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Tag Archives: Michael B. Jordan
KPK on the CINEMA (105): The Films of November 2020
. NOVEMBER 2020… Finally finished in March 2021! Slowly working my way through the backlog, with 31 down and 42 to go! (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade … Continue reading →
Posted in KPK on the CINEMA
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Tagged 007, Aaron Copeland, action, Adam Driver, addiction, adultery, adventure, alcoholism, Alfred Hitchcock, American culture, Amy Adams, Andy Serkis, animation, Anthony Franciosa, anti-Semitism, Appalachia, Arte Johnson, Arthur Hill, arts, At the Circus, B-movies, Barbara Stanwyck, Bertrand Bonello, Billy Dee Williams, Bing Crosby, biography, Borat Subsequent Moviefilm, brainwashing, Brie Larson, Bruce Dern, camp, Carrie Fisher, Cary Grant, Cecil Kellaway, Chico Marx, cinema, class, classics, Cole Porter, Colm Feore, comedies, comic books, coming of age, conflict, conscience, conspiracies, corporations, corruption, courtroom drama, crime, criticism, cults, cybercrime, dada, Daisy Ridley, detectives, Diane Baker, Dieudonné, documentaries, Domhnall Gleeson, Donald Pleasence, Dorothy Arzner, Dr. Seuss, drama, dysfunction, dystopia, End of Sentence, Ernst Stavro Blofeld, estrangement, exploitation, exposés, fairytales, families, fantasy, fascism, fathers and sons, Federico Fellini, films, Frank Oz, Frank Sinatra, fraud, Fredric March, French cinema, friendship, future, Gabriel Basso, genius, George Lucas, Glenn Close, Godfrey Cambridge, Grace Kelly, Gregory Chelli, grief, Groucho Marx, hackers, hacktivists, Haiti, Hans Christian Andersen, harassment, Harper, Harpo Marx, Harrison Ford, hate speech, hatred, Hedy Lamarr, Henry James, High Society, Hillbilly Elegy, hostages, Hume Cronyn, humor, I Married a Witch, I Vitelloni, Ian Fleming, Ian McDiarmid, ideas, inequality, infidelity, injustice, intimidation, Ireland, Israel, Italian cinema, J.D. Vance, J.J. Abrams, Jack MacGowran, Jacques Prévert, Jake Gyllenhaal, James Bond, James Caan, James Cagney, James Coburn, Jamie Foxx, Janet Leigh, Jean Gabin, Jean Renoir, Jews, Joan Blondell, Joanne Woodward, John Boyega, John Ford, John Garfield, John Hawkes, John Houseman, John Steinbeck, Jon Favreau, Judi Dench, Jules Verne, Julie Harris, Just Mercy, justice, Karl Urban, Keri Russell, Kevin Keelan, Kirk Douglas, kitsch, KPK, KPKeelan, KPKworld, La Bête Humaine, Lana Turner, Lauren Bacall, Lee J. Cobb, Les Gémeaux, Lew Harper, Lewis Gilbert, liberation, lies, Louis Armstrong, Louis Theroux, love, M.C. Escher, machismo, manipulation, Margaret Dumont, Maria Bakalova, Mariette Hartley, Marisa Tomei, Mark Hamill, Marnie, marriage, Marx brothers, masterpieces, Max Fleischer, Maxfield Parrish, Melanie Griffith, men, Merrily We Go to Hell, Metropolis, Michael B. Jordan, mocumentaries, Monterey, Montgomery Clift, morality, movies, murder, musicals, My Scientology Movie, mysteries, Netflix, noir, Norman Jewison, Olivia de Havilland, opinion, Oscar Isaac, Paul Grimault, Paul Newman, pirates, politics, poverty, pranks, psychological drama, race, racing, racism, Ralph Richardson, relationships, religion, René Clair, responsibility, retaliation, revenge, reviews, Richard E. Grant, rituals, Roald Dahl, Robert Wagner, Rollerball, Roman Polanski, romance, Ron Howard, Ross MacDonald, Rudolph Maté, Rudy Giuliani, Sacha Baron Cohen, Salvador Dalí, Samantha Eggar, Samuel L. Jackson, sci-fi, science fiction, Sean Connery, secrets, sequels, Sharon Tate, Shelley Winters, Simone Simon, slapstick, slavery, social satire, Spencer Tracy, Spider-Man Far From Home, spies, sports, Star Wars, steampunk, Strother Martin, superheroes, supernatural, surrealism, Sylvia Sidney, symbolism, Thandie Newton, The Adventures of Tintin, The Chronicles of Riddick, The Crowd Roars, The Dark Past, The Drowning Pool, The Fearless Vampire Killers, The Future, The Heiress, The Human Beast, The King and the Mockingbird, The Layabouts, The Light at the Edge of the World, The Patriot, The Philadelphia Story, The Postman Always Rings Twice, The President’s Analyst, The Rise of Skywalker, The Shepherdess and the Chimney Sweep, The Strange Love of Martha Ivers, Tim Blake Nelson, Tippi Hedren, Tom Holland, Tortilla Flat, totalitarianism, tragedy, Transylvania, trauma, Ulcan, values, vampires, Van Heflin, Veronica Lake, Victor Fleming, vigilantes, Vin Diesel, violence, voodoo, Walt Disney, Washington Square, Will Geer, William Daniels, William Holden, William Wyler, Wojciech Kilar, You Only Live Twice, Yul Brynner, Zendaya, Zombi Child, zombies, zombiism
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FLIX PIX (56): “Next Stop: FRUITVALE STATION (Put on Your Kevlar Vest!)”
FRUITVALE STATION (directed by Ryan Coogler, 2013) **** (out of 5) . > After seeing this excellent film, I am convinced that FRUITVALE STATION was criminally overlooked in the 2013 Oscar race. . I found this solid drama well worthy … Continue reading →
Posted in Flix Pix
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Tagged art, cinema, film criticism, films, Fruitvale Station, ideas, Kevin Keelan, KPK, KPKeelan, KPKworld, Michael B. Jordan, movies, Octavia Spencer, opinion, Oscar Grant, police brutality, race relations, racism, reviews, violence
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