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Tag Archives: Jakob Dylan
KPK on the Cinema (92): The Films of October 2019
. Rocktober! My favorite month. Another birthday and great weather in Santa Cruz by the sea. Welcome back, autumn. (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles … Continue reading →
Posted in KPK on the CINEMA
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Tagged 56 Up, A Private War, Aaron Paul, Abbas Kiarostami, action, Ad Astra, adventure, aging, animals, Antonino Banderas, aristocracy, art, Ash is Purist White, betrayal, biography, black culture, blacksploitation, Brad Pitt, Breaking Bad, Brian Wilson, Britain, Bryan Cranston, Bryce Dallas Howard, change, Charlotte Rampling, child abuse, children, China, Chinese cinema, Chris Parnell, Chris Pratt, cinema, classics, comedy, conflict, corruption, crime, crops, David Crosby, dinosaurs, documentaries, Dolemite Is My Name, Donald Sutherland, drama, Echo in the Canyon, Eddie Murphy, El Camino, epics, Eric Clapton, escape, families, fantasy, farmers, farming, fathers, film criticism, films, financial fraud, Fiona Apple, gangsters, Gary Oldman, gender roles, genetics, Geraldine Chaplin, Graham Nash, Hale County This Morning This Evening, HBO, historical fiction, humor, Iranian culture, J.A. Bayona, Jackson Browne, Jakob Dylan, James Cromwell, Jamie Dornan, Jennifer Fox, Jia Zhangke, John Sebastian, journalism, Jurassic World Fallen Kingdom, Keira Knightley, Kevin Keelan, KPK, KPKeelan, KPKworld, Laura Dern, Laurel Canyon, Leo Tolstoy, life, Liv Tyler, Los Angeles, love, Marie Colvin, Matthew Heineman, memory, mental health, Meryl Streep, Michael Apted, Michelle Phillips, movies, music, musicians, nationalism, nature, Netflix, Norah Jones, nostalgia, obsession, opinion, parenting, Paul Conroy, people, performing, period pieces, Polish cinema, politics, privilege, Ralph Fiennes, Ramell Ross, rape, revenge, reviews, Ringo Starr, rock and roll, Roger McGuinn, romance, Rosamund Pike, science fiction, sequels, Sergei Bondarchuk, Seven Up series, shame, Sharon Stone, shell companies, social class, Soviet cinema, space travel, Stanley Tucci, Stephen Stills, Steven Soderbergh, success, survival, suspense, sustainability, the 1960’s, The Biggest Little Farm, The Duchess, the human condition, The Laundromat, the Panama papers, the seventies, The Tale, time, Toby Jones, Tom Petty, Tommy Lee Jones, USSR, values, Vince Gilligan, violence, war, War and Peace, Weather Forecast, Where is the Friends House?, Will Forte
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“Shelter in Place and Watch Some Truly Great Movies on Kanopy!” (by KPKeelan)
. . Stuck at home while the world shuts down cold to avoid a very tiny bully? Don’t binge on TV shows that are more product than provocative. It has never been easier for the public to access truly wonderful … Continue reading →
Posted in QUIET in the BACK!
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Tagged 5 Broken Cameras, A Man Called Ove, Ace in the Hole, Aguirre the Wrath of God, Alicia Vikander, Arctic, Barbara Stanwyck, Barry Jenkins, Billy Wilder, Brie Larson, Burt Lancaster, Buster Keaton, Cartel Land, Cecil B. DeMille, cinema, denial, Echo in the Canyon, Eighth Grade, Embrace of the Serpent, Ex Machina, Federico Fellini, film, Frank Capra, Gary Cooper, H.G. Wells, Harakiri, Holy Motors, hunger, I Am Not a Witch, Israel, Jafar Panahi, Jakob Dylan, Kanopy, Kevin Keelan, Kirsten Dunst, Klaus Kinski, KPK, KPKeelan, KPKworld, Lars von Trier, Last Year at Marienbad, Lina Wertmüller, lists, Loving Vincent, Mads Mikkelsen, Marina Abramović, Meet John Doe, Melancholia, Moonlight, movies, Mustang, Nowhere in Africa, Of Fathers and Sons, Oldboy, Omar, opinion, Palestine, Rachel Weisz, reviews, Robert Eggers, Room, Roy Andersson, Scarlett Johansson, Seven Beauties, Seven Chances, streaming movies, suggestions, Swept Away, Tanna, Terry Gilliam, The 10 Commandments, The Artist is Present, The Queen of Versailles, The Witch A New England Fable, The Zero Theorem, Theeb, Things to Come, This is Not a Film, Timbuktu, Timothy Spall, Under the Skin, Victoria, Vincent Van Gogh, War Witch, Werner Herzog, Willem Dafoe, You the Living
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