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Tag Archives: Jeffrey Tambor
KPK on the Cinema (143): “The Films of January 2024”
. > January is always a busy movie month for me, as I make my annual effort to see as many of the nominated movies as I can before the annual Oscar ceremony rolls ‘round. This year I was far ahead … Continue reading →
Posted in KPK on the CINEMA
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Tagged abuse, Adrian Belew, adventure, alcoholism, Alex Sharp, American Fiction, Amy Poehler, Anatomy of a Fall, Andes, animation, anthropophagy, apocalypse, Arthur Hunnicutt, arts, Augusto Pinochet, Auschwitz, bands, Beck Bennett, Bicycle Thieves, Big Sur California, Bill Bruford, black comedy, black holes, blind swordsman, Burt Lancaster, cannibalism, capers, children, Chilean cinema, Chiwetel Ejiofor, Chloe Grace Moretz, Chris Pine, Christian Friedel, Christopher George, cinema, Claire Denis, classics, comedies, comedy, coming of age, Cord Jefferson, corruption, courtroom drama, crime, criticism, Deborah Kerr, Dennis Hopper, dignity, disaster, disasters, documentary, drama, dramady, Dub Taylor, dystopia, Earl Holliman, Ed Asner, Ed Helms, El Conde, El Dorado, Elizabeth Taylor, Elle Fanning, empowerment, entertainment, Erika Alexander, erotic drama, ethics, Eva Marie Saint, evil, existentialism, experimental, experimental films, exploitation, faith, families, fantasy, film noir, films, French cinema, Gene Hackman, Good Morning, Hannah Arendt, Harry Belafonte, High Life, High Sierra, history, Holocaust, honor, horror, How to Talk to Girls at Parties, Howard Hawks, Hugh Laurie, I Died a Thousand Times, Icelandic cinema, ideas, In the Court of the Crimson King: King Crimson at 50, Jack Palance, James Caan, Japanese cinema, Jean Negulesco, Jeffrey Tambor, Jeffrey Wright, John Cameron Mitchell, John Krasinski, John Wayne, Johnathan Glazer, Juliette Binoche, Justine Triet, Kaneto Shindō, Kevin Keelan, Kiefer Sutherland, KPK, KPKeelan, KPKworld, Late Autumn, Lee Marvin, Leslie Uggams, Lilies of the Field, Lon Chaney Jr., Margot Robbie, Marilyn Monroe, marriage, matchmaking, Mia Goth, Monsters Vs. Aliens, Mouchette, movies, music, musicians, mystery, Nadine Nortier, nature, Nazis, Neil Gaiman, Nichole Kidman, Nimona, Onibaba, opinion, Otto Preminger, outer space, Pablo Larraín, partnering, Paul Rudd, Paula Luchsinger, Pedro Gonzalez Gonzalez, performance, personalities, Peru, plane crashes, Polish cinema, political satire, poverty, progressive rock, publishing, race, racism, Rainn Wilson, Ralph Nelson, Reese Witherspoon, relationships, religion, remakes, Renée Zellweger, reviews, Richard Burton, Riz Ahmed, Robert Bresson, Robert Fripp, Robert Mitchum, Robert Pattinson, romance, Rory Calhoun, Rudolf Höss, RuPaul Charles, Ruth Wilson, Sandra Hüller, Sarah Sherman, satire, sci-fi, science fiction, Scott Wilson, Seth Rogan, Shelly Winters, Shintaro Katsu, Shirley MacLaine, skydiving, slow cinema, South America, Spanish cinema, Stanley Adams, Stephen Colbert, stereotypes, Sterling K. Brown, supernatural, survival, television, The Count, The Gypsy Moths, The River of No Return, The Sandpiper, The Society of Snow, The Tale of Zatoichi, The Zone of Interest, thrillers, Toby Amies, tolerance, Tommy Rettig, tragedy, true stories, Two For the Seesaw, vampires, westerns, Will Arnett, William Windom, World War II, Yakuza, Yasujirō Ozu, Z For Zachariah
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FLIX PIX (825): “Lookout Gonzo! It’s: MUPPETS FROM SPACE!”
MUPPETS FROM SPACE (directed by Tim Hill, 1999) *** (out of 5) . > I continue my quest to see all the feature length Muppet movies, which began after seeing 2011’s charming musical whimsy THE MUPPETS. . That one was just … Continue reading →
Posted in Flix Pix
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Tagged Andie MacDowell, art, cinema, criticism, David Arquette, F. Murray Abraham, films, Frank Oz, Gonzo, ideas, Jeffrey Tambor, Kathy Griffin, Kevin Clash, Kevin Keelan, KPK, KPKeelan, KPKworld, movies, Muppets From Space, opinion, Ray Liotta, reviews, Rob Schneider, Tim Hill
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KPK on the CINEMA (81): The Films of November 2018
. November: T’is the season for the studios to roll out the heavy guns. The cinema year generally gets better as it progresses toward the holiday season. (All ratings are on a 5 star scale. Note that a classic only becomes … Continue reading →
Posted in KPK on the CINEMA
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Tagged Aaron Copeland, action, Afghanistan, Afterimage, Amy Adams, Andie MacDowell, Andrzej Wajda, animation, anthologies, Aquaman, artists, Atomic Blonde, Barry Levinson, Batman v Superman, Ben Affleck, Bill Murray, biography, bondage, Brendan Gleeson, California, Channing Tatum, Charlize Theron, circus freaks, classics, cold war, Colin Farrell, Colin Firth, comedies, comic books, corruption, crime, Dave Franco, David Arquette, Dawn of Justice, Denzel Washington, Diane Lane, drama, Elton John, Emily Watson, ethics, exploitation, F. Murray Abraham, family, fantasy, Frank Oz, Gal Godot, Gonzo, Halle Berry, Harry Melling, Henry Cavill, Holly Hunter, Hugh Jackman, humor, Ingrid Bergman, Intermezzo, James MacAvoy, Jason Momoa, Jeff Bridges, Jeffrey Tambor, Jeremy Irons, John Goodman, John Steinbeck, Julianne Moore, justice, Kathy Griffin, Kevin Clash, Kevin Costner, Kingsman, Laurence Fishburne, lesbian sex, Liam Neeson, Lois Lane, love, Luke Evans, marriage, Marvel Studios, Michael Gambon, Michael Shannon, Miss Piggy, morality, Muppets From Space, musicals, P.T. Barnum, Polish cinema, politics, polyamory, Professor Marston and the Wonder Women, puppets, Ray Liotta, Rebecca Hall, relationships, repression, Rob Schneider, Robert Mitchum, Rock the Kasbah, Roman J. Israel Esq, romance, sadomasochism, spies, superheroes, Svensk Filmindustri, Swedish cinema, Taron Egerton, The Ballad of Buster Scruggs, the Coen brothers, The Golden Circle, The Greatest Showman, The Red Pony, Tim Blake Nelson, Toby Jones, Tom Waits, Tyne Daly, violence, war, Watsonville, westerns, William Moulton Marston, Wladyslaw Strzeminski, Zac Effron
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