Tag Archives: Nazi Germany

KPK on the CINEMA (131): “The Films of January 2023”

Posted on February 11, 2023 by KPKeelan

. > End of the year: 7 films from 2022- the year that was. Always happens, as I gear up for awards season. Enjoy! (All films are rated on a 5-star basis and must be over a decade old to get … Continue reading →

Posted in KPK on the CINEMA | Tagged #MeToo, 50 First Dates, abuse, action, Adam Driver, Adam McKay, Adam Sandler, airmen, Alice Braga, aliens, Anya Taylor-Joy, Arthur Godfrey, arts, Austin Butler, Barbra Stanwyck, Baz Luhrmann, biography, Bloodsport, Bradley Cooper, Cate Blanchett, Chris Hemsworth, Chris Pratt, Christian Bale, cinema, Colonel Tom Parker, comedies, comedy, comic books, corruption, crime, criticism, Dave Bautista, DC Comics, death, Dick Martin, disasters, Dom DeLuise, Don Cheadle, Doris Day, drama, Drew Barrymore, Ed Harris, elitism, Elvis, Elvis Presley, entertainment, escape, espionage, fame, family, fantasy, farce, fear, fighter pilots, film noir, films, Flix Pix, Frank Morgan, Frankie Avalon, genius, Greta Gerwig, Groot, Harley Quinn, haute cuisine, horror, hubris, Humphrey Bogart, ideas, Idris Elba, James Stewart, Janet McTeer, Jennifer Connelly, John Cena, John Leguizamo, John McGiver, Jon Hamm, Jordan Peele, Kevin Keelan, King Shark, KPK, KPKeelan, KPKworld, love, machismo, Margot Robbie, Marvel Studios, memory, Miles Teller, militarism, military, movies, murder, music, musicians, mysteries, Natalie Portman, Nazi Germany, Netflix, Nicholas Hoult, Noah Baumbach, Nope, nuclear disaster, opinion, Panic in the Year Zero, Paul Lynde, Peacemaker, Pete Davidson, Peter Capaldi, power, privilege, Ralph Fiennes, Ray Milland, relationships, reviews, Rob Schneider, Robert Stack, Robert Young, Rod Taylor, romance, Russell Crowe, San Fernando Valley, satire, sci-fi, science fiction, Sean Astin, sequels, sexual harassment, snobbery, success, superheroes, surrealism, survival, Sylvester Stallone, Taika Waititi Korg, Tár, Tessa Thompson, The Glass Bottom Boat, The Menu, The Mortal Storm, The Suicide Squad, The Two Mrs. Carrolls, Thor: Love and Thunder, thrillers, Todd Field, Tom Cruise, Tom Hanks, Top Gun Maverick, tragedy, Val Kilmer, Vin Diesel, Viola Davis, violence, wealth, White Noise, Will Farrell, World War II, Zeus | Leave a comment

FLIX PIX (938): “A True Artist Should NEVER LOOK AWAY”

Posted on December 1, 2022 by KPKeelan

NEVER LOOK AWAY (directed by Florian Henckel von Donnersmarck, 2018) ****+ (out of 5) . > From Germany comes another deft, complex, nuanced and brilliant film from Florian Henckel von Donnersmarck, who made the equally unforgettable THE LIVES OF OTHERS in … Continue reading →

Posted in Flix Pix | Tagged art, artists, arts, beauty, cinema, criticism, cruelty, entertainment, films, Florian Henckel von Donnersmarck, German cinema, ideas, justice, Kevin Keelan, KPK, KPKeelan, KPKworld, life, love, movies, Nazi Germany, Never Look Away, opinion, politics, reviews, Sebastian Koch, Word War II | Leave a comment

KPK on the CINEMA (94): The Films of December 2019

Posted on July 18, 2021 by KPKeelan

. December! Gad I hate this month. At least there are usually good movies out, vying for Oscar’s attention… (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles … Continue reading →

Posted in KPK on the CINEMA | Tagged action, Adam Driver, Adam McKay, adventure, African cinema, Al Pacino, Alain Resnais, American history, Amy Ryan, animation, Anna Paquin, Anthony Hopkins, art, artists, Atlantics, Bad Times at The El Royale, beauty, Benedict XVI, betrayal, biography, Bishops, Bobby Cannavale, Caesar Romero, Captain Horatio Hornblower, Carl Theodor Dreyer, Cheyenne Autumn, childhood, Chinese cinema, Christianity, classics, comedies, comedy, crime, cruelty, Dean Martin, Deborah Kerr, digital technology, divorce, dogma, Don Rickles, drama, Drew Goddard, Duplo, dysfunction, E. M. Forster, Edward G. Robinson, emigration, Emmanuelle Riva, epics, faith, families, family, family films, fantasy, Fernando Meirelles, Florian Henckel von Donnersmarck, Frank Sheehan, Frank Sinatra, French cinema, Ganges River, gangsters, genocide, German cinema, Gregory Peck, grief, Harvey Keitel, heartbreak, Hiroshima Mon Amor, Huck Finn, humor, Hungarian cinema, I Hear You Paint Houses, ideology, India, Indians, Jack Goes Boating, James Stewart, Jean Renoir, Jeff Bridges, Jesse Plemons, Jimmy Hoffa, Joe Pesci, John C. Reilly, John Ford, John Paul II, Johnathan Pryce, Jorge Bergoglio, Joseph Ratzinger, Juliette Binoche, justice, Laura Dern, Lego Batman, life, love, maritime, Mark Twain, Marriage on the Rocks, Marriage Story, martial arts, Martin Scorsese, Mary Steenburgen, Mati Diop, Mickey Rooney, migration, Milorad Krstic, Mississippi River, Nazi Germany, Netflix, Never Look Away, Noah Baumbach, nuclear war, Ordet, organized crime, Philip Seymour Hoffman, Polish cinema, politics, Pope Francis, racism, Ray Romano, reform, relationships, religion, Ricardo Montalban, Richard Jenkins, Richard Widmark, Robert De Niro, romance, Ruben Brandt Collector, Scarlett Johansson, Sebastian Koch, Senegal, sequels, Shadow, Step Brothers, Steven Van Zandt, supernatural, The Adventures of Huckleberry Finn, The Irishman, The Lego Movie 2 The Second Part, The River, The Two Popes, Toy Story 4, tradition, tragedy, war, westerns, Will Ferrell, Word War II, Wyatt Earp, Zhang Yimou | Leave a comment

Tag Archives: Nazi Germany

KPK on the CINEMA (131): “The Films of January 2023”

FLIX PIX (938): “A True Artist Should NEVER LOOK AWAY”

KPK on the CINEMA (94): The Films of December 2019

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