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Tag Archives: folktales
FLIX PIX (991): “MULAN Gets the Live-Action Treatment”
MULAN (directed by Niki Caro, 2020) *** (out of 5) . > Having really loved the original Disney animation, I had high hopes for this live-action remake that were mostly disappointed. . It’s not bad. There’s nothing bad about it from … Continue reading →
KPK on the CINEMA (118): The Films of December 2021
. > Another December- another year-end rush of great movies! (All films are rated on a 5 star basis and must be over a decade old to get 5 stars.) > This month I have some fun reviewing the following … Continue reading →
Posted in KPK on the CINEMA
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Tagged 007, A Rainy Day in New York, Aardman Studios, absurdism, abuse, action, Adam McKay, addiction, Adrien Brody, Alejandro Jodorowsky, animation, Anjelica Huston, Anthony Bourdain, Ariana Grande, Arthur Hiller, Ashleigh Banfield, Australian cinema, B-movies, Ben Whishaw, Beneath the Planet of the Apes, Benedict Cumberbatch, Benicio Del Toro, Bill Murray, biography, Bob Balaban, Bob Cummings, brainwashing, British secret service, California, Cartoon Salon, Cate Blanchett, Charlton Heston, Cherry Jones, childhood, children, children of deaf adults, Chris Evans, Christoph Waltz, cinema, Coda, comedies, comedy, coming of age, conflict, conformity, cooking, corporate influence, criticism, culture, Dakota Johnson, Daniel Craig, death, Demián Bichir, depression, Diego Luna, Diego Maradona, Dirk Bogarde, disaster films, documentaries, Don Pedro Colley, Donald Sutherland, Don’t Look Up, Down’s Syndrome, drama, economics, Edward Norton, Elisabeth Moss, Elle Fanning, Emilia Jones, English cinema, entertainment, Ernst Lubitsch, espionage, estrangement, Eugenio Derbez, experimentation, exploitation, families, family, family drama, Fando y Lis, fantasy, fate, Filippo Scotti, film criticism, filmmaking, films, folktales, football, forgiveness, Frances McDormand, friendship, German cinema, global warming, grief, Henry Winkler, Hermione Gingold, Himesh Patel, humor, Ian Fleming, ideas, improvisation, independent films, individuality, Irish cinema, Irish folklore, isolation, Italian cinema, Italy, James Bond, James Franciscus, Jane Campion, Jason Schwartzman, Jeffrey Wright, Jennifer Lawrence, Jesse Plemons, John Cassavetes, John Hawkes, Jonah Hill, Jude Law, Julieta, Karl Malden, Keenan Wynn, Keith Carradine, Kevin Keelan, Kiersten Dunst, Kodi Smit-McPhee, KPK, KPKeelan, KPKworld, land, Lashana Lynch, Léa Seydoux, legends, Leonardo DiCaprio, Leslie Caron, Liev Schreiber, life, Liiev Schreiber, Linda Harrison, Locksmith Animation, Lois Smith, manipulation, Mark Rylance, marketing, Marlee Matlin, Marlon Brando, Mathieu Amalric, Meryl Streep, metaphor, Mexican cinema, mind control, Monterey, mothers and daughters, movies, Naomie Harris, Naples, New York, New York City, No Time to Die, One Eyed Jacks, opinion, Owen Wilson, Paolo Sorrentino, Pedro Almodovar, peer pressure, people, personalities, pro wrestling, Promise Her Anything, psychological drama, race, Ralph Finnes, Rami Malek, Rebecca Hall, relationships, research, revenge, reviews, road trips, Roadrunner, Robin Wright, robots, romance, Ron Perlman, Ron’s Gone Wrong, Rory Kinnear, Saoirse Ronan, Sarah Silverman, sci-fi, science, science fiction, Selena Gomez, self esteem, sequels, Shadows, Shia LaBeouf, silent films, soccer, social criticism, social media, social satire, Spanish cinema, spies, suicide, supernatural, superstition, surrealism, survival, symbolism, technology, The Doll, The French Dispatch, The Hand of God, The Mind Benders, The Peanut Butter Falcon, The Power of the Dog, Thomas Haden Church, Tilda Swinton, Timothée Chalamet, tragedy, travel, Troy Kotsur, Tyler Perry, values, Victor Buono, Warren Beatty, Wes Anderson, westerns, Willem Dafoe, William Peter Blatty, Wolfwalkers, Woody Allen, Zach Galifianakis, Zack Gottsagen
