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Tag Archives: Joe Kennedy
KPK on the CINEMA (83): The Films of January 2019
. ALL HAIL A NEW YEAR OF MOVIES, MOVIES, MOVIES! (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles in purple have been expanded for Flix Pix columns. … Continue reading →
Posted in KPK on the CINEMA
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Tagged Abbas Kiarostami, action, adoption, aging, Aiden Gillen, AIDS, allegations, Amanda Seyfried, American history, Angela Lansbury, animation, Anthony Mackie, art, Barry Jenkins, Ben Whishaw, Benecio del Toro, Benedict Cumberbatch, biography, bisexuality, Black Panther, Black Widow, Blake Lively, Bohemian Rhapsody, Bradley Cooper, Brazilian cinema, Brian May, Brue Dern, Bryan Singer, Captain America, Chadwick Boseman, Chappaquiddick, childhood, Chris Evans, Chris Hemsworth, Chris Pratt, cinema, class, Colin Firth, comic books, conservation, controversy, courtroom dramas, crime, crisis, D.O.A., dancing, Dave Bautista, David Fletcher, David Ives, David Warner, degradation, Dick Van Dyke, Disney, Disneynature, Doctor Strange, Don Cheadle, drama, ecology, Ed Helms, Edmund O’Brien, Edward Kennedy, Elizabeth Olsen, Ellen Burstyn, Emily Blunt, Emily Mortimer, Emma Stone, Emmanuelle Seigner, England, environment, Ethan Hawke, ethics, excess, fame, families, fantasy, fertility, film noir, films, First Reformed, Freddy Mercury, French cinema, gender, Ghost in the Mountains, Golden Globes, Guardians of the Galaxy, Gwilym Lee, Gwyneth Paltrow, Harrison Ford, historical drama, HIV, Idris Elba, If Beale Street Could Talk, immortality, inequality, Infinity War, Io, Iranian cinema, Iron Man, Israeli cinema, James Baldwin, James Cromwell, Japanese cinema, Jason Clarke, Jim Gaffigan, Joe Kennedy, Josh Brolin, Josh Gad, Judaism, Julie Waters, justice, Kate Hudson, Kate Mara, Kathryn Hahn, Kevin Keelan, KiKi Layne, KPK, KPKeelan, KPKworld, Lin-Manuel Miranda, Live Aid, love, Mark Ruffalo, Marshall, Marvel Studios, Mary Jo Kopechene, Mary Poppins Returns, Mathieu Amalric, Meryl Streep, Michiel Huisman, Mike Meyers, morality, movies, murder, music, musicals, musicians, nature, Netflix, Nicholas Hoult, Olivia Colman, opinion, Oscars, P.T. Travers, Paul Bettany, Paul Giamatti, Paul Schrader, period pieces, Peter Dinklage, photography, politics, power, Private Life, Queen, Queen Anne, race, Rachel Weisz, racism, Rami Malek, rape, relationships, religion, reviews, rivalry, Robert Downey Jr., rock 'n' Roll, Roman Polanski, romance, S & M, San Francisco, Scarlett Johansson, science fiction, Senator Ted Kennedy, sequels, sex, sexism, sexuality, Shoplifters, singing, snow leopards, Spider-Man, spirituality, Stan Lee, Stephan James, Sterling K. Brown, success, suicide, superheroes, Tamara Jenkins, Taste of Cherry, terrorism, Thanos, The Age of Adaline, The Avengers, The Favourite, The Hulk, The Second Mother, The Women’s Balcony, Thor, Thurgood Marshall, Tom Holland, tragedy, Venus in Fur, Vin Diesel, Vision, War Machine, wildlife, William Hurt, Yorgos Lanthimos, Zoe Saldana
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