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KPK on the CINEMA (81): The Films of November 2018
. November: T’is the season for the studios to roll out the heavy guns. The cinema year generally gets better as it progresses toward the holiday season. (All ratings are on a 5 star scale. Note that a classic only becomes … Continue reading →
Posted in KPK on the CINEMA
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Tagged Aaron Copeland, action, Afghanistan, Afterimage, Amy Adams, Andie MacDowell, Andrzej Wajda, animation, anthologies, Aquaman, artists, Atomic Blonde, Barry Levinson, Batman v Superman, Ben Affleck, Bill Murray, biography, bondage, Brendan Gleeson, California, Channing Tatum, Charlize Theron, circus freaks, classics, cold war, Colin Farrell, Colin Firth, comedies, comic books, corruption, crime, Dave Franco, David Arquette, Dawn of Justice, Denzel Washington, Diane Lane, drama, Elton John, Emily Watson, ethics, exploitation, F. Murray Abraham, family, fantasy, Frank Oz, Gal Godot, Gonzo, Halle Berry, Harry Melling, Henry Cavill, Holly Hunter, Hugh Jackman, humor, Ingrid Bergman, Intermezzo, James MacAvoy, Jason Momoa, Jeff Bridges, Jeffrey Tambor, Jeremy Irons, John Goodman, John Steinbeck, Julianne Moore, justice, Kathy Griffin, Kevin Clash, Kevin Costner, Kingsman, Laurence Fishburne, lesbian sex, Liam Neeson, Lois Lane, love, Luke Evans, marriage, Marvel Studios, Michael Gambon, Michael Shannon, Miss Piggy, morality, Muppets From Space, musicals, P.T. Barnum, Polish cinema, politics, polyamory, Professor Marston and the Wonder Women, puppets, Ray Liotta, Rebecca Hall, relationships, repression, Rob Schneider, Robert Mitchum, Rock the Kasbah, Roman J. Israel Esq, romance, sadomasochism, spies, superheroes, Svensk Filmindustri, Swedish cinema, Taron Egerton, The Ballad of Buster Scruggs, the Coen brothers, The Golden Circle, The Greatest Showman, The Red Pony, Tim Blake Nelson, Toby Jones, Tom Waits, Tyne Daly, violence, war, Watsonville, westerns, William Moulton Marston, Wladyslaw Strzeminski, Zac Effron
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