Tag Archives: Julie Harris

FLIX PIX (944): “John Huston’s REFLECTIONS IN A GOLDEN EYE”

Posted on December 4, 2022 by KPKeelan

REFLECTIONS IN A GOLDEN EYE (directed by John Huston, 1967) **** (out of 5) . > John Huston helmed this Carson McCruther’s southern drama of infidelity and suppressed desires. . The major’s wife is having an affair right under his nose, … Continue reading →

Posted in Flix Pix | Tagged art, Brian Keith, Carson McCullers, cinema, criticism, drama, Elizabeth Taylor, films, homosexuality, ideas, John Huston, Julie Harris, Kevin Keelan, KPK, KPKeelan, KPKworld, movies, opinion, Reflections in a Golden Eye, relationships, repression, reviews | Leave a comment

KPK on the CINEMA (105): The Films of November 2020

Posted on July 29, 2021 by KPKeelan

. NOVEMBER 2020… Finally finished in March 2021! Slowly working my way through the backlog, with 31 down and 42 to go! (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade … Continue reading →

Posted in KPK on the CINEMA | Tagged 007, Aaron Copeland, action, Adam Driver, addiction, adultery, adventure, alcoholism, Alfred Hitchcock, American culture, Amy Adams, Andy Serkis, animation, Anthony Franciosa, anti-Semitism, Appalachia, Arte Johnson, Arthur Hill, arts, At the Circus, B-movies, Barbara Stanwyck, Bertrand Bonello, Billy Dee Williams, Bing Crosby, biography, Borat Subsequent Moviefilm, brainwashing, Brie Larson, Bruce Dern, camp, Carrie Fisher, Cary Grant, Cecil Kellaway, Chico Marx, cinema, class, classics, Cole Porter, Colm Feore, comedies, comic books, coming of age, conflict, conscience, conspiracies, corporations, corruption, courtroom drama, crime, criticism, cults, cybercrime, dada, Daisy Ridley, detectives, Diane Baker, Dieudonné, documentaries, Domhnall Gleeson, Donald Pleasence, Dorothy Arzner, Dr. Seuss, drama, dysfunction, dystopia, End of Sentence, Ernst Stavro Blofeld, estrangement, exploitation, exposés, fairytales, families, fantasy, fascism, fathers and sons, Federico Fellini, films, Frank Oz, Frank Sinatra, fraud, Fredric March, French cinema, friendship, future, Gabriel Basso, genius, George Lucas, Glenn Close, Godfrey Cambridge, Grace Kelly, Gregory Chelli, grief, Groucho Marx, hackers, hacktivists, Haiti, Hans Christian Andersen, harassment, Harper, Harpo Marx, Harrison Ford, hate speech, hatred, Hedy Lamarr, Henry James, High Society, Hillbilly Elegy, hostages, Hume Cronyn, humor, I Married a Witch, I Vitelloni, Ian Fleming, Ian McDiarmid, ideas, inequality, infidelity, injustice, intimidation, Ireland, Israel, Italian cinema, J.D. Vance, J.J. Abrams, Jack MacGowran, Jacques Prévert, Jake Gyllenhaal, James Bond, James Caan, James Cagney, James Coburn, Jamie Foxx, Janet Leigh, Jean Gabin, Jean Renoir, Jews, Joan Blondell, Joanne Woodward, John Boyega, John Ford, John Garfield, John Hawkes, John Houseman, John Steinbeck, Jon Favreau, Judi Dench, Jules Verne, Julie Harris, Just Mercy, justice, Karl Urban, Keri Russell, Kevin Keelan, Kirk Douglas, kitsch, KPK, KPKeelan, KPKworld, La Bête Humaine, Lana Turner, Lauren Bacall, Lee J. Cobb, Les Gémeaux, Lew Harper, Lewis Gilbert, liberation, lies, Louis Armstrong, Louis Theroux, love, M.C. Escher, machismo, manipulation, Margaret Dumont, Maria Bakalova, Mariette Hartley, Marisa Tomei, Mark Hamill, Marnie, marriage, Marx brothers, masterpieces, Max Fleischer, Maxfield Parrish, Melanie Griffith, men, Merrily We Go to Hell, Metropolis, Michael B. Jordan, mocumentaries, Monterey, Montgomery Clift, morality, movies, murder, musicals, My Scientology Movie, mysteries, Netflix, noir, Norman Jewison, Olivia de Havilland, opinion, Oscar Isaac, Paul Grimault, Paul Newman, pirates, politics, poverty, pranks, psychological drama, race, racing, racism, Ralph Richardson, relationships, religion, René Clair, responsibility, retaliation, revenge, reviews, Richard E. Grant, rituals, Roald Dahl, Robert Wagner, Rollerball, Roman Polanski, romance, Ron Howard, Ross MacDonald, Rudolph Maté, Rudy Giuliani, Sacha Baron Cohen, Salvador Dalí, Samantha Eggar, Samuel L. Jackson, sci-fi, science fiction, Sean Connery, secrets, sequels, Sharon Tate, Shelley Winters, Simone Simon, slapstick, slavery, social satire, Spencer Tracy, Spider-Man Far From Home, spies, sports, Star Wars, steampunk, Strother Martin, superheroes, supernatural, surrealism, Sylvia Sidney, symbolism, Thandie Newton, The Adventures of Tintin, The Chronicles of Riddick, The Crowd Roars, The Dark Past, The Drowning Pool, The Fearless Vampire Killers, The Future, The Heiress, The Human Beast, The King and the Mockingbird, The Layabouts, The Light at the Edge of the World, The Patriot, The Philadelphia Story, The Postman Always Rings Twice, The President’s Analyst, The Rise of Skywalker, The Shepherdess and the Chimney Sweep, The Strange Love of Martha Ivers, Tim Blake Nelson, Tippi Hedren, Tom Holland, Tortilla Flat, totalitarianism, tragedy, Transylvania, trauma, Ulcan, values, vampires, Van Heflin, Veronica Lake, Victor Fleming, vigilantes, Vin Diesel, violence, voodoo, Walt Disney, Washington Square, Will Geer, William Daniels, William Holden, William Wyler, Wojciech Kilar, You Only Live Twice, Yul Brynner, Zendaya, Zombi Child, zombies, zombiism | Leave a comment

