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Tag Archives: Glenn Corbett
KPK on the CINEMA (117): The Films of November 2021
. > Love and war, heartless big business, off-kilter spiritual claptrap, a visit to the French countryside, ethics and morality, obsession, crime and racism… Life has a lot going on! (All films are rated on a 5 star basis and … Continue reading →
Posted in KPK on the CINEMA
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Tagged absurdism, accidents, adaptations, aging, Alejandro Jodorowsky, Alexander Mackendrick, Amazon, Andrzej Wajda, Antonio Banderas, artists, arts, Ashes and Diamonds, assassins, Benedict Cumberbatch, biography, Burgess Meredith, Burt Lancaster, business, Canadian cinema, choices, cinema, Cinema Verite, classics, Coda, comedy, competitiveness, corruption, couples, Cousin Jules, crime, criticism, cyberbullies, David D'Amato, David Farrier, death, Denis Villeneuve, documentaries, Dominique Benicheti, drama, Ed Begley, England, English cinema, entertainment, exploitation, fantasy, Felice Guiteaux, fetishes, film, film noir, filmmaking, forgiveness, fraud, French cinema, George Bernard Shaw, George C. Scott, Glenn Corbett, guilt, Gun Crazy, Guy Hamilton, harassment, humor, ideas, illness, inventors, investigative journalism, irony, James Shigeta, John Dall, Jules Guiteaux, Julie Christie, Kevin Keelan, Kirk Douglas, KPK, KPKeelan, KPKworld, life, Los Angeles, love, Maelström, manslaughter, Marie-Josée Croze, metaphor, Mexican cinema, morals, movies, murder, mysticism, nature, New Zealand cinema, obsession, opinion, Pain and Glory, pathos, patterns, Pedro Almodovar, Peggy Cummins, Penelope Cruz, period pieces, perversion, Petulia, plays, Polish cinema, quests, race, redemption, reviews, Richard Chamberlain, Richard Lester, Rod Serling, romance, Russ Tamblyn, sacrifice, Samuel Beckett, social satire, soldiers, Spanish cinema, spirituality, surrealism, symbolism, The Crimson Kimono, The Devil’s Disciple, The Electrical Life of Louis Wain, The Holy Mountain, the seasons, Tickled, time, tradition, tragedy, TV dramas, values, Van Heflin, violence, Waiting for Godot, Walter Burke, work, World War II, Zero Mostel
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