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Tag Archives: farmers
FLIX PIX (950): “Jean Renoir Comes to Rural America in THE SOUTHERNER”
THE SOUTHERNER (directed by Jean Renoir, 1945) ****+ (out of 5) . > Impressed by THE RIVER, I have begun to seek out the other films by celebrated French filmmaker Jean Renoir. It is a rich body of work! . Of … Continue reading →
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Tagged arts, Betty Field, Beulah Bondi, cinema, criticism, drama, entertainment, families, farmers, farming, films, ideas, Jean Renoir, Kevin Keelan, KPK, KPKeelan, KPKworld, movies, opinion, reviews, rural America, The Southerner, Zachary Scott
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KPK on the CINEMA (97): The Films of March 2020
. March 2020 came in like a lamb… went out like a lion! This world we have taken for granted may never be the same again. One good thing about this social distancing, shelter in place era… Plenty of time … Continue reading →
Posted in KPK on the CINEMA
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Tagged addiction, adventure, Africa, Agnes Moorehead, Amazon Prime, American Film Institute, animal abuse, Anne Wiazemsky, Arthur Laurents, Au Hasard Balthazar, ballooning, Barbary Coast, Bernhard Goetzke, Brian Keith, British cinema, brutality, burlesque, Canadian cinema, Captain Ahab, cattle, Charlotte Rampling, Clara Bow, classics, Come Inside My Mind, comedians, cowboys, crime, Crimean War, Dark Passage, David Hemmings, Delmer Daves, documentaries, Dr. Mabuse The Gambler, drama, Eddie Redmayne, Edward G. Robinson, Errol Morris, experimental film, families, farmers, farming, Felicity Jones, film noir, filmmaking, French cinema, Fritz Lang, Geraldine Chaplin, Guy Maddin, Gypsy, Gypsy Rose Lee, history, Humphrey Bogart, hypnotism, Ida Lupino, Isabella Rossellini, Jack Elam, Jack London, James Stewart, Jean Renoir, John Barrymore, John Garfield, John Gielgud, Jule Styne, Juliet Mills, Karl Malden, Lauren Bacall, Les Blank, Lewy Body Dementia, life, Mathieu Amalric, Maureen O’Hara, Michael Curtiz, military disasters, Moby Dick, murder, musicals, mysteries, Natalie Wood, Night Must