Tag Archives: Kathryn Hahn

KPK on the CINEMA (132): “The Films of February 2023”

Posted on March 1, 2023 by KPKeelan

. > February is often the best movie month for me. By this time of year, all the Oscar nominees are well known and I have begun the annual quest to see all the films honored in major categories. By … Continue reading →

Posted in KPK on the CINEMA | Tagged abuse, action, Adolf Hitler, All Quiet on the Western Front, All That Breathes, Angela Cartwright, animal rescue, animal welfare, animation, antisemitism, Au Hazard Balthazar, autobiography, Ben Affleck, Ben Whishaw, Benito Mussolini, biography, black comedy, boxers, boxing, Carlo Collodi, Cate Blanchett, Charlize Theron, Chris Williams, Christoph Waltz, civilization, Claire Foy, Clarence Williams III, class, classic literature, climbing, Colin Firth, comedy, coming of age, compassion, control, corruption, couples, crime, criminals, cruelty, Daniel Brühl, Daniel Craig, Danny Trejo, Dave Bautista, David John Bradley, David Lynch, Dean Jones, deceit, Dennis Farina, Detective Benoit Blanc, documentaries, Donal Logue, drama, Edward Berger, Edward Norton, empathy, Empire of Light, England, environment, Eo, Ewan McGregor, exploitation, fairy tales, faith, Fall, families, fantasy, fascist Italy, Felix Kammerer, filmmakers, filmmaking, Fire of Love, forgiveness, Frances McDormand, friendship, Gabriel LaBelle, Gary Sinise, gender, gender roles, German cinema, Glass Onion, Guillermo Del Toro’s Pinocchio, HBO, heroism, Hindi language, hubris, humanism, humor, identity, Indian cinema, injustice, interracial couples, Israeli cinema, Janelle Monáe, Jared Harris, Jerzy Skolimowski, Jessie Buckley, John Ford, John Frankenheimer, John Turturro, John Williams, Judd Hirsch, justice, Karl Urban, Kate Hudson, Kathryn Hahn, Katia Krafft, kindness, Kites, Leslie Odom Jr., love, marriage, Maurice Krafft, media influencers, mental illness, Micheal Ward, Michele Williams, Mohammad Saud, murder mystery, musicals, My Neighbor Adolf, Nadeem Shehzad, nature, Netflix, New Delhi, obsession, Olivia Colman, parenting, Paul Dano, Paul Newman, Polish cinema, pollution, power, prisoners, privilege, racism, rape, recklessness, Reindeer Games, relationships, religious fundamentalism, remakes, revenge, Rian Johnson, Robert Loggia, Robert Wise, Rocky Graziano, romance, Ron Jeremy, Ron Perlman, Rooney Mara, Ruben Östlund, sacrifice, Sal Mineo, Sam Mendes, Sarah Polley, satire, science, scientists, Seth Rogan, sexism, social commentary, Somebody Up There Likes Me, spirituality, Steve McQueen, Steven Spielberg, suicide, supernatural, survival, Thatcherism, The Fabelmans, The Sea Beast, Tilda Swinton, Toby Jones, Tony Kushner, tragedy, transgender, trauma, Triangle of Sadness, violence, vulcanism, wealth, Women Talking, World War I | Leave a comment

FLIX PIX (749): “Sometimes PRIVATE LIFE is Not So Private”

Posted on August 28, 2022 by KPKeelan

PRIVATE LIFE (directed by Tamara Jenkins, 2018) **** (out of 5) . > Paul Giamatti and Kathryn Hahn are wannabe parents, but on the cusp of aging-out of the market, in this very fine story from the world’s greatest studio in … Continue reading →

Posted in Flix Pix | Tagged art, cinema, couples, criticism, drama, fertility, films, ideas, Kathryn Hahn, Kevin Keelan, KPK, KPKeelan, KPKworld, movies, Netflix, opinion, Paul Giamatti, reviews, Tamara Jenkins | Leave a comment

KPK on the CINEMA (114): The Films of August 2021

Posted on November 7, 2021 by KPKeelan

. > THIS MONTH: Disney animation, Judy Holliday comedies, sly social satire, stark drama, film noir, experimental cinema, tales of obsession and coming of age, and vacuous British pop romance from the swinging sixties. (Sorry, no gothic horror documentaries this … Continue reading →