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GUESTBOOK: “Ingmar Bergman Shares THE PARABLE OF THE CHINESE WOODCARVER”
. (I transcribed this from a short documentary on the great director, that once aired on Swedish TV… Enjoy!) * > “During the Middle ages a certain woodcarver in China was given the task of crafting a stand for the … Continue reading →
Posted in GUESTBOOK
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Tagged focus, folklore, folktales, humor, ideas, Ingmar Bergman, KPKworld, motivation, parables, stories, Sweden, wisdom, wit
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“The Delightful Animated Adventures of KIRIKOU” (by KPKeelan)
KIRIKOU AND THE SORCERESS (1998) ***** KIRIKOU AND THE MEN AND WOMEN (2012) **** (directed by Michel Ocelot) KIRIKOU AND THE SORCERESS (1998) ***** > What a total delight this animated fantasy is! . The first feature from French animator … Continue reading →
KPK on the CINEMA (109): The Films of March 2021
. MARCH 2021: The month that was and the films that made it memorable. Dig in, compatriots! (All films are rated on a 5 star basis and must be over a decade old to get 5 stars.) (Titles in purple … Continue reading →
Posted in KPK on the CINEMA
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Tagged action, adventure, Africa, animation, arts, Aubrey Morris, Audrey Hepburn, biography, Bluebeard, Britt Ekland, buddy films, Carroll Ballard, Catherine Breillat, Chinese culture, Christianity, Christine, Christine Chubbuck, Christopher Lee, Christopher Nolan, cinema, classics, comedies, coming of age, con artists, crime, criticism, David Lynch, deafness, Denholm Elliott, Disney, documentaries, drama, Dune, Ed Asner, Edward Woodward, entertainment, epics, equality, fairytales, family, family films, fantasy, films, Flix Pix, folktales, Frank Herbert, French cinema, friendship, Garret Gilchrist, genius, grifters, hearing, heavy metal, Himesh Patel, historical fantasy, historical fiction, honor, horror, horses, Hoyt Axton, human sacrifice, Ian Holm, ideas, infidelity, James Garner, Jane Fonda, jealousy, Jeff Bridges, John Brown, John David Washington, journalism, Kathy Bates, Kenneth Branagh, Kevin Keelan, Kirikou and the Men and Women, Kirikou and the Sorceress, KPK, KPKeelan, KPKworld, Kyle MacLachlan, legends, Little John, loss, Louis Gossett Jr, Maid Marian, marriage, masterpieces, mental illness, Michael C. Hall, Michael Caine, Michel Ocelot, Mickey Rooney, movies, Mulan, murder, My Octopus Teacher, mystery, nature, Nicol Williamson, oceans, Olivia Cooke, opinion, paganism, Preston Sturges, race, racing, Raul Julia, reviews, Rex Harrison, Richard Harris, Richard Lester, Richard the Lionheart, Richard Williams, rites, rituals, Riz Ahmed, Robert Pattinson, Robin and Marian, Robin Hood, romance, Royal Dano, sci-fi, science fiction, Scotland, Sean Connery, Sheriff of Nottingham, Sidney Lumet, Skin Game, slavery, Sound of Metal, suicide, surrealism, Susan Clark, suspense, Tenent, Terri Garr, The Black Stallion, The Morning After, The Sleeping Beauty, The Thief and the Cobbler, The Wicker Man, Tracy Letts, tragedy, TV news, Unfaithfully Yours, Vincent Price, war, wildlife, Youssou N'Dour
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KPK on the CINEMA (100): The Films of JUNE 2020
. JUNE 2020 was a busy film month! Not much else to do, if you have no sex partner and you can hardly heave the house! In this bunch, we get comedies, romances, dramas, animation, film noir, sci-fi, horror, caper … Continue reading →
Posted in KPK on the CINEMA
