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Tag Archives: inventors
KPK on the CINEMA (117): The Films of November 2021
. > Love and war, heartless big business, off-kilter spiritual claptrap, a visit to the French countryside, ethics and morality, obsession, crime and racism… Life has a lot going on! (All films are rated on a 5 star basis and … Continue reading →
Posted in KPK on the CINEMA
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Tagged absurdism, accidents, adaptations, aging, Alejandro Jodorowsky, Alexander Mackendrick, Amazon, Andrzej Wajda, Antonio Banderas, artists, arts, Ashes and Diamonds, assassins, Benedict Cumberbatch, biography, Burgess Meredith, Burt Lancaster, business, Canadian cinema, choices, cinema, Cinema Verite, classics, Coda, comedy, competitiveness, corruption, couples, Cousin Jules, crime, criticism, cyberbullies, David D'Amato, David Farrier, death, Denis Villeneuve, documentaries, Dominique Benicheti, drama, Ed Begley, England, English cinema, entertainment, exploitation, fantasy, Felice Guiteaux, fetishes, film, film noir, filmmaking, forgiveness, fraud, French cinema, George Bernard Shaw, George C. Scott, Glenn Corbett, guilt, Gun Crazy, Guy Hamilton, harassment, humor, ideas, illness, inventors, investigative journalism, irony, James Shigeta, John Dall, Jules Guiteaux, Julie Christie, Kevin Keelan, Kirk Douglas, KPK, KPKeelan, KPKworld, life, Los Angeles, love, Maelström, manslaughter, Marie-Josée Croze, metaphor, Mexican cinema, morals, movies, murder, mysticism, nature, New Zealand cinema, obsession, opinion, Pain and Glory, pathos, patterns, Pedro Almodovar, Peggy Cummins, Penelope Cruz, period pieces, perversion, Petulia, plays, Polish cinema, quests, race, redemption, reviews, Richard Chamberlain, Richard Lester, Rod Serling, romance, Russ Tamblyn, sacrifice, Samuel Beckett, social satire, soldiers, Spanish cinema, spirituality, surrealism, symbolism, The Crimson Kimono, The Devil’s Disciple, The Electrical Life of Louis Wain, The Holy Mountain, the seasons, Tickled, time, tradition, tragedy, TV dramas, values, Van Heflin, violence, Waiting for Godot, Walter Burke, work, World War II, Zero Mostel
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KPK on the Cinema (82): The Films of December 2018
. The Big Year-End Releases are out, and December found me in cinema-hyperdrive. Lots of fun stuff to examine this month. Prepare yourself! (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a … Continue reading →
Posted in KPK on the CINEMA
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Tagged 1900, 22 July, A Perfect Day, Alfonso Cuarón, aliens, Australian cinema, authority, Bandersnatch, Benecio del Toro, Bernando Bertolucci, big business, Billy Crudup, biography, Bird Box, Blades of Glory, Bruce Springsteen, Burt Lancaster, Buster Keaton, Charleze Theron, Charlie Brooker, childhood, cinematography, Clarence Clemmons, Claude Chabrol, comedies, Communism, crime, Day of the Soldado, Dennis Hopper, Dominique Sanda, Don Shirley, Donald Sutherland, drama, Duplass brothers, Edmund O’Brien, Ennio Morricone, fascism, filmmaking, Flash of Genius, Ford Motor Company, fraud, Gérard Depardieu, Green Book, Greg Kinnear, Guy Pearce, Happy as Lazzaro, Henry Jaglom, historical epics, history, Hollywood, horror, human smuggling, ice-skating, interactive, inventors, Italian cinema, Joel Edgerton, John Heder, John Huston, Josh Brolin, justice, Kate McKinnon, Leslie Mann, magical realism, Mahershala Ali, Mark Hogancamp, mass murder, Mercedes McCambridge, Mexican cinema, Mexico, Mexico City, motherhood, music, Netflix, NGO’s, Norman Foster, Norway, Orson Welles, Patti Scialfa, Paul Greengrass, Paul Mazursky, Peter Bogdanovich, Professor Philip Zimbardo, psychology, PTSD, racism, RGB, Rip van Winkle, Robert De Niro, Robert Pattinson, Robert Zemeckis, Roma, Ruth Bader Ginsberg, Sandra Bullock, satire, Sicario, silent films, Springsteen On Broadway, Sterling Hayden, Steve Carell, storytelling, survivors, Susan Strasberg, suspense, Suzanne Bier, the Balkans, The Cameraman, The Notorious RBG, The Other Side of the Wind, The Rover, The Stanford Prison Experiment, The Supreme Court, Tim Robbins, Tony Vallelonga, trauma, Tully, Viggo Mortensen, violence, war, Welcome to Marwen, Welcome to Marwencol, Will Ferrell, World War II
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