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Tag Archives: Harpo Marx
KPK on the CINEMA (138): “The Films of August 2023”
. > Last month: OPPENHEIMER. This month: BARBIE. What an odd couple. (What would their offspring look like? A plastic Shiva- destroyer of worlds and purveyor of high fashion?) Kinda slow month. Busy realizing some old, previously unrecorded stories. Three … Continue reading →
Posted in KPK on the CINEMA
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Tagged 65, Abraham Lincoln, Adam Driver, Adolf Hitler, adventure, Agnes Moorehead, Alexander Graham Bell, America Ferrera, anti-nuclear, Arlene Dahl, arts, Barbie, Bernard Herrmann, Broken Lance, Cast Ronald Colman, cattlemen, Cesar Romero, Chico Marx, cinema, classics, Cleopatra, Colm Bairéad, comedy, coming of age, County Waterford, criticism, Dennis Hopper, Diane Baker, dinosaurs, drama, Dua Lipa, Edward Dmytryk, Edward Everett Horton, entertainment, families, fantasy, farce, feminism, films, Gaelic language, gender roles, geology, girls, Greta Gerwig, Groucho Marx, Harpo Marx, Hedy Lamarr, Hippocrates, ideas, Ireland, Irish cinema, Irwin Allen, James Mason, Joan of Arc, John Carradine, John Cena, Journey to the Center of the Earth, Jules Verne, Kate McKinnon, Katharine Hepburn, Kenan Wynn, Kevin Keelan, KPK, KPKeelan, KPKworld, Lucille Ball, Margot Robbie, Marie Antoinette, Mark Antony, Mattel, Michael Cera, miners, Moses, movies, Napoleon, Nero, Noah Baumbach, opinion, parody, Pat Boon, patriarchy, Peter Lorre, Queen Elizabeth, ranchers, reviews, Rhea Perlman, Richard Widmark, Robert Wagner, romance, Ruth Handler, Ryan Gosling, Satan, sci-fi, science fiction, sexism, Simu Liu, Sir Isaac Newton, Sir Walter Raleigh, Spencer Tracy, stereotypes, The Quiet Girl, The Story of Mankind, Vincent Price, Virginia Mayo, westerns, Will Farrell, William Shakespeare, Without Love, women
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KPK on the CINEMA (106): The Films of December 2020
. DECEMBER 2020! Seven 5-star classics! Bet that’s an all-time record. So without further ado… (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles in purple have been … Continue reading →
Posted in KPK on the CINEMA
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Tagged 20 Million Miles to Earth, A Night in Casablanca, action, African cinema, Alfred Hitchcock, aliens, Amanda Seyfried, Anne Bancroft, Anthony Franciosa, Anthony Hopkins, artists, arts, assassination, August Wilson, Benh Zeitlin, biography, blacksploitation, blues, Caoilinn Springall, Cary Grant, Chadwick Boseman, Chico Marx, Christianity, cinema, Citizen Kane, Claire Bloom, cold war, comedies, compromise, criticism, Crumbs, David Fincher, David Lynch, David O. Selznick, David Oyelowo, deformities, Demián Bichir, disaster films, drama, dysfunctional families, dystopia, exploitation, extremism, fantasy, Felicity Jones, films, Freddie Jones, Garson Kanin, Gary Oldman, George Clooney, George Cukor, George Roy Hill, Groucho Marx, Harpo Marx, Herman J. Mankiewicz, history, Hollywood, humanity, ideas, Incitement, Ingmar Bergman, Irene Dunn, Irving Thalberg, Israeli cinema, Jack Albertson, Jack Fincher, Jane Fonda, Jay Duplass, jazz, Jesus, Jim Hutton, John Forsythe, John Houseman, John Hurt, John McGiver, Joseph L. Mankiewicz, Katherine Hepburn, Kevin Keelan, King Henry II, KPK, KPKeelan, KPKworld, Lois Nettleton, Ma Rainey’s Black Bottom, manhood, Mank, Marion Davies, marriage, Marx brothers, Max Von Sydow, mercenaries, movies, murder, music, musicals, My Favorite Wife, mythology, Netflix, new testament, Oakland, opinion, Orson Welles, outer space, Pedro Pascal, peril, Period of Adjustment, Peter O’Toole, Peter Pan, playwrights, post-apocalypse, power, Prospect, race, Radha Blank, rap, Ray Harryhausen, relationships, religion, reviews, Rod Taylor, romance, royalty, San Simeon, sci-fi, science fiction, screenwriting, screwball comedies, sex, sexuality, Shelley Winters, Sir John Gielgud, Sophie Tucker, Space is the Place, spies, Sun Ra, surrealism, Swedish cinema, Tennessee Williams, terrorism, The 40-Year-Old Version, the Bible, The Chapman Report, The Elephant Man, The Greatest Story Ever Told, The Lion in Winter, The Magician, The Midnight Sky, thrillers, Topaz, tragedy, Trent Reznor, true stories, Viola Davis, wealth, Wendy, Wendy Hiller, William Randolph Hearst, World Without End, writers
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KPK on the CINEMA (105): The Films of November 2020
