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Tag Archives: Merle Oberon
KPK on the CINEMA (123): “The Films of May 2022”
. > MAY 2022. Months overdue, but this baby is delivered! (All films are rated on a 5-star basis and must be over a decade old to get 5 stars.) > This month I review the following 10 films: KELLY’S … Continue reading →
Posted in KPK on the CINEMA
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Tagged action, Adolfo Celi, adventure, Adventures of Don Juan, Alan Hale, Alfred Molina, Andrew Garfield, Anya Taylor-Joy, Ben Hecht, Benedict Cumberbatch, black comedy, Burgess Meredith, Carol O’Connor, Carole Lombard, Charles Boyer, class, classics, Cliff Robertson, Clint Eastwood, Cluny Brown, comedies, comedy, comics, crime, David O. Selznick, Diana Rigg, Don Rickles, Donald Sutherland, Dorothy Parker, drama, Ernst Lubitsch, Errol Flynn, Eva Marie Saint, Eve Arden, Exodus, fantasy, Fredric March, Gavin MacLeod, gender, George S. Kaufman, Harry Dean Stanton, Hattie McDaniel, heists, historical epics, Israel, Jamie Foxx, Jennifer Jones, Jews, Kelly’s Heroes, Last Night in Soho, Lee J. Cobb, London, Maggie Smith, Margaret Hamilton, Marisa Tomei, marriage, Marvel, Melvyn Douglas, Merle Oberon, Moss Hart, murder, mystery, Nothing Sacred, Otto Preminger, Paul Newman, Peter Lawford, Peter Parker, Ralph Richardson, Raymond Burr, relationships, Rex Harrison, Richard Haydn, Ring Lardner Jr., Rita Tushingham, romance, Sal Mineo, scams, Shang-Chi and the Legend of the Ten Rings, Spain, Spider-Man: No Way Home, superheroes, supernatural, Susan Hayward, suspense, swashbuckling, swordplay, Telly Savalas, Terence Stamp, That Uncertain Feeling, The Honey Pot, Thomas Haden Church, Thomasin McKenzie, Tobey Maguire, Tom Holland, Una O'Connor, Willem Dafoe, William Wellman, World War II, Zendaya
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