Posted in KPK on the CINEMA | Tagged abstract, action, adultery, adventure, aging, Alan Tudyk, Anna Faris, Anthony Hopkins, Asif Mandvi, autocrats, Awkwafina, Barbara Stanwyck, Ben Kingsley, Black Jack, British cinema, business, Carroll Baker, childhood, Chris Elliot, Chris Parnell, Clash by Night, classics, comedy, coming of age, corruption, crime, cults, Darling, dementia, depression, Diane Ladd, Dirk Bogarde, Disney animation, Doris Roberts, drama, Edward Norton, experimental film, families, fantasy, farce, female empowerment, film noir, Florian Zeller, fraud, Fred Armisen, Fritz Lang, Full of Life, George Cukor, grief, heroines, His Kind of Woman, humor, Imogen Poots, independent films, infidelity, Jack Carson, Jack Garfein, Jack Lemmon, Jane Russell, Jean Stapleton, Jim Backus, John C. Reilly, John Schlesinger, Judy Holliday, Julie Christie, Kathryn Hahn, Kelly Marie Tran, Ken Loach, Kim Novack, Laurence Harvey, life, London, love, madness, Marilyn Monroe, Mark Robson, marriage, memory loss, Monterey California, myth, Nasim Pedrad, Olivia Coleman, Paul Douglas, period pieces, Phffft, pregnancy, quests, Ralph Meeker, rape, Raya and the Last Dragon, Raymond Burr, relationships, Richard Conte, Richard Quine, Robert Mitchum, Robert Ryan, romance, Rufus Sewell, Sacha Baron Cohen, Sandra Oh, satire, Schizopolis, sex, sexism, shareholders, slapstick, Something Wild, Southeast Asian culture, Steven Soderbergh, surrealism, The Dictator, The Father, The Marrying Kind, the sixties, The Solid Gold Cadillac, tragedy, trauma, trust, Vincent Price | Leave a comment

KPK on the CINEMA (83): The Films of January 2019

Posted on July 7, 2021 by KPKeelan

. ALL HAIL A NEW YEAR OF MOVIES, MOVIES, MOVIES! (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles in purple have been expanded for Flix Pix columns. … Continue reading →

Posted in KPK on the CINEMA | Tagged Abbas Kiarostami, action, adoption, aging, Aiden Gillen, AIDS, allegations, Amanda Seyfried, American history, Angela Lansbury, animation, Anthony Mackie, art, Barry Jenkins, Ben Whishaw, Benecio del Toro, Benedict Cumberbatch, biography, bisexuality, Black Panther, Black Widow, Blake Lively, Bohemian Rhapsody, Bradley Cooper, Brazilian cinema, Brian May, Brue Dern, Bryan Singer, Captain America, Chadwick Boseman, Chappaquiddick, childhood, Chris Evans, Chris Hemsworth, Chris Pratt, cinema, class, Colin Firth, comic books, conservation, controversy, courtroom dramas, crime, crisis, D.O.A., dancing, Dave Bautista, David Fletcher, David Ives, David Warner, degradation, Dick Van Dyke, Disney, Disneynature, Doctor Strange, Don Cheadle, drama, ecology, Ed Helms, Edmund O’Brien, Edward Kennedy, Elizabeth Olsen, Ellen Burstyn, Emily Blunt, Emily Mortimer, Emma Stone, Emmanuelle Seigner, England, environment, Ethan Hawke, ethics, excess, fame, families, fantasy, fertility, film noir, films, First Reformed, Freddy Mercury, French cinema, gender, Ghost in the Mountains, Golden Globes, Guardians of the Galaxy, Gwilym Lee, Gwyneth Paltrow, Harrison Ford, historical drama, HIV, Idris Elba, If Beale Street Could Talk, immortality, inequality, Infinity War, Io, Iranian cinema, Iron Man, Israeli cinema, James Baldwin, James Cromwell, Japanese cinema, Jason Clarke, Jim Gaffigan, Joe Kennedy, Josh Brolin, Josh Gad, Judaism, Julie Waters, justice, Kate Hudson, Kate Mara, Kathryn Hahn, Kevin Keelan, KiKi Layne, KPK, KPKeelan, KPKworld, Lin-Manuel Miranda, Live Aid, love, Mark Ruffalo, Marshall, Marvel Studios, Mary Jo Kopechene, Mary Poppins Returns, Mathieu Amalric, Meryl Streep, Michiel Huisman, Mike Meyers, morality, movies, murder, music, musicals, musicians, nature, Netflix, Nicholas Hoult, Olivia Colman, opinion, Oscars, P.T. Travers, Paul Bettany, Paul Giamatti, Paul Schrader, period pieces, Peter Dinklage, photography, politics, power, Private Life, Queen, Queen Anne, race, Rachel Weisz, racism, Rami Malek, rape, relationships, religion, reviews, rivalry, Robert Downey Jr., rock 'n' Roll, Roman Polanski, romance, S & M, San Francisco, Scarlett Johansson, science fiction, Senator Ted Kennedy, sequels, sex, sexism, sexuality, Shoplifters, singing, snow leopards, Spider-Man, spirituality, Stan Lee, Stephan James, Sterling K. Brown, success, suicide, superheroes, Tamara Jenkins, Taste of Cherry, terrorism, Thanos, The Age of Adaline, The Avengers, The Favourite, The Hulk, The Second Mother, The Women’s Balcony, Thor, Thurgood Marshall, Tom Holland, tragedy, Venus in Fur, Vin Diesel, Vision, War Machine, wildlife, William Hurt, Yorgos Lanthimos, Zoe Saldana | Leave a comment

Tag Archives: Kathryn Hahn

FLIX PIX (749): “Sometimes PRIVATE LIFE is Not So Private”

KPK on the CINEMA (114): The Films of August 2021

KPK on the CINEMA (83): The Films of January 2019

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