Duvall, Robert Redford, romance, Ronin, royalty, Rutger Hauer, Saoirse Ronan, satire, science fiction, Sean Bean, sex, sexism, Simon Pegg, Sissy Spacek, Sorry to Bother You, special effects, spies, spoilers, spoofs, Stellan Skarsgård, stuntwork, superheroes, survivalists, Telly Savalas, The Incredibles 2, The Judge, The Old Man & the Gun, The Other Side of the Wind, The Sisters Brothers, The Train, The Young Savages, They Shall Not Grow Old, They’ll Love Me When I’m Dead, Thomasin McKenzie, ticket prices, Tom Cruise, Tomasz Kot, tragedy, Vera Farmiga, Vincent D’Onofrio, Ving Rhames, violence, war, westerns, World War I, World War II, youth | Leave a comment

Tag Archives: Queen Elizabeth

KPK on the CINEMA (138): “The Films of August 2023”

KPK on the CINEMA (84): The Films of February 2019

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