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Tag Archives: Peter Finch
KPK on the CINEMA (136): “The Films of June 2023”
. > No 5-star classics this month- but six 4-star movies is still a cornucopia of riches. Can’t have everything, all the time. Let’s dive in. (All films are rated on a 5-star basis and must be over a decade … Continue reading →
Posted in KPK on the CINEMA
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Tagged acting, action, actresses, allegory, Americana, Amy Heckerling, arts, Audrey Hepburn, Avatar: The Way of Water, Barry Nelson, Being Mary Tyler Moore, biography, blockbusters, Catholicism, C’mon C’mon, children, Chris Pine, Christianity, cinema, Clarence Brown, cliches, Coleen Dewhurst, comedy, coming of age, conscience, corruption, crime, Crimes of the Future, criticism, Dana Andrews, David Cronenberg, Dean Jagger, documentary, Don DeFore, Don’t Worry Darling, Donna Reed, drama, entertainment, environment, evolution, faith, families, family, fantasy, farce, film noir, films, Florence Pugh, Frank Morgan, Fred Zinnemann, Gabby Giffords Won’t Back Down, gangsters, Gene Tierney, Griffin Dunne, gun violence, Harry Styles, HBO, horror, Howard Shore, ideas, injury, inspiration, James Cameron, Joaquin Phoenix, Joe Piscopo, Johnny Dangerously, Kate Winslet, Kevin Keelan, KPK, KPKeelan, KPKworld, Kristen Stewart, Laura, Léa Seydoux, male privilege, Mark Kelly, Maureen Stapleton, Michael Keaton, Mickey Rooney, Mike Mills, military, missionaries, movies, murder, mystery, obedience, oceans, Olivia Wilde, opinion, Otto Preminger, parenting, patriotism, performance art, personalities, Peter Boyle, Peter Finch, political terrorism, politics, propaganda, recovery, religion, revenge, reviews, Robert Mitchum, romance, Sam Worthington, sci-fi, science fiction, self-mutilation, sequels, Sigourney Weaver, small towns, The Dick Van Dyke Show, The Human Comedy, The Nun’s Story, values, Viggo Mortensen, Vincent Price, violence, William Saroyan, Woody Norman, World War II, Zoe Saldana
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KPK on the CINEMA (101): The Films of July 2020
. > JULY 2020! Most of us are still alive! Well that’s something… (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles in purple have been expanded for … Continue reading →
Posted in KPK on the CINEMA
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Tagged A Beautiful Day in the Neighborhood, Ace in the Hole, Adolph Green, Aldolph Green, Alfre Woodard, Alice Pearce, alienation, Allison Janney, Ally Sheedy, American history, Ann Miller, Anne Baxter, art, Arthur Kennedy, astronomy, Atacama Desert, Atlanta, Augusto Pinochet, Barbara Stanwyck, Barbra Bel Geddes, Best Foreign Film, Betty Comden, Betty Garrett, Bill O’Reilly, Billy Wilder, biography, Blood on the Moon, Bombshell, Brian Keith, British cinema, Brock Peters, Centennial Park bombing, Charlize Theron, child abuse, Chilean cinema, Chris Cooper, Christine Lahti, Ciarán Hinds, cinema, Cinema Verite, Clint Eastwood, comedies, concentration camps, corruption, courage, crime, criticism, Cynthia Erivo, David Holzman’s Diary, David Spade, denial, dictators, documentaries, Down in the Delta, drama, dramady, dysfunction, Edward Dmytryk, Edward G. Robinson, Elio Petri, Elmer Bernstein, Ennio Morricone, Eric Rohmer, exploitation, families, fascism, fathers and sons, FBI, films, forensics, Fox News, Françoise Fabian, Frank Ferguson, Frank Sinatra, Fred Rogers, Fritz Lang, Gene Kelly, genocide, George Reeves, Geraldo Rivera, Gian Maria Volonté, Girl With the Green Eyes, Glenn Ford, Gretchen Carlson, grief, Harriet, Harriet Tubman, Having a Wild Weekend, Herbie Hancock, heroism, Holland Taylor, Holocaust, ideas, Investigation of a Citizen Above Suspicion, Italian cinema, Jack Elam, Jaime Sánchez, Jane Fonda, Jay Roach, Jean Louis Trintignant, Jeanine Pirro, Jim McBride, John Boorman, John Hamm, John Lithgow, journalism, Juano Hernandez, Jules Munshin, justice, Kate McKinnon, Kathy Bates, Kathy Scruggs, Kevin Keelan, Kirk Douglas, KPK, KPKeelan, KPKworld, Lauren Lapkus, Laurence Harvey, Leonard Bernstein, Life During Wartime, love, Luis Buñuel, Lynn Redgrave, Malcolm McDowell, Margot Robbie, Marie-Christine Barrault, Marketa Kimbrell, Marlene Dietrich, Matthew Rhys, Maya Angelou, media, Megyn Kelly, Mel Ferrer, mercenaries, Mississippi, mocumentaries, mothers of the disappeared, movies, Mr. Rogers' Neighborhood, murder, musicals, My Night at Maud’s, Nazism, Netflix, New Orleans, New York, Nicole Kidman, Nostalgia For the Light, obsession, Olivia Wilde, On the Town, opinion, outlaws, Paul Reubens, Paul Walter Hauser, people, personalities, Peter Finch, policing, Post-Traumatic Stress Disorder, power, prostitution, PTSD, Rancho Notorious, Raymond St. Jacques, relationships, revenge, reviews, Richard Jewell, Richard Kind, Rita Tushingham, road trips, Rob Schneider, Robert Mitchum, Robert Preston, Robert Wise, rock and roll, Rod Steiger, Roger Ailes, romance, Rupert Murdoch, Russell Johnson, sailors, satire, Saul Bass, scandal, science, sexism, Shirley Henderson, Sidney Lumet, slander, slavery, spoofs, Stanley Donen, surrealism, survivor’s guilt, technology, terrorism, The Big Carnival, The Dave Clark Five, The Pawnbroker, The Phantom of Liberty, the press, the underground railroad, The Violent Men, The Wrong Missy, Todd Solondz, Tom Hanks, Tom Junod, trauma, Vera-Ellen, Walk on the Wild Side, Walter Brennan, westerns, William Frawley, workplace abuse, World War II
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