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Tag Archives: Laurence Harvey
FLIX PIX (1102): “Jane Fonda and Laurence Harvey WALK ON THE WILD SIDE”
WALK ON THE WILD SIDE (directed by Edward Dmytryk, 1962) **** (out of 5) . > The opening and closing credits Saul Bass created for this Edward Dmytryk film could not have better presaged the sensational melodrama to come. . They … Continue reading →
Posted in Flix Pix
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Tagged Anne Baxter, arts, cinema, criticism, drama, Edward Dmytryk, Elmer Bernstein, entertainment, films, Flix Pix, ideas, Jane Fonda, Kevin Keelan, KPK, KPKeelan, KPKworld, Laurence Harvey, melodrama, movies, New Orleans, opinion, prostitution, reviews, romance, Saul Bass, Walk on the Wild Side
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KPK on the CINEMA (114): The Films of August 2021
. > THIS MONTH: Disney animation, Judy Holliday comedies, sly social satire, stark drama, film noir, experimental cinema, tales of obsession and coming of age, and vacuous British pop romance from the swinging sixties. (Sorry, no gothic horror documentaries this … Continue reading →
Posted in KPK on the CINEMA
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Tagged abstract, action, adultery, adventure, aging, Alan Tudyk, Anna Faris, Anthony Hopkins, Asif Mandvi, autocrats, Awkwafina, Barbara Stanwyck, Ben Kingsley, Black Jack, British cinema, business, Carroll Baker, childhood, Chris Elliot, Chris Parnell, Clash by Night, classics, comedy, coming of age, corruption, crime, cults, Darling, dementia, depression, Diane Ladd, Dirk Bogarde, Disney animation, Doris Roberts, drama, Edward Norton, experimental film, families, fantasy, farce, female empowerment, film noir, Florian Zeller, fraud, Fred Armisen, Fritz Lang, Full of Life, George Cukor, grief, heroines, His Kind of Woman, humor, Imogen Poots, independent films, infidelity, Jack Carson, Jack Garfein, Jack Lemmon, Jane Russell, Jean Stapleton, Jim Backus, John C. Reilly, John Schlesinger, Judy Holliday, Julie Christie, Kathryn Hahn, Kelly Marie Tran, Ken Loach, Kim Novack, Laurence Harvey, life, London, love, madness, Marilyn Monroe, Mark Robson, marriage, memory loss, Monterey California, myth, Nasim Pedrad, Olivia Coleman, Paul Douglas, period pieces, Phffft, pregnancy, quests, Ralph Meeker, rape, Raya and the Last Dragon, Raymond Burr, relationships, Richard Conte, Richard Quine, Robert Mitchum, Robert Ryan, romance, Rufus Sewell, Sacha Baron Cohen, Sandra Oh, satire, Schizopolis, sex, sexism, shareholders, slapstick, Something Wild, Southeast Asian culture, Steven Soderbergh, surrealism, The Dictator, The Father, The Marrying Kind, the sixties, The Solid Gold Cadillac, tragedy, trauma, trust, Vincent Price
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KPK on the CINEMA (101): The Films of July 2020
. > JULY 2020! Most of us are still alive! Well that’s something… (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles in purple have been expanded for … Continue reading →
Posted in KPK on the CINEMA
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Tagged A Beautiful Day in the Neighborhood, Ace in the Hole, Adolph Green, Aldolph Green, Alfre Woodard, Alice Pearce, alienation, Allison Janney, Ally Sheedy, American history, Ann Miller, Anne Baxter, art, Arthur Kennedy, astronomy, Atacama Desert, Atlanta, Augusto Pinochet, Barbara Stanwyck, Barbra Bel Geddes, Best Foreign Film, Betty Comden, Betty Garrett, Bill O’Reilly, Billy Wilder, biography, Blood on the Moon, Bombshell, Brian Keith, British cinema, Brock Peters, Centennial Park bombing, Charlize Theron, child abuse, Chilean cinema, Chris Cooper, Christine Lahti, Ciarán Hinds, cinema, Cinema Verite, Clint Eastwood, comedies, concentration camps, corruption, courage, crime, criticism, Cynthia Erivo, David Holzman’s Diary, David Spade, denial, dictators, documentaries, Down in the Delta, drama, dramady, dysfunction, Edward Dmytryk, Edward G. Robinson, Elio Petri, Elmer Bernstein, Ennio Morricone, Eric Rohmer, exploitation, families, fascism, fathers and sons, FBI, films, forensics, Fox News, Françoise Fabian, Frank Ferguson, Frank Sinatra, Fred Rogers, Fritz Lang, Gene Kelly, genocide, George Reeves, Geraldo Rivera, Gian Maria Volonté, Girl With the Green Eyes, Glenn Ford, Gretchen Carlson, grief, Harriet, Harriet Tubman, Having a Wild Weekend, Herbie Hancock, heroism, Holland Taylor, Holocaust, ideas, Investigation of a Citizen Above Suspicion, Italian cinema, Jack Elam, Jaime Sánchez, Jane Fonda, Jay Roach, Jean Louis Trintignant, Jeanine Pirro, Jim McBride, John Boorman, John Hamm, John Lithgow, journalism, Juano Hernandez, Jules Munshin, justice, Kate McKinnon, Kathy Bates, Kathy Scruggs, Kevin Keelan, Kirk Douglas, KPK, KPKeelan, KPKworld, Lauren Lapkus, Laurence Harvey, Leonard Bernstein, Life During Wartime, love, Luis Buñuel, Lynn Redgrave, Malcolm McDowell, Margot Robbie, Marie-Christine Barrault, Marketa Kimbrell, Marlene Dietrich, Matthew Rhys, Maya Angelou, media, Megyn Kelly, Mel Ferrer, mercenaries, Mississippi, mocumentaries, mothers of the disappeared, movies, Mr. Rogers' Neighborhood, murder, musicals, My Night at Maud’s, Nazism, Netflix, New Orleans, New York, Nicole Kidman, Nostalgia For the Light, obsession, Olivia Wilde, On the Town, opinion, outlaws, Paul Reubens, Paul Walter Hauser, people, personalities, Peter Finch, policing, Post-Traumatic Stress Disorder, power, prostitution, PTSD, Rancho Notorious, Raymond St. Jacques, relationships, revenge, reviews, Richard Jewell, Richard Kind, Rita Tushingham, road trips, Rob Schneider, Robert Mitchum, Robert Preston, Robert Wise, rock and roll, Rod Steiger, Roger Ailes, romance, Rupert Murdoch, Russell Johnson, sailors, satire, Saul Bass, scandal, science, sexism, Shirley Henderson, Sidney Lumet, slander, slavery, spoofs, Stanley Donen, surrealism, survivor’s guilt, technology, terrorism, The Big Carnival, The Dave Clark Five, The Pawnbroker, The Phantom of Liberty, the press, the underground railroad, The Violent Men, The Wrong Missy, Todd Solondz, Tom Hanks, Tom Junod, trauma, Vera-Ellen, Walk on the Wild Side, Walter Brennan, westerns, William Frawley, workplace abuse, World War II
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