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Tag Archives: Lee Daniels
KPK on the CINEMA (110): The Films of April 2021
. Oscar season! O rapture. (Ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles in purple have been expanded for Flix Pix columns.) > This month I review the … Continue reading →
Posted in KPK on the CINEMA
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Tagged #MeToo, A Man For All Seasons, abuse, action, addiction, aging, Aida?, alcohol, alcoholism, ambition, Americans, Andra day, animation, Another Round, Australian cinema, Bertrand Tavernier, big agra, biography, blockbusters, Bo Burnham, Bosnian cinema, brotherhood, Bruce Beresford, campers, capitalism, Carey Mulligan, caste system, Catholic church, childbirth, childhood, Chilean cinema, Chloé Zhao, Chris Pratt, Christopher Nolan, class, Clémence Poésy, Collective, comedies, coming of age, conscience, corruption, crime, criminals, Danish cinema, David Straithairn, death, Death Watch, Disney, documentaries, drama, dramas, drinking, drugs, dying, economic refugees, economics, Ed Harris, elderly, Ellen Burstyn, England, ethnic cleansing, family, family drama, fantasy, farming, fires, Francis McDormand, French cinema, Fritz Lang, Garrett Hedlund, gay films, gender, genocide, George MacKay, George Patton, globalism, government, grief, grieving, Harry Dean Stanton, Harvey Keitel, Helena Zengel, Henry Fonda, Himesh Patel, historical drama, Holocaust, humanity, identity, India, itinerant workers, Jasna Đuričić, jazz, Jesse Eisenberg, Jews, John David Washington, John Hurt, John Ratzenberger, journalism, justice, Kanopy, Kenneth Branagh, King Henry VIII, Klaus Barbie, Korean immigrants, Lee Daniels, legends, Leo McKern, lesbians, Leslie Jordan, love, Mads Mikkelsen, Marcel Marceau, mass murder, Matthias Schweighöfer, media, medical fraud, Michael Caine, midwives, Minari, musicians, Natasha Lyonne, Nazis, Netflix, News of the World, Nicholas Hoult, noir, Nomadland, nursing homes, Octavia Spencer, Onward, Paul Greengrass, Paul Scofield, peer pressure, people, persecution, Pieces of a Woman, Pixar, politics, Portrait of a Lady on Fire, Promising Young Woman, Puberty Blues, Quo Vadis, racism, rape, rebellion, rebels, relationships, reporters, resistance, revenge, Robert Bolt, Robert Pattinson, Robert Shaw, romance, Romanian cinema, Romy Schneider, Russell Crowe, satire, sci-fi, science fiction, sex, sexism, Shia LaBeouf, social criticism, Strange Fruit, success, supernatural, surf culture, survival, Susannah York, Sylvia Sidney, Tallulah Bankhead, Tenent, The Mole Agent, the press, The True History of the Kelly Gang, The United States Vs. Billie Holiday, The White Tiger, Thomas Vinterberg, Tom Hanks, Tom Holland, Tracey Ullman, tragedy, Trevante Rhodes, Vanessa Kirby, Vanessa Redgrave, violence, visual effects, war crimes, We the Animals, Wendy Hiller, westerns, World War II, You Only Live Once, youth
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KPK on the CINEMA (27): The Films of March 2014
. I saw a hefty 31 films during MARCH of 2014, movies from Denmark, France, China, England, Italy… and the U.S. Good films come from cultures across the globe. (Ratings are on a 5 star scale. Note that a classic only … Continue reading →
Posted in KPK on the CINEMA
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Tagged A Woman a Gun and a Noodle Shop, About a Son, Africans, animation, Arabesque, Bérénice Bejo, Beatles, Bill Cosby, Blue Caprice, Burt Lancaster, Chicken With Plums, Christian MacKay, cinema, Clare Danes, Colin Firth, Come Back Little Sheba, Damsels in Distress, Danny Boyle, Despicable Me 2, Don Jon, entertainment, Ethan Coen, Fame Studio, film criticism, films, Freda Kelly, Gerard Butler, Good Ol' Freda, Greta Gerwig, How to Train Your Dragon, Inside Llewyn Davis, James McAvoy, Jay Baruchel, Joel Coen, John Goodman, Joseph Gordon-Levitt, Kevin Keelan, KPK, KPKeelan, KPKworld, Kurt Cobain, Lee Daniels, Legos, Martin McDonough, Mathieu Amalric, Me and Orson Welles, Michael Azerrad, Monster's University, Mother of George, movies, Muscle Shoals, My Life So Far, Narco Cultura, Niels Arestrup, opinion, Pixar, reviews, Richard Linklater, Rick Hall, Rosario Dawson, Seven Psychopaths, sex, Shaul Schwarz, Shirley Booth, Side Effects, Stanley Donen, Steven Soderbergh, The Beat That My Heart Skipped, The Butler, The Devil and Max Devlin, The Grand Budapest Hotel, The Great Beauty, The Lego Movie, the past, Trance, Turn Me On Dammit, Wes Anderson, William Inge, Winnebego Man, Wyatt Troll, You Will Be My Son, Zac Effron, Zhang Yimou
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