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Tagged 10cc, 8½, A Boy and His Dog, A Ship to India, Abbas Kiarostami, abuse, addiction, Adventures in Psychedelics, Akira Kurosawa, Alan King, And Life Goes On, Andy Richter, Andy Williams, animals, animation, Anthony Bourdain, ants, art, assistants, bank robbers, Barbara Bel Geddes, battle of the sexes, belief, belonging, Ben Stiller, betrayal, Bill Kreutzmann, biography, Birger Malmsten, Blake Edwards, Book of Exodus, brotherhood, Buñuel in the Labyrinth of the Turtles, Bunny Lake is Missing, Burt Lancaster, Canadian films, capers, Carrie Fisher, celebrity, censorship, Cesar Romero, Chadwick Boseman, Charles Bronson, childhood, Christopher Walken, cinema, class, classics, Cold Turkey, comedies, coming of age, Communism, composers, crime, criticism, Czech cinema, Czechoslovakia, Da 5 Bloods, dada, Dan Duryea, Danny Kaye, Dash Shaw, David Cross, Deepak Chopra, Delmer Daves, Delroy Lindo, destruction, Dianne Foster, Diary of a Chambermaid, Dick Van Dyke, disaster films, documentaries, Don Johnson, Donald O’Connor, Donovon, drama, Drive a Crooked Road, drugs, Dyan Cannon, dystopia, earthquakes, Emilio D'Alessandro, emotion, environment, Ernest Borgnine, Experiment in Terror, faith, families, family secrets, fantasy, farce, fascism, fathers and sons, Federico Fellini, feminism, film history, film noir, filmmakers, filmmaking, films, folktales, Frankenstein, Fred MacMurray, Fred Willard, French cinema, friendship, Fritz Lang, Gary Cooper, Gaza, Gene Kelly, General Francisco Franco, George C. Scott, Georgina Hale, Glenn Ford, Gloria Grahame, God, God Went Surfing With the Devil, Guns N' Roses, Harlan Ellison, Have a Good Trip, Helen Gurley Brown, Henry Fonda, Herb Alpert, historical drama, Holger Löwenadler, hope, horror, humor, hunger, hypocrisy, ideas, identity, illness, Ingmar Bergman, injustice, insecurity, Iran, Iranian cinema, Israeli cinema, Italian cinema, Jack Elam, Jacques Tati, Jane Mansfield, Japanese cinema, jazz, jealousy, Jean Reno, Jeanne Moreau, Jesus, Jews, John Lennon, Jour de Fête, journalism, Judaism, Karl Malden, Ken Russell, Kevin Keelan, Kevin McCarthy, kidnapping, Kier Dullea, Kim Novak, Koker, KPK, KPKeelan, KPKworld, Lacey Schwartz, Land Without Bread, Las Hurdes, Lauren Bacall, Laurence Olivier, L’Age D’Or, Led Zeppelin, Lee Marvin, Lee Remick, legends, Lewis Black, lies, life, Life and Nothing More, Little White Lie, Louis Armstrong, LSD, Luis Buñuel, Mahler, Marcello Mastroianni, Maria Schell, Martin Balsom, Mélanie Thierry, metaphor, Michael Murphy, Mickey Rooney, Miloš Forman, monsters, Moses, movies, murder, musicals, musicians, My Entire High School Sinking Into the Sea, Natalie Wood, Natasha, Natasha Lyonne, Natural disasters, Netflix, Nick Kroll, Nigel Davenport, Nina Paley, Noel Coward, Norman Lear, Oingo Boingo, opinion, oppression, Otto Preminger, Palestinians, parenting, peace, people, Phase IV, poverty, psychoactive substances, psychological drama, PTSD, Pushover, Quincy Jones, race, racism, Ramón Acín, Red Nichols, relationships, religion, resilience, reviews, Richard Quine, Rob Corddry, Robert Powell, romance, Rosie Perez, Ross Martin, S is For Stanley, sacrifice, Salvador Dalí, Sarah Silverman, Satchmo, satire, Saul Bass, scandals, sci-fi, science fiction, Sean Connery, Seder-Masochism, self doubt, Sex and the Single Girl, sexism, sexual politics, Sidney Lumet, sight gags, sisters, slapstick, smoking, social criticism, social justice, soldiers, Spain, Spanish cinema, Spike Lee, Stanley Kubrick, Stefanie Powers, Sting, stories, suffering, surfing, surrealism, surrealists, surveillance, suspense, Swedish cinema, symbolism, tabloids, teenage sexuality, teenagers, terrorism, The Age of Gold, The Anderson Tapes, the Bible, The Big Heat, The Burglar, the Church, The Firemen’s Ball, The Five Pennies, The Four Tops, The Hanging Tree, The Holy Land, The Men Who Tread on the Tiger’s Tail, The Pointer Sisters, The Spirit of the Beehive, the state, thriller, tobacco companies, Tony Curtis, tradition, tragedy, Tuesday Weld, Vera Cruz, Victor Erice, Vietnam War, violence, westerns, Will Forte, writer’s block, Zach Leary
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