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Tag Archives: Mick Travis trilogy
KPK on the CINEMA (98): The Films of April 2020
. > April 2020 saw me focusing on films by two of the most durable, respected icons of the cinema- black actors whose intrinsic dignity and integrity made them role models for millions of African Americans and other ethnicities who … Continue reading →
Posted in KPK on the CINEMA
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Tagged actors, addiction, Adolfo Celi, Al Gore, Alain Delon, alcoholism, angels, anti-Semitism, Bibi Anderson, bigotry, Bill Wise, Bobby Darin, Boris Karloff, Brigitte Bardot, Britannia Hospital, British cinema, Britt Ekland, Captain Nemo and the Underwater City, Carl Theodor Dryer, Chuck Connors, cinema, classics, climate, comedy, corruption, crime, criminals, Dennis Weaver, Diahann Carroll, directors, documentaries, drama, Duel at Diablo, Duke Ellington, dysfunction, ecology, Edgar Allen Poe, Edge of the City, Edward G. Robinson, environmentalism, expressionism, faith, families, fantasy, Federico Fellini, films, French cinema, Fritz Lang, gangsters, Gary A. Patton, German cinema, God, gun violence, Harry Belafonte, hatred, history, horror, Hubert Cornfield, ideas, immigrants, Inger Stevens, Israel, Jack Warden, James Garner, Jane Fonda, jazz, Jeff Gibbs, Jews, Joanne Woodward, John Cassavetes, John Ford, Joseph L. Mankiewicz, Jules Verne, Kevin Keelan, killers, KPK, KPKeelan, KPKworld, Krisha Fairchild, labor, László Kovács, life, Lindsay Anderson, Live and Become, loss, Louis Armstrong, Louis Malle, love, Malcolm McDowell, Martin Ritt, Mel Ferrer, Metzengerstein, Michael Moore, Mick Travis trilogy, migrants, misogyny, mistaken identity, movies, murder, musicians, mystery, Nazism, Neil Hefti, No Way Out, nuclear apocalypse, oceans, Operation Moses, opinion, Otto Wernicke, Paris Blues, Paul Newman, people, Peter Bogdanovich, Peter Falk, Peter Fonda, Peter Sellers, Planet of the Humans, politics, power, Pressure Point, racism, Ralph Nelson, Reseda Drive-In Theater, reviews, Richard Widmark, Robert Ryan, Robert Wiene, Roger Vadim, Rudolf Klein, satire, sexism, showbusiness, Sidney Poitier, silent films, snipers, Spirits of the Dead, suspense, Targets, Terence Stamp, The Angel Levine, The Bobo, The Hands of Orlac, The Testament of Dr. Mabuse, The Whole Town’s Talking, the world, The World the Flesh and the Devil, thrillers, Tim O’Kelly, Toby Dammit, Trey Edward Shults, vampires, Vampyr, violence, westerns, white supremacy, William Wilson, xenophobia, Zero Mostel
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