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Tag Archives: Louis C.K.
KPK on the CINEMA (142): “The Films of December 2023”
. > All hail December, the time of year most of the really great stuff hits America’s big silver screens (O the joy!), and tiny streaming devices (O, the horror!). Just check out how many of these titles came out in … Continue reading →
Posted in KPK on the CINEMA
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Tagged 20 Days in Mariupol, A Christmas Carol, A.O. Scott, Aardman Studios, Aaron Copland, Aaron Sorkin, ABC TV, action, actresses, Adam Clayton Powell Jr., Adir Miller, Adolph Green, adventure, aggression, Alasdair Gray, Albert Brooks: Defending My Life, Alexander Payne, allegory, Amanda Plummer, American history, American politics, American Symphony, amnesia, Andy Richter, animation, Anne Baxter, Anne Hathaway, Annette Bening, anthologies, Anthony Hopkins, anti-Semitism, Anwar Sadat, Armageddon Time, artists, arts, attachments, Audra McDonald, Banks Repeta, Barack Obama, Bayard Rustin, Bella Ramsey, Ben Gazzara, Ben Kingsley, Betty Comden, Bill Irwin, biography, biopics, blaxploitation, Bob Balaban, Bob Costas, Bradley Cooper, Branford Marsalis, Brian de Palma, British cinema, Britt Ekland, brutality, Bullworth, bullying, cancer, Carey Mulligan, Carol For Another Christmas, Celine Song, Charles Laughton, Charles Melton, Chicken Run: Dawn of the Nugget, Chris Rock, Christian Bale, Christine Baranski, cinema, civil rights, Colman Domingo, comedians, comedies, comedy, coming of age, con artists, conductors, conscience, conspiracies, Coretta Scott King, creativity, criticism, Cuba, Da'Vine Joy Randolph, Daniel Craig, Daniel Day-Lewis, Dave Bautista, David Alan Grier, David Cross, David Griffin, David Zucker, death, Dennis Quaid, determination, Diana Nyad, diplomacy, Disney animation, documentaries, documentary, Dominic Sessa, Don Cheadle, Doris Kearns Goodwin, drama, Drew Barrymore, Duncan Jones, dystopia, ecology, Emma Stone, endurance swimming, entertainment, environment, environmental disasters, equality, Eric Bana, escape, Ethan Hawke, Eva Marie Saint, exploitation, explorers, fame, families, fantasy, farce, Farley Granger, Felicia Montealegre, feminism, filmmakers, filmmaking, films, Florence Pugh, Florida, folk heroes, Francis Ford Coppola, Frankenstein, fraud, Fred Allen, friendship, gender roles, genius, George Hamilton, George Kennedy, George Lucas, Golda, Golda Meir, Greta Lee, grief, grifters, Halle Berry, Harrison Ford, Hayao Miyazaki, Hayley Atwell, HBO, Helen Mirren, Henry Hathaway, Henry King, Henry Kissinger, Henry Koster, history, Holly Hunter, homosexuality, horror, Howard Hawks, humor, I Love You Again, ideas, Imelda Staunton, Indians, injustice, insanity, invasion, irony, isolationism, Israel, Israeli cinema, Israeli history, J. B. Smoove, J.J. Abrams, Jack Warden, Jake Gyllenhaal, James Gray, James Le Gros, Jamie Foxx, Japanese cinema, Jaylin Webb, Jeff Goldblum, Jeffery Katzenberg, Jeffrey Wright, Jennifer Coolidge, Jeremy Strong, Jerrod Carmichael, Jewish Americans, Jodie Foster, John Batiste, John Boyega, John Ford, John Ford: The Man Who Invented America, John Hillerman, John Lewis, John Magaro, John Negulescu, John Steinbeck, John Williams, Joseph L. Mankiewicz, Judd Hirsch, Julia Roberts, Julianne Moore, Kelly Reichardt, Kevin Bacon, Kevin Keelan, Kiefer Sutherland, Kiernan Shipka, kinship, Korean culture, KPK, KPKeelan, KPKworld, Kristen Bell, Lance Crouther, Laurie Metcalf, Lawrence Kasdan, László Kovács, leadership, Leave the World Behind, Leonard Bernstein, Leonardo DiCaprio, Leslie Nielsen, Liam Neeson, liberation, Liev Schreiber, life, loneliness, Louis C.K., love, Lucy Liu, Madeline Kahn, Maestro, Mahalia Jackson, Mahershala Ali, Marilyn Monroe, Mark Hamill, Mark Ruffalo, marriage, Martin Luther King Jr., Martin Scorsese, Mary Kay Letourneau, May December, Medgar Evers, Michele Obama, Michelle Monaghan, Michelle Williams, Miranda Richardson, Mission: Impossible Dead Reckoning Part One, movies, Mstyslav Chernov, murder, music, musicians, Myrna