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Tag Archives: George Sidney
KPK on the CINEMA (140): “The Films of October 2023”
. > This month: a Noël Coward comedy of manners, a previously unseen Hitchcock thriller, a return to seminal swashbucklers of my youth, the Greatest Concert Film Ever Made, a silly Marx Brothers lark, Tracy and Hepburn meet Elia Kazan, … Continue reading →
Posted in KPK on the CINEMA
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Tagged adventure, Africa, African safaris, Alexandre Dumas, Alfred Hitchcock, American Indians, Angel on My Shoulder, Angie Dickinson, animation, Ann Margaret, Anne Baxter, Anthony Asquith, Anthony Perkins, appearances, Aramis, Archie Mayo, artists, arts, Athos, Australian outback, Ava Gardner, Barry Corbin, Beauty and the Beast, Bobby Rydell, British cinema, Bye Bye Birdie, celebrities, celebrity, Charlie Musselwhite, Chris Frantz, cinema, Clark Gable, class, classics, Claude Rains, collectives, comedies, comedy, concerts, corruption, crime, criticism, D'Artagnan, Dan Duryea, David Byrne, Dead Ringer, Dean Stockwell, Dick Van Dyke, divorce, documentaries, drama, Dyan Cannon, dysfunctional relationships, Ed Sullivan, Edgar Buchanan, Elemental, Elia Kazan, Elizabeth Taylor, Elke Sommer, empowerment, England, entertainment, epics, espionage, exploitation, fables, fairy tales, fame, fantasy, farming, feuds, films, France, Frank Finlay, fraud, French cinema, game trafficking, George Sidney, Go West, God, good and evil, Grace Kelly, greed, Greer Garson, Gregory Peck, HBO, Herbert Ross, Hume Cronyn, humor, Ian McShane, ideas, infidelity, injustice, intrigue, Jack White, James Colburn, James Garner, James Mason, Janet Leigh, Jean Cocteau, Jerry Harrison, Jesse Plemons, Jessica Tandy, Joan Hackett, John Ford, John Lithgow, John Qualen, Jonathan Demme, Joseph Cotton, justice, Karen Morley, Karl Malden, Katharine Hepburn, Kevin Keelan, Killers of the Flower Moon, King Vidor, KPK, KPKeelan, KPKworld, Last Stop Larrimah, Leonardo DiCaprio, Lily Gladstone, Lionel Barrymore, love, Maggie Smith, Margaret Rutherford, marriage, Martin Scorsese, Marx brothers, Maureen Stapelton, Melvyn Douglas, Michael York, Mogambo, morality, movies, murder, music, musicals, mystery, Noel Coward, Norma Shearer, Norman Jewison, Oliver Reed, opinion, Orson Welles, Osage Nation, Our Daily Bread, Paddy Moriarty, Paul Lynde, Paul Muni, personalities, Pete Yorn, Pixar, Porthos, poverty, Private Lives, privilege, racism, Raquel Welch, redemption, relationships, reviews, rich and famous, Richard Benjamin, Richard Burton, Richard Chamberlain, Richard Lester, Robert De Niro, Robert Montgomery, rock and roll, Rod Taylor, romance, Satan, Shadow of a Doubt, slapstick, small towns, socialism, Spencer Tracy, spies, Stephen Sondheim, Stop Making Sense, stunts, supernatural, survival, suspense, swashbuckling, Talking Heads, Tay Garnett, Terrence Rattigan, The Art of Love, the eighties, The Four Musketeers, the great depression, The Last of Sheila, The Sea of Grass, The Three Musketeers, The V.I.P.s, The Valley of Decision, Thornton Wilder, Tina Weymouth, Tom Keene, tragedy, violence, westerns, whodunnit
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KPK on the Cinema: (137): “The Films of July 2023”
. > July was kind of an in-between month. Not much of interest in the marketplace, aside from the formidable marketing juggernaut of BARBENHEIMER. It was however, a month that sent me out to the movies twice- something that hasn’t … Continue reading →
Posted in KPK on the CINEMA
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Tagged Adrien Brody, Alexander Payne, aliens, ambition, Americana, Amy Wright, Annie Get Your Gun, Annie Oakley, Anything You Can Do, arts, Asteroid City, Aunt Mary Claire, Aunt Selma, Barry Levinson, Betty Hutton, biography, Bob Balaban, Brad Dourif, Bryan Cranston, Buffalo Bill Cody, Busby Berkeley, Christopher Nolan, Cillian Murphy, cinema, comedy, con men, crime, criminals, criticism, Dave Bautista, David Morse, disability, Doin' What Comes Natur'lly, drama, dysfunction, Edward Norton, Election, Elke Sommer, Emily Blunt, entertainment, films, Flannery O'Connor, Florence Pugh, fraud, friendship, Gary Oldman, George Sidney, government, grifters, growth, Harold Russell, Harry Dean Stanton, healing, high school, history, Hollywood, Hope Davis, Hotel Artemis, Howard Keel, hubris, I'm an Indian Too, ideas, Inside Moves, Irving Berlin, Jason Schwartzman, Jeff Goldblum, Jeffery Wright, Jenny Slate, Jill St. John, Jodie Foster, John Huston, John Savage, Josh Hartnett, Keenan Wynn, Kevin Keelan, kitsch, KPK, KPKeelan, KPKworld, Live Schreiber, Louis Calhern, Margot Robbie, Matt Damon, Matt Dillon, Matthew Broderick, movies, musicals, nuclear weapons, opinion, Oppenheimer, politics, preachers, Project Trinity, Reese Witherspoon, relationships, religion, reviews, Richard Donner, Rita Wilson, Robert Downey Jr., romance, satire, Scarlett Johansson, science, scientists, Sitting Bull, spirituality, Stephen Boyd, Sterling K. Brown, Steve Carell, success, surrealism, the arms race, the atomic age, The Girl That I Marry, The Oscar, There's No Business Like Show Business, They Say It's Wonderful, thrillers, Tilda Swinton, Tom Hanks, Tony Bennett, Wes Anderson, Willem Dafoe, Wise Blood, World War II, You Can't Get a Man with a Gun, Zachary Quinto
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FLIX PIX (933): “SCARAMOUCHE Was a Scoundrel With Honor”
SCARAMOUCHE (directed by George Sidney, 1952) **** (out of 5) * > “Scaramouche” was a 16th century clown figure, known for being more than a bit of a rogue. . Taken from an historical novel, this property was first made as … Continue reading →
Posted in Flix Pix
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Tagged art, cinema, criticism, films, George Sidney, ideas, Kevin Keelan, KPK, KPKeelan, KPKworld, movies, opinion, reviews, Scaramouche
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