Tag Archives: Katia Krafft

FLIX PIX (1034): “Burnt By THE FIRE OF LOVE”

Posted on March 15, 2023 by KPKeelan

FIRE OF LOVE (directed by Sara Dosa, 2022) **** (out of 5) . > French scientists Katia and Maurice Krafft shared two great loves: volcanic geology and each other. . But they also shared what turned out to be a deadly … Continue reading →

Posted in Flix Pix | Tagged arts, cinema, couples, criticism, documentaries, entertainment, films, Fire of Love, Flix Pix, hubris, ideas, Katia Krafft, Kevin Keelan, KPK, KPKeelan, KPKworld, Maurice Krafft, movies, nature, obsession, opinion, reviews, Sara Dosa, science, scientists, tragedy, vulcanism | Leave a comment

KPK on the CINEMA (132): “The Films of February 2023”

Posted on March 1, 2023 by KPKeelan

. > February is often the best movie month for me. By this time of year, all the Oscar nominees are well known and I have begun the annual quest to see all the films honored in major categories. By … Continue reading →

Posted in KPK on the CINEMA | Tagged abuse, action, Adolf Hitler, All Quiet on the Western Front, All That Breathes, Angela Cartwright, animal rescue, animal welfare, animation, antisemitism, Au Hazard Balthazar, autobiography, Ben Affleck, Ben Whishaw, Benito Mussolini, biography, black comedy, boxers, boxing, Carlo Collodi, Cate Blanchett, Charlize Theron, Chris Williams, Christoph Waltz, civilization, Claire Foy, Clarence Williams III, class, classic literature, climbing, Colin Firth, comedy, coming of age, compassion, control, corruption, couples, crime, criminals, cruelty, Daniel Brühl, Daniel Craig, Danny Trejo, Dave Bautista, David John Bradley, David Lynch, Dean Jones, deceit, Dennis Farina, Detective Benoit Blanc, documentaries, Donal Logue, drama, Edward Berger, Edward Norton, empathy, Empire of Light, England, environment, Eo, Ewan McGregor, exploitation, fairy tales, faith, Fall, families, fantasy, fascist Italy, Felix Kammerer, filmmakers, filmmaking, Fire of Love, forgiveness, Frances McDormand, friendship, Gabriel LaBelle, Gary Sinise, gender, gender roles, German cinema, Glass Onion, Guillermo Del Toro’s Pinocchio, HBO, heroism, Hindi language, hubris, humanism, humor, identity, Indian cinema, injustice, interracial couples, Israeli cinema, Janelle Monáe, Jared Harris, Jerzy Skolimowski, Jessie Buckley, John Ford, John Frankenheimer, John Turturro, John Williams, Judd Hirsch, justice, Karl Urban, Kate Hudson, Kathryn Hahn, Katia Krafft, kindness, Kites, Leslie Odom Jr., love, marriage, Maurice Krafft, media influencers, mental illness, Micheal Ward, Michele Williams, Mohammad Saud, murder mystery, musicals, My Neighbor Adolf, Nadeem Shehzad, nature, Netflix, New Delhi, obsession, Olivia Colman, parenting, Paul Dano, Paul Newman, Polish cinema, pollution, power, prisoners, privilege, racism, rape, recklessness, Reindeer Games, relationships, religious fundamentalism, remakes, revenge, Rian Johnson, Robert Loggia, Robert Wise, Rocky Graziano, romance, Ron Jeremy, Ron Perlman, Rooney Mara, Ruben Östlund, sacrifice, Sal Mineo, Sam Mendes, Sarah Polley, satire, science, scientists, Seth Rogan, sexism, social commentary, Somebody Up There Likes Me, spirituality, Steve McQueen, Steven Spielberg, suicide, supernatural, survival, Thatcherism, The Fabelmans, The Sea Beast, Tilda Swinton, Toby Jones, Tony Kushner, tragedy, transgender, trauma, Triangle of Sadness, violence, vulcanism, wealth, Women Talking, World War I | Leave a comment

Tag Archives: Katia Krafft

FLIX PIX (1034): “Burnt By THE FIRE OF LOVE”

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