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Tag Archives: Michael Peña
FLIX PIX (775): “At 89, Clint Eastwood Becomes THE MULE”
THE MULE (directed by Clint Eastwood, 2018) **** (out of 5) . > Oh man! . No matter what you think about Clint Eastwood’s surprisingly conservative views (which seem somewhat anachronistic considering the progressive themes he deals with in movies like … Continue reading
Posted in Flix Pix
Tagged aging, Andy Garcia, art, Bradley Cooper, cinema, Clint Eastwood, criticism, drugs, economics, family, films, ideas, Kevin Keelan, KPK, KPKeelan, KPKworld, Laurence Fishburne, Michael Peña, movies, opinion, reviews, smuggling, The Mule
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FLIX PIX (746): “Another Flirtation With EXTINCTION”
EXTINCTION (directed by Ben Young, 2018) ***+ (out of 5) . > Looks like I am not the only movie-lover with a taste for destruction on a Biblical scale. Seems like there is a new entry in this genre almost daily. … Continue reading
Posted in Flix Pix
Tagged art, Ben Young, cinema, criticism, extinction, films, ideas, Kevin Keelan, KPK, KPKeelan, KPKworld, Michael Peña, movies, Netflix, opinion, reviews, science fiction
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FLIX PIX (468): “Disney Takes A Second Stab at A WRINKLE IN TIME”
A WRINKLE IN TIME (directed by Ava DuVernay, 2018) *** (out of 5) . > This project was prominent on my radar from the moment Disney announced that they were going to try again with this classic children’s novel from 1962. … Continue reading
Posted in Flix Pix
Tagged A Wrinkle in Time, art, Ava DuVernay, Calvin O'Keefe, Camzotz, Charles Wallace, cinema, criticism, Deric McCabe, films, ideas, Kevin Keelan, KPK, KPKeelan, KPKworld, Levi Miller, Madeleine L’Engle, Meg Murry, Michael Peña, movies, opinion, Oprah Winfrey, Reese Witherspoon, reviews, Storm Reid, Zach Galifianakis
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KPK on the CINEMA (88): The Films of June 2019
. JUNE! Here come the summer blockbusters. I’ll have to sort through the commercial “product” to find the authentic gems. (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) … Continue reading
Posted in KPK on the CINEMA
Tagged A Bob Dylan Story, action, adoption, Africa, Amandla Stenberg, Andy Garcia, art, bigotry, Bill Murray, Black Lives Matter, Bob Dylan, Bradley Cooper, bulimia, celebrity, child abuse, cinema, Clint Eastwood, colonialism, counterculture, David Kellman, Deadheads, Dianne Wiest, documentaries, drama, drug trafficking, Edward Galland, Emily Litella, experiments, fame, filmmakers, filmmaking, films, Gene Wilder, Gilda Radner, humor, ideas, Jeon Seong-hwang, Joan Baez, John and Yoko Above Us Only Sky, John Belushi, John Lennon, Joni Mitchell, Kevin Keelan, Kim Ki-duk, Korean cinema, KPK, KPKeelan, KPKworld, Laurence Fishburne, Lisa Loopner, Long Strange Trip, love, Love Gilda, Martin Scorsese, Mexico, Michael Caine, Michael Peña, movies, music, musicians, opinion, partnership, police shootings, prejudice, racism, Ramblin' Jack Elliott, reviews, Robert Shafran, rock 'n' Roll, Roger McGuinn, Rolling Thunder Revue, Ronee Blakely, Roseanne Roseannadanna, Saturday Night Live, siblings, smuggling, SNL, survival, The Beatles, The Bow, the Grateful Dead, The Hate U Give, The Mule, The Untold Story of the Grateful Dead, Three Identical Strangers, touring, tragedy, triplets, Tupac Shakur, war, Yoko Ono, Zulu
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KPK on the CINEMA (79): The Films of September 2018
. A brand new month, a brand new crop o’ films! A lifetime love of movies. (All films are rated on a 5 star basis and must be over a decade old to get that 5 star designation.) (Titles in … Continue reading
Posted in KPK on the CINEMA
Tagged 12, 12 Angry Men, A Street Cat Named Bob, Adam Driver, addiction, Alec Baldwin, Alexander Payne, Ali Fazal, Anna Kendrick, art, Asim Abbasi, Ben Foster, biography, Blackkklansman, blacksploitation, Born in China, buskers, Cake, China, Christian Bale, cinema, comedy, corruption, criticism, Dave Franco, David Duke, Denis Villeneuve, destruction, disaster films, Disneynature, documentaries, doppelgangers, Downsizing, drama, Eddie Izzard, Enemy, extinction, films, Forest Whitaker, Fred Armisen, genocide, golden monkeys, Harry Belafonte, Hillary Swank, history, Hostiles, How It Ends, ideas, India, Isabella Rossellini, Jake Gyllenhaal, James Bowen, Jennifer Aniston, Jesse Plemons, John C. Reilly, John David Washington, John Krakowski, John Maclean, Judi Dench, juries, justice, Kat Graham, Kate Micucci, Kevin Keelan, KPK, KPKeelan, KPKworld, Luke Treadaway, Matt Damon, Michael Buscemi, Michael Fassbender, Michael Gambon, Michael Peña, movies, murder, Natural disasters, nature, Nick Offerman, Nikita Mikhalov, Olivia Williams, opinion, overpopulation, pandas, police brutality, psychological thrillers, racism, reviews, Roger Spottiswoode, Ron Stallworth, Rosamund Pike, Russian cinema, Sam Worthington, sci-fi, Scott Cooper, Simon Callow, singers, Slow West, snow leopards, special effects, Spike Lee, success, surrealism, The Decameron, The Homesman, the Indian Wars, the Ku Klux Klan, The Little Hours, the seventies, Theo James, Tommy Lee Jones, Topher Grace, tragedy, Victoria & Abdul, Wes Studi, westerns, wildlife
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