. NOVEMBER 2020… Finally finished in March 2021! Slowly working my way through the backlog, with 31 down and 42 to go! (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade … Continue reading →
Posted in KPK on the CINEMA
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Tagged 007, Aaron Copeland, action, Adam Driver, addiction, adultery, adventure, alcoholism, Alfred Hitchcock, American culture, Amy Adams, Andy Serkis, animation, Anthony Franciosa, anti-Semitism, Appalachia, Arte Johnson, Arthur Hill, arts, At the Circus, B-movies, Barbara Stanwyck, Bertrand Bonello, Billy Dee Williams, Bing Crosby, biography, Borat Subsequent Moviefilm, brainwashing, Brie Larson, Bruce Dern, camp, Carrie Fisher, Cary Grant, Cecil Kellaway, Chico Marx, cinema, class, classics, Cole Porter, Colm Feore, comedies, comic books, coming of age, conflict, conscience, conspiracies, corporations, corruption, courtroom drama, crime, criticism, cults, cybercrime, dada, Daisy Ridley, detectives, Diane Baker, Dieudonné, documentaries, Domhnall Gleeson, Donald Pleasence, Dorothy Arzner, Dr. Seuss, drama, dysfunction, dystopia, End of Sentence, Ernst Stavro Blofeld, estrangement, exploitation, exposés, fairytales, families, fantasy, fascism, fathers and sons, Federico Fellini, films, Frank Oz, Frank Sinatra, fraud, Fredric March, French cinema, friendship, future, Gabriel Basso, genius, George Lucas, Glenn Close, Godfrey Cambridge, Grace Kelly, Gregory Chelli, grief, Groucho Marx, hackers, hacktivists, Haiti, Hans Christian Andersen, harassment, Harper, Harpo Marx, Harrison Ford, hate speech, hatred, Hedy Lamarr, Henry James, High Society, Hillbilly Elegy, hostages, Hume Cronyn, humor, I Married a Witch, I Vitelloni, Ian Fleming, Ian McDiarmid, ideas, inequality, infidelity, injustice, intimidation, Ireland, Israel, Italian cinema, J.D. Vance, J.J. Abrams, Jack MacGowran, Jacques Prévert, Jake Gyllenhaal, James Bond, James Caan, James Cagney, James Coburn, Jamie Foxx, Janet Leigh, Jean Gabin, Jean Renoir, Jews, Joan Blondell, Joanne Woodward, John Boyega, John Ford, John Garfield, John Hawkes, John Houseman, John Steinbeck, Jon Favreau, Judi Dench, Jules Verne, Julie Harris, Just Mercy, justice, Karl Urban, Keri Russell, Kevin Keelan, Kirk Douglas, kitsch, KPK, KPKeelan, KPKworld, La Bête Humaine, Lana Turner, Lauren Bacall, Lee J. Cobb, Les Gémeaux, Lew Harper, Lewis Gilbert, liberation, lies, Louis Armstrong, Louis Theroux, love, M.C. Escher, machismo, manipulation, Margaret Dumont, Maria Bakalova, Mariette Hartley, Marisa Tomei, Mark Hamill, Marnie, marriage, Marx brothers, masterpieces, Max Fleischer, Maxfield Parrish, Melanie Griffith, men, Merrily We Go to Hell, Metropolis, Michael B. Jordan, mocumentaries, Monterey, Montgomery Clift, morality, movies, murder, musicals, My Scientology Movie, mysteries, Netflix, noir, Norman Jewison, Olivia de Havilland, opinion, Oscar Isaac, Paul Grimault, Paul Newman, pirates, politics, poverty, pranks, psychological drama, race, racing, racism, Ralph Richardson, relationships, religion, René Clair, responsibility, retaliation, revenge, reviews, Richard E. Grant, rituals, Roald Dahl, Robert Wagner, Rollerball, Roman Polanski, romance, Ron Howard, Ross MacDonald, Rudolph Maté, Rudy Giuliani, Sacha Baron Cohen, Salvador Dalí, Samantha Eggar, Samuel L. Jackson, sci-fi, science fiction, Sean Connery, secrets, sequels, Sharon Tate, Shelley Winters, Simone Simon, slapstick, slavery, social satire, Spencer Tracy, Spider-Man Far From Home, spies, sports, Star Wars, steampunk, Strother Martin, superheroes, supernatural, surrealism, Sylvia Sidney, symbolism, Thandie Newton, The Adventures of Tintin, The Chronicles of Riddick, The Crowd Roars, The Dark Past, The Drowning Pool, The Fearless Vampire Killers, The Future, The Heiress, The Human Beast, The King and the Mockingbird, The Layabouts, The Light at the Edge of the World, The Patriot, The Philadelphia Story, The Postman Always Rings Twice, The President’s Analyst, The Rise of Skywalker, The Shepherdess and the Chimney Sweep, The Strange Love of Martha Ivers, Tim Blake Nelson, Tippi Hedren, Tom Holland, Tortilla Flat, totalitarianism, tragedy, Transylvania, trauma, Ulcan, values, vampires, Van Heflin, Veronica Lake, Victor Fleming, vigilantes, Vin Diesel, violence, voodoo, Walt Disney, Washington Square, Will Geer, William Daniels, William Holden, William Wyler, Wojciech Kilar, You Only Live Twice, Yul Brynner, Zendaya, Zombi Child, zombies, zombiism
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