KPK on the CINEMA (40): The Films of APRIL 2015

Posted on May 25, 2021 by KPKeelan

. I saw 30 films in April 2015. Best. Month. Ever. Renewing my focus on “classic” cinema, I have never watched so many 5-star gems in one month: 12 of them! I was transfixed by treasures from the likes of John … Continue reading →

Posted in KPK on the CINEMA | Tagged 3 Days of Peace and Music, 3 Godfathers, Aaron Aronofsky, Alec Guinness, Alfred Hitchcock, Anna Magnani, arts, Ben Affleck, Brian Keith, Busby Berkeley, Buster Keaton, Carson McCullers, Cary Grant, Celine Dion, Chloe Grace Moretz, Christoph Waltz, Christopher Plummer, cinema, Cinema Verite, Claudette Colbert, Cleopatra, Cloak and Dagger, Dan Steven, Danny Trejo, David Fincher, Diane Baker, Diane Lane, documentaries, Edmund Gwenn, Edward Dmytryk, Elizabeth Taylor, Emma Watson, Fata Morgana, Father Goose, film criticism, films, For Me and My Gal, Frank Capra, Frank Langella, Fritz Lang, Gary Cooper, Genevieve Bujold, Geoffrey Lewis, George Kennedy, George Roy Hill, Gone Girl, Gregory Peck, HBO, ideas, IMAX, Jack Weston, James Cromwell, James Gandolfini, James Mason, James McAvoy, Jeff Goldblum, Jennifer Connelly, Jim Broadbent, Joanne Woodward, John Ford, John Huston, John Wayne, Josh Groban, Julie Harris, Katherine Hepburn, Kevin Keelan, KPK, KPKeelan, KPKworld, Lady Gaga, Le Week-End, Leif Erickson, Lindsay Duncan, Marlon Brando, Maureen Stapleton, Michael Mann, Mirage, Miranda Richardson, movies, Muppets Most Wanted, musicals, nature, Noah, opinion, Percy Jones, Peter Stone, Preston Sturges, Ray Liotta, Reflections in a Golden Eye, reviews, Ricky Gervais, Rob Corddry, Robert Redford, rock 'n' Roll, Rosamund Pike, Russell Crowe, Salma Hayek, Saoirse Ronan, Sea of Monsters, Sean Combs, She, Sidney Lumet, Sophia Loren, Stanley Tucci, Stephen Boyd, Still Mine, Sylvia Scarlett, Tennessee Williams, Terence Stamp, The Fall of the Roman Empire, The Fugitive Kind, The Great McGinty, The Great Waldo Pepper, The Saphead, The Skin Game, The Westerner, Tim Robbins, Tina Fey, Toby Jones, Tom Hiddleston, Tony Bennett, Trevor Howard, Under the Sea, Usher, Wagon Master, Walter Brennan, Walter Matthau, Werner Herzog, William Wyler, Woodstock, Zach Galifianakis | Leave a comment

Tag Archives: Julie Harris

FLIX PIX (944): “John Huston’s REFLECTIONS IN A GOLDEN EYE”

KPK on the CINEMA (40): The Films of APRIL 2015

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