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Tag Archives: Léa Seydoux
KPK on the CINEMA (145): “The Films of MARCH 2024”
. > Eight 4-star films! Damn, that’s a good month. So much cinematic pleasure. Let’s dig in! (All films are rated on a 5-star basis and must be over a decade old to get 5 stars.) Titles in PURPLE have been … Continue reading →
Posted in KPK on the CINEMA
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Tagged #MeToo, 1921, A Minute's Wait, Aaron Jackson, abuse, acceptance, action, Adam Arkin, adventure, Alex Sharp, Alex Wolff, Amber Heard, American Samoa, Andre Brugher, Andreas Malm, animation, anthologies, Anya Taylor-Joy, Aquaman and the Lost Kingdom, arts, Ashley Judd, Austin Butler, Bill Nighy, biographies, Black Americans, Blitz Bazawule, Bowen Yang, British cinema, British folk heroes, British history, bureaucracy, capitalism, Cavalcade, change, Charlotte Rampling, Christopher Walken, cinema, classics, Coleman Domingo, comedy, coming of age, cooking, corruption, crime, criticism, Cyril Cusack, Daniel Goldhaber, Danielle Brooks, Dave Bautista, David Allen Grier, death, Denis Villeneuve, Dick Powell, Dicks: The Musical, disasters, discrimination, Dolph Lundgren, Donald Trump, drama, Dune: Part Two, ecoterrorism, Elizabeth Moss, Elvis Presley, England, entertainment, environmental activism, epics, families, family ties, Fantasia Barrino, fantasy, farce, fate, feminism, films, Florence Pugh, folk heroes, football, fossil fuels, Frank Herbert, Frank O'Connor, friendship, Fucking Identical Twins, Gene de Paul, Geoffrey Keen, global warming, grief, Gwyneth Paltrow, Halle Bailey, Harvey Weinstein, historical epics, historical fiction, How to Blow Up a Pipeline, Howard Keel, humor, ideas, Ikiru, illness, Irish cinema, Irish culture, irony, Isabella Rossellini, It Happened Tomorrow, Jack MacGowran, James Austin Johnson, James Neilson, Jane Powell, Jason Mamoa, Javier Bardem, Jennifer Ehle, Jenny Slate, Jodi Kantor, John Ford, John Rhys-Davies, Johnny Mercer, Jon Batiste, Josh Brolin, Josh Sharp, Julie Newmar, justice, Kevin Keelan, KPK, KPKeelan, KPKworld, Lady Gregory, Léa Seydoux, Lesley Stahl, life, Linda Darnell, living, Louis Gossett Jr, love, Marcel the Shell with Shoes On, Martin J. McHugh, Martin Short, Marvel films, Megan Mullally, Megan Thee Stallion, Megan Twohey, Michael Fassbinder, Michael Hordern, Michael Kidd, Michael Sarnoski, mockumentaries, monkeywrenching, mortality, movies, musicals, Nathan Lane, nature, New York Times, Next Goal Wins, Nick Offerman, Nicolas Cage, Noel Coward, oceans, opinion, Patricia Clarkson, Patrick MacGoohan, Patrick Wilson, pets, philosophy, Pig, pollution, Priscilla, profanity, protest, Rebecca Ferguson, relationships, remakes, René Clair, resistance, reviews, romance, Russ Tamblyn, sabotage, Samantha Morton, Sasha Lane, sci-fi, science fiction, sequels, Seven Brides For Seven Brothers, sexism, sexual assault, She Said, silent films, smugglers, soccer, Sofia Coppola, sports, Stanley Donen, Stellan Skarsgård, superheroes, supernatural, Taika Waititi, Taraji P. Henson, Terry Gilkyson, The Color Purple, The Johnstown Flood, The Majesty of the Law, the rape of the Sabine Women, The Rising of the Moon, The Scarecrow of Romney Marsh, the troubles, The Wonderful World of Color, Thomas Rongen, thrillers, time, time travel, Timothée Chalamet, true stories, truffle hunters, Tyrone Power, underdogs, Walt Disney, Whoopi Goldberg, Will Arnett, Willem Dafoe, World War I, Zendaya
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FLIX PIX (1216): “The Majesty and Disappointment of DUNE: PART TWO”
DUNE: PART TWO (directed by Denis Villeneuve, 2024) **** (out of 5) . > Denis Villeneuve’s long anticipated sequel to his 2022 hit is Big! Loud! Action-packed! And yet, somehow, kinda cursory. . Yeah, it was great. Bursting with energy and … Continue reading →
Posted in Flix Pix
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Tagged Anya Taylor-Joy, arts, Austin Butler, Charlotte Rampling, Christopher Walken, cinema, criticism, Dave Bautista, Denis Villeneuve, entertainment, epics, fantasy, films, Flix Pix, Florence Pugh, Frank Herbert, Hans Zimmer, ideas, Javier Bardem, Josh Brolin, Kevin Keelan, KPK, KPKeelan, KPKworld, Léa Seydoux, movies, opinion, Rebecca Ferguson, reviews, sci-fi, science fiction, sequels, Stellan Skarsgård, supernatural, Timothée Chalamet, Zendaya
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KPK on the CINEMA (136): “The Films of June 2023”
. > No 5-star classics this month- but six 4-star movies is still a cornucopia of riches. Can’t have everything, all the time. Let’s dive in. (All films are rated on a 5-star basis and must be over a decade … Continue reading →
Posted in KPK on the CINEMA
