Tag Archives: Malcolm McDowell

FLIX PIX (871): “Faux ‘News’ and the BOMBSHELL Who Brought Down Roger Ailes”

Posted on October 28, 2022 by KPKeelan

BOMBSHELL (directed by Jay Roach, 2019) ***+ (out of 5) . > I always took it on faith that Roger Ailes, the corpulent himbo behind Faux “News”, was a real piece of human excrement… . After seeing this tart, potent indictment, … Continue reading →

Posted in Flix Pix | Tagged Allison Janney, art, autobiography, Bill O’Reilly, biography, Bombshell, Charlize Theron, cinema, criticism, drama, films, Fox News, Geraldo Rivera, Gretchen Carlson, Holland Taylor, ideas, Jay Roach, Jeanine Pirro, John Lithgow, justice, Kate McKinnon, Kevin Keelan, KPK, KPKeelan, KPKworld, Malcolm McDowell, Margot Robbie, Megyn Kelly, molestation, movies, newsrooms, Nicole Kidman, opinion, reviews, Richard Kind, Roger Ailes, Rupert Murdoch, scandal, sexism, sexual predators, television, workplace abuse | Leave a comment

FLIX PIX (620): “The Easy Charm of TIME AFTER TIME”

Posted on June 25, 2022 by KPKeelan

TIME AFTER TIME (directed by Nicholas Meyer, 1979) *** (out of 5) . > Ah- the little film that could. . TIME AFTER TIME is a minor effort really, but it has its charms. Enough of them to be deemed by … Continue reading →

Posted in Flix Pix | Tagged art, cinema, criticism, David Warner, films, H. G. Welles, ideas, Jack the Ripper, Kevin Keelan, KPK, KPKeelan, KPKworld, Malcolm McDowell, Mary Steenburgen, movies, Nicholas Meyer, opinion, reviews, science fiction, Time After Time, time travel | Leave a comment

KPK on the CINEMA (101): The Films of July 2020

Posted on July 25, 2021 by KPKeelan

. > JULY 2020! Most of us are still alive! Well that’s something… (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles in purple have been expanded for … Continue reading →

Posted in KPK on the CINEMA | Tagged A Beautiful Day in the Neighborhood, Ace in the Hole, Adolph Green, Aldolph Green, Alfre Woodard, Alice Pearce, alienation, Allison Janney, Ally Sheedy, American history, Ann Miller, Anne Baxter, art, Arthur Kennedy, astronomy, Atacama Desert, Atlanta, Augusto Pinochet, Barbara Stanwyck, Barbra Bel Geddes, Best Foreign Film, Betty Comden, Betty Garrett, Bill O’Reilly, Billy Wilder, biography, Blood on the Moon, Bombshell, Brian Keith, British cinema, Brock Peters, Centennial Park bombing, Charlize Theron, child abuse, Chilean cinema, Chris Cooper, Christine Lahti, Ciarán Hinds, cinema, Cinema Verite, Clint Eastwood, comedies, concentration camps, corruption, courage, crime, criticism, Cynthia Erivo, David Holzman’s Diary, David Spade, denial, dictators, documentaries, Down in the Delta, drama, dramady, dysfunction, Edward Dmytryk, Edward G. Robinson, Elio Petri, Elmer Bernstein, Ennio Morricone, Eric Rohmer, exploitation, families, fascism, fathers and sons, FBI, films, forensics, Fox News, Françoise Fabian, Frank Ferguson, Frank Sinatra, Fred Rogers, Fritz Lang, Gene Kelly, genocide, George Reeves, Geraldo Rivera, Gian Maria Volonté, Girl With the Green Eyes, Glenn Ford, Gretchen Carlson, grief, Harriet, Harriet Tubman, Having a Wild Weekend, Herbie Hancock, heroism, Holland Taylor, Holocaust, ideas, Investigation of a Citizen Above Suspicion, Italian cinema, Jack Elam, Jaime Sánchez, Jane Fonda, Jay Roach, Jean Louis Trintignant, Jeanine Pirro, Jim McBride, John Boorman, John Hamm, John Lithgow, journalism, Juano Hernandez, Jules Munshin, justice, Kate McKinnon, Kathy Bates, Kathy Scruggs, Kevin Keelan, Kirk Douglas, KPK, KPKeelan, KPKworld, Lauren Lapkus, Laurence Harvey, Leonard Bernstein, Life During Wartime, love, Luis Buñuel, Lynn Redgrave, Malcolm McDowell, Margot Robbie, Marie-Christine Barrault, Marketa Kimbrell, Marlene Dietrich, Matthew Rhys, Maya Angelou, media, Megyn Kelly, Mel Ferrer, mercenaries, Mississippi, mocumentaries, mothers of the disappeared, movies, Mr. Rogers' Neighborhood, murder, musicals, My Night at Maud’s, Nazism, Netflix, New Orleans, New York, Nicole Kidman, Nostalgia For the Light, obsession, Olivia Wilde, On the Town, opinion, outlaws, Paul Reubens, Paul Walter Hauser, people, personalities, Peter Finch, policing, Post-Traumatic Stress Disorder, power, prostitution, PTSD, Rancho Notorious, Raymond St. Jacques, relationships, revenge, reviews, Richard Jewell, Richard Kind, Rita Tushingham, road trips, Rob Schneider, Robert Mitchum, Robert Preston, Robert Wise, rock and roll, Rod Steiger, Roger Ailes, romance, Rupert Murdoch, Russell Johnson, sailors, satire, Saul Bass, scandal, science, sexism, Shirley Henderson, Sidney Lumet, slander, slavery, spoofs, Stanley Donen, surrealism, survivor’s guilt, technology, terrorism, The Big Carnival, The Dave Clark Five, The Pawnbroker, The Phantom of Liberty, the press, the underground railroad, The Violent Men, The Wrong Missy, Todd Solondz, Tom Hanks, Tom Junod, trauma, Vera-Ellen, Walk on the Wild Side, Walter Brennan, westerns, William Frawley, workplace abuse, World War II | Leave a comment

KPK on the CINEMA (98): The Films of April 2020

Posted on July 22, 2021 by KPKeelan

. > April 2020 saw me focusing on films by two of the most durable, respected icons of the cinema- black actors whose intrinsic dignity and integrity made them role models for millions of African Americans and other ethnicities who … Continue reading →

Posted in KPK on the CINEMA | Tagged actors, addiction, Adolfo Celi, Al Gore, Alain Delon, alcoholism, angels, anti-Semitism, Bibi Anderson, bigotry, Bill Wise, Bobby Darin, Boris Karloff, Brigitte Bardot, Britannia Hospital, British cinema, Britt Ekland, Captain Nemo and the Underwater City, Carl Theodor Dryer, Chuck Connors, cinema, classics, climate, comedy, corruption, crime, criminals, Dennis Weaver, Diahann Carroll, directors, documentaries, drama, Duel at Diablo, Duke Ellington, dysfunction, ecology, Edgar Allen Poe, Edge of the City, Edward G. Robinson, environmentalism, expressionism, faith, families, fantasy, Federico Fellini, films, French cinema, Fritz Lang, gangsters, Gary A. Patton, German cinema, God, gun violence, Harry Belafonte, hatred, history, horror, Hubert Cornfield, ideas, immigrants, Inger Stevens, Israel, Jack Warden, James Garner, Jane Fonda, jazz, Jeff Gibbs, Jews, Joanne Woodward, John Cassavetes, John Ford, Joseph L. Mankiewicz, Jules Verne, Kevin Keelan, killers, KPK, KPKeelan, KPKworld, Krisha Fairchild, labor, László Kovács, life, Lindsay Anderson, Live and Become, loss, Louis Armstrong, Louis Malle, love, Malcolm McDowell, Martin Ritt, Mel Ferrer, Metzengerstein, Michael Moore, Mick Travis trilogy, migrants, misogyny, mistaken identity, movies, murder, musicians, mystery, Nazism, Neil Hefti, No Way Out, nuclear apocalypse, oceans, Operation Moses, opinion, Otto Wernicke, Paris Blues, Paul Newman, people, Peter Bogdanovich, Peter Falk, Peter Fonda, Peter Sellers, Planet of the Humans, politics, power, Pressure Point, racism, Ralph Nelson, Reseda Drive-In Theater, reviews, Richard Widmark, Robert Ryan, Robert Wiene, Roger Vadim, Rudolf Klein, satire, sexism, showbusiness, Sidney Poitier, silent films, snipers, Spirits of the Dead, suspense, Targets, Terence Stamp, The Angel Levine, The Bobo, The Hands of Orlac, The Testament of Dr. Mabuse, The Whole Town’s Talking, the world, The World the Flesh and the Devil, thrillers, Tim O’Kelly, Toby Dammit, Trey Edward Shults, vampires, Vampyr, violence, westerns, white supremacy, William Wilson, xenophobia, Zero Mostel | Leave a comment

KPK on the CINEMA (80): The Films of OCTOBER 2018

Posted on July 4, 2021 by KPKeelan

. Here we go again! It’s a compulsion, I tell ya! TONS of great films to review this month! That’s always fun. (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade … Continue reading →

Posted in KPK on the CINEMA | Tagged A Quiet Place, action, Alden Ehrenreich, ALS, American politics, Amy Sedaris, animation, art, Atari, autism, Bill Plympton, Blackmail, caregiving, Chewbacca, childhood, cinema, Colin Farrell, comedy, Communism, Coney Island, conflict, crime, criticism, Dakota Fanning, Danny Glover, David Warner, disease, dissent, documentaries, Donald Trump, drama, Ellen Page, Emily Blunt, Fahrenheit 11/9, families, films, football, Fred Rogers, French cinema, gangsters, Gleason, H.G. Wells, Han Solo, history, horror, Jack the Ripper, Jason Isaacs, Jeffery Tambor, Jim Belushi, John Krakowski, Joseph Stalin, Julianne Moore, Kahlil Gibran, Kate Winslet, Kevin Keelan, KPK, KPKeelan, KPKworld, Lando Calrissian, Lebanese cinema, Malcolm McDowell, Mark Rylance, marriage, Mary Steenburgen, Michael Keaton, Michael Moore, Michael Palin, middle east, Millicent Simmonds, movies, Mr. Rogers' Neighborhood, My Life as a Zucchini, Nick Offerman, Nicole Kidman, Nikita Khrushchev, opinion, Ottoman Empire, PBS, Persian culture, Please Stand By, popular culture, propaganda, Public Broadcasting, Ready Player One, reviews, romance, Ron Howard, satire, science fiction, Simon Russell Beale, Solo, Spider-Man Homecoming, sports, Star Trek, Star Wars, Steve Buscemi, Steve Gleason, Steve Schirripa, Steven Spielberg, superheroes, suspense, Team Gleason, The Death of Stalin, The Insult, The Killing of a Sacred Deer, The Prophet, thriller, Time After Time, time travel, Todd Haynes, Tom Hanks, Tom Holland, Toni Collette, Tony Sirico, tragedy, USSR, Video games, Will Forte, Won’t You Be My Neighbor, Wonder Wheel, Wonderstruck, Woody Allen, Yorgos Lanthimos | Leave a comment

Tag Archives: Malcolm McDowell

FLIX PIX (871): “Faux ‘News’ and the BOMBSHELL Who Brought Down Roger Ailes”

FLIX PIX (620): “The Easy Charm of TIME AFTER TIME”

KPK on the CINEMA (101): The Films of July 2020

KPK on the CINEMA (98): The Films of April 2020

KPK on the CINEMA (80): The Films of OCTOBER 2018

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