Tag Archives: Jim Hutton

FLIX PIX (1223): “Marriage is a PERIOD OF ADJUSTMENT”

Posted on April 3, 2024 by KPKeelan

PERIOD OF ADJUSTMENT (directed by George Roy Hill, 1962) ***** (out of 5) . > Based on the play by southern dandy Tennessee Williams, George Roy Hill directed this marital comedy with a light touch. . It’s a tale of two … Continue reading →

Posted in Flix Pix | Tagged Anthony Franciosa, arts, battle of the sexes, cinema, classics, comedy, communication, criticism, entertainment, films, Flix Pix, George Roy Hill, humor, ideas, Jack Albertson, Jane Fonda, Jim Hutton, John McGiver, Kevin Keelan, KPK, KPKeelan, KPKworld, Lois Nettleton, manhood, marriage, movies, opinion, Period of Adjustment, pride, relationships, reviews, Tennessee Williams | Leave a comment

KPK on the CINEMA (122): The Films of April 2022

Posted on May 2, 2022 by KPKeelan

. > APRIL 2022! SO BE IT. (All films are rated on a 5-star basis and must be over a decade old to get 5 stars.) (Titles in PURPLE have been expanded for FLIX PIX columns) > This month I … Continue reading →

Posted in KPK on the CINEMA | Tagged Adam Driver, adventure, Al Pacino, Alessandro Nivola, Alf Kjellin, allegories, Anthony Perkins, anti-Semitism, arts, Audrey Hepburn, authoritarianism, Ben Johnson, big business, Billy Magnussen, biography, Blackmail, Brock Peters, Brute Force, Burt Lancaster, Charlton Heston, cinema, Civil War, classics, Claude Rains, Cloris Leachman, comedy, Corey Stoll, corruption, crime, criticism, David Chace, Debbie Reynolds, detectives, drama, drams, Elizabeth Ashley, entertainment, Erol Flynn, escapes, families, fantasy, film noir, films, George Segal, Glenn Ford, Green Mansions, Gunnel Lindblom, Heinz Rühmann, Heitor Villa-Lobos, Henry Silva, House of Gucci, Hume Cronyn, ideas, identity, innocence, intolerance, Jack Elam, jailbreaks, James Coburn, James Gandolfini, Jared Leto, Jeremy Irons, Jim Hutton, Jose Ferrer, Jules Dassin, justice, Kevin Keelan, Kiss Me Deadly, KPK, KPKeelan, KPKworld, Lady Gaga, Lee J. Cobb, Lee Marvin, Leslie Odom Jr., mafia, Major Dundee, Mark Twain, marriage, Max Von Sydow, Mel Ferrer, Michael Dunn, Michael Gandolfini, Mickey Spillane, Mike Hammer, movies, murder, mystery, native tribes, Nazism, opinion, Oskar Werner, prequels, prisoners, racism, Ralph Meeker, rape, Ray Loitta, refugees, revenge, reviews, Richard Harris, Ridley Scott, Rob Reiner, Robert Aldrich, romance, royalty, Salma Hayek, Sam Peckinpah, Sessue Hayakawa, Ship of Fools, Simone Signoret, Slim Pickins, Stanley Kramer, Strother Martin, success, suspense, Sven Nykvist, Swedish cinema, The Gazebo, The Many Saints of Newark, The Prince and the Pauper, The Sopranos, The Virgin Spring, tragedy, Venezuela, Vera Farmiga, violence, Vivien Leigh, Warren Oats, Werner Klemperer, westerns, World War II | Leave a comment

KPK on the CINEMA (106): The Films of December 2020

Posted on July 30, 2021 by KPKeelan

. DECEMBER 2020! Seven 5-star classics! Bet that’s an all-time record. So without further ado… (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles in purple have been … Continue reading →

Posted in KPK on the CINEMA | Tagged 20 Million Miles to Earth, A Night in Casablanca, action, African cinema, Alfred Hitchcock, aliens, Amanda Seyfried, Anne Bancroft, Anthony Franciosa, Anthony Hopkins, artists, arts, assassination, August Wilson, Benh Zeitlin, biography, blacksploitation, blues, Caoilinn Springall, Cary Grant, Chadwick Boseman, Chico Marx, Christianity, cinema, Citizen Kane, Claire Bloom, cold war, comedies, compromise, criticism, Crumbs, David Fincher, David Lynch, David O. Selznick, David Oyelowo, deformities, Demián Bichir, disaster films, drama, dysfunctional families, dystopia, exploitation, extremism, fantasy, Felicity Jones, films, Freddie Jones, Garson Kanin, Gary Oldman, George Clooney, George Cukor, George Roy Hill, Groucho Marx, Harpo Marx, Herman J. Mankiewicz, history, Hollywood, humanity, ideas, Incitement, Ingmar Bergman, Irene Dunn, Irving Thalberg, Israeli cinema, Jack Albertson, Jack Fincher, Jane Fonda, Jay Duplass, jazz, Jesus, Jim Hutton, John Forsythe, John Houseman, John Hurt, John McGiver, Joseph L. Mankiewicz, Katherine Hepburn, Kevin Keelan, King Henry II, KPK, KPKeelan, KPKworld, Lois Nettleton, Ma Rainey’s Black Bottom, manhood, Mank, Marion Davies, marriage, Marx brothers, Max Von Sydow, mercenaries, movies, murder, music, musicals, My Favorite Wife, mythology, Netflix, new testament, Oakland, opinion, Orson Welles, outer space, Pedro Pascal, peril, Period of Adjustment, Peter O’Toole, Peter Pan, playwrights, post-apocalypse, power, Prospect, race, Radha Blank, rap, Ray Harryhausen, relationships, religion, reviews, Rod Taylor, romance, royalty, San Simeon, sci-fi, science fiction, screenwriting, screwball comedies, sex, sexuality, Shelley Winters, Sir John Gielgud, Sophie Tucker, Space is the Place, spies, Sun Ra, surrealism, Swedish cinema, Tennessee Williams, terrorism, The 40-Year-Old Version, the Bible, The Chapman Report, The Elephant Man, The Greatest Story Ever Told, The Lion in Winter, The Magician, The Midnight Sky, thrillers, Topaz, tragedy, Trent Reznor, true stories, Viola Davis, wealth, Wendy, Wendy Hiller, William Randolph Hearst, World Without End, writers | Leave a comment

Tag Archives: Jim Hutton

FLIX PIX (1223): “Marriage is a PERIOD OF ADJUSTMENT”

KPK on the CINEMA (122): The Films of April 2022

KPK on the CINEMA (106): The Films of December 2020

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