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Tagged acting, action, actresses, allegory, Americana, Amy Heckerling, arts, Audrey Hepburn, Avatar: The Way of Water, Barry Nelson, Being Mary Tyler Moore, biography, blockbusters, Catholicism, C’mon C’mon, children, Chris Pine, Christianity, cinema, Clarence Brown, cliches, Coleen Dewhurst, comedy, coming of age, conscience, corruption, crime, Crimes of the Future, criticism, Dana Andrews, David Cronenberg, Dean Jagger, documentary, Don DeFore, Don’t Worry Darling, Donna Reed, drama, entertainment, environment, evolution, faith, families, family, fantasy, farce, film noir, films, Florence Pugh, Frank Morgan, Fred Zinnemann, Gabby Giffords Won’t Back Down, gangsters, Gene Tierney, Griffin Dunne, gun violence, Harry Styles, HBO, horror, Howard Shore, ideas, injury, inspiration, James Cameron, Joaquin Phoenix, Joe Piscopo, Johnny Dangerously, Kate Winslet, Kevin Keelan, KPK, KPKeelan, KPKworld, Kristen Stewart, Laura, Léa Seydoux, male privilege, Mark Kelly, Maureen Stapleton, Michael Keaton, Mickey Rooney, Mike Mills, military, missionaries, movies, murder, mystery, obedience, oceans, Olivia Wilde, opinion, Otto Preminger, parenting, patriotism, performance art, personalities, Peter Boyle, Peter Finch, political terrorism, politics, propaganda, recovery, religion, revenge, reviews, Robert Mitchum, romance, Sam Worthington, sci-fi, science fiction, self-mutilation, sequels, Sigourney Weaver, small towns, The Dick Van Dyke Show, The Human Comedy, The Nun’s Story, values, Viggo Mortensen, Vincent Price, violence, William Saroyan, Woody Norman, World War II, Zoe Saldana
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KPK on the CINEMA (118): The Films of December 2021
. > Another December- another year-end rush of great movies! (All films are rated on a 5 star basis and must be over a decade old to get 5 stars.) > This month I have some fun reviewing the following … Continue reading →
Posted in KPK on the CINEMA
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Tagged 007, A Rainy Day in New York, Aardman Studios, absurdism, abuse, action, Adam McKay, addiction, Adrien Brody, Alejandro Jodorowsky, animation, Anjelica Huston, Anthony Bourdain, Ariana Grande, Arthur Hiller, Ashleigh Banfield, Australian cinema, B-movies, Ben Whishaw, Beneath the Planet of the Apes, Benedict Cumberbatch, Benicio Del Toro, Bill Murray, biography, Bob Balaban, Bob Cummings, brainwashing, British secret service, California, Cartoon Salon, Cate Blanchett, Charlton Heston, Cherry Jones, childhood, children, children of deaf adults, Chris Evans, Christoph Waltz, cinema, Coda, comedies, comedy, coming of age, conflict, conformity, cooking, corporate influence, criticism, culture, Dakota Johnson, Daniel Craig, death, Demián Bichir, depression, Diego Luna, Diego Maradona, Dirk Bogarde, disaster films, documentaries, Don Pedro Colley, Donald Sutherland, Don’t Look Up, Down’s Syndrome, drama, economics, Edward Norton, Elisabeth Moss, Elle Fanning, Emilia Jones, English cinema, entertainment, Ernst Lubitsch, espionage, estrangement, Eugenio Derbez, experimentation, exploitation, families, family, family drama, Fando y Lis, fantasy, fate, Filippo Scotti, film criticism, filmmaking, films, folktales, football, forgiveness, Frances McDormand, friendship, German cinema, global warming, grief, Henry Winkler, Hermione Gingold, Himesh Patel, humor, Ian Fleming, ideas, improvisation, independent films, individuality, Irish cinema, Irish folklore, isolation, Italian cinema, Italy, James Bond, James Franciscus, Jane Campion, Jason Schwartzman, Jeffrey Wright, Jennifer Lawrence, Jesse Plemons, John Cassavetes, John Hawkes, Jonah Hill, Jude Law, Julieta, Karl Malden, Keenan Wynn, Keith Carradine, Kevin Keelan, Kiersten Dunst, Kodi Smit-McPhee, KPK, KPKeelan, KPKworld, land, Lashana Lynch, Léa Seydoux, legends, Leonardo DiCaprio, Leslie Caron, Liev Schreiber, life, Liiev Schreiber, Linda Harrison, Locksmith Animation, Lois Smith, manipulation, Mark Rylance, marketing, Marlee Matlin, Marlon Brando, Mathieu Amalric, Meryl Streep, metaphor, Mexican cinema, mind control, Monterey, mothers and daughters, movies, Naomie Harris, Naples, New York, New York City, No Time to Die, One Eyed Jacks, opinion, Owen Wilson, Paolo Sorrentino, Pedro Almodovar, peer pressure, people, personalities, pro wrestling, Promise Her Anything, psychological drama, race, Ralph Finnes, Rami Malek, Rebecca Hall, relationships, research, revenge, reviews, road trips, Roadrunner, Robin Wright, robots, romance, Ron Perlman, Ron’s Gone Wrong, Rory Kinnear, Saoirse Ronan, Sarah Silverman, sci-fi, science, science fiction, Selena Gomez, self esteem, sequels, Shadows, Shia LaBeouf, silent films, soccer, social criticism, social media, social satire, Spanish cinema, spies, suicide, supernatural, superstition, surrealism, survival, symbolism, technology, The Doll, The French Dispatch, The Hand of God, The Mind Benders, The Peanut Butter Falcon, The Power of the Dog, Thomas Haden Church, Tilda Swinton, Timothée Chalamet, tragedy, travel, Troy Kotsur, Tyler Perry, values, Victor Buono, Warren Beatty, Wes Anderson, westerns, Willem Dafoe, William Peter Blatty, Wolfwalkers, Woody Allen, Zach Galifianakis, Zack Gottsagen
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