Loy, mysteries, mystery, Natalie Portman, native Americans, Netflix, Nyad, O. Henry’s Full House, O.J. Simpson, ocean, Oliver Platt, opinion, Oprah Winfrey, Oscar Levant, Paper Moon, parables, parody, Past Lives, Pat Hingle, Paul Giamatti, Paul Sorvino, people, personalities, Peter Bogdanovich, Peter Coyote, Peter Sellers, political satire, Pom Klementieff, Poor Things, Pootie Tang, Priscilla Presley, protest, psychological thriller, publishing, race, racism, Ralph Fiennes, Ramy Youssef, Randy Quaid, Rebecca Ferguson, relationships, reviews, Rhys Ifans, Richard Dreyfuss, Richard Widmark, Rob Reiner, Robert Goulet, Robert Pattinson, Robert Shaw, Robert Vaughn, Robert Zemeckis, Rod Serling, romance, Russia, Rustin, Ryan O'Neal, Sally Field, Sam Fell, Sarah Silverman, satire, scams, sci-fi, science fiction, screwball comedies, Sean Astin, self-actualization, sequels, sex, sex abuse, sexuality, Showing Up, Simon Pegg, slice of life, Source Code, Spielberg, spoofs, sports, steampunk, stereotypes, Sterling Hayden, Steve Lawrence, Steven Spielberg biography, Strange World, Studio Ghibli, Suleika Jaouad, supernatural, surrealism, survival, Tatum O'Neal, Teo Yoo, terrorism, Teyonah Parris, Thandiwe Newton, The Blackcoat’s Daughter, The Boy and the Heron, the great depression, The Holdovers, The Monkey House, The Naked Gun 2½: The Smell of Fear, They Cloned Tyrone, thriller, thrillers, Todd Haynes, Tom Cruise, Tom Hanks, Tom Stoppard, Tony Kushner, Ukraine, Vanessa Kirby, Vilmos Zsigmond, Ving Rhames, violence, W. S. Van Dyke, Wanda Sykes, war, war crimes, Warren Beatty, westerns, Willem Dafoe, William Powell, William Sydney Porter, writers, Yom Kippur War
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FLIX PIX (446): “TRUMBO, and the Tragedy of Hollywood Blacklisting”
TRUMBO (directed by Jay Roach, 2015) ***+ (out of 5) . > I did not know much about the intellectual character that was Dalton Trumbo. . I had read his searing anti-war novel from 1938 JOHNNY GET YOUR GUN, and I … Continue reading →
Posted in Flix Pix
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Tagged American history, art, biography, Bryan Cranston, cinema, criticism, Dalton Trumbo, David James Elliott, Diane Lane, drama, Edward G. Robinson, Ellie Fanning, films, Hedda Hopper, Helen Mirren, ideas, Jay Roach, John Goodman, John Wayne, Johnny Get Your Gun, Kevin Keelan, KPK, KPKeelan, KPKworld, Louis C.K., Michael Stuhlbarg, movies, opinion, reviews, Trumbo, writers
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KPK on the CINEMA (47): The Films of December 2015
. December 2015: the month that was, the year that was, the 15 films I saw, and how I felt about them. (Ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or … Continue reading →
Posted in KPK on the CINEMA
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Tagged 007, Abraham Attah, Adam Driver, Adam McKay, Amy, Amy Adams, Amy Winehouse, Avengers, Beasts of No Nation, Ben Whishaw, Big Eyes, biography, Brad Pitt, Brie Larson, Bryan Cranston, C-3PO, Carrie Fisher, Chappie, Cheryl Strayed, Chewbacca, Christian Bale, Christoph Waltz, cinema, Colin Firth, Daisy Ridley, Dalton Trumbo, Daniel Craig, David James Elliott, Dev Patel, Diane Lane, Dope, drama, Edward G. Robinson, Ellie Fanning, Emma Donoghue, film criticism, films, George Lucas, Gett The Trial of Viviane Amsalem, Han Solo, Harrison Ford, Hedda Hopper, Helen Mirren, Idris Elba, Ishmael Beah, J.J. Abrams, Jacob Tremblay, James Bond, Jay Roach, John Boyega, John Goodman, John Wayne, Kingsman: The Secret Service, KPK, KPKeelan, KPKworld, Louis C.K., Luke Skywalker, Marisa Tomei, Mark Ruffalo, Max Von Sydow, Michael Stuhlbarg, movies, Naomie Harris, Neil Blomkamp, Oscar Isaac, Princess Leia, R2-D2, Ralph Fiennes, Reese Witherspoon, reviews, Richard Pryor, Robert Downey Jr., Room, Ryan Gosling, Sam Mendes, Scarlett Johansson, Spectre, Star Wars, Steve Carell, Telly Savalas, The Age of Ultron, The Big Short, The Force Awakens, Tim Burton, Tony Bennett, Trumbo, Which Way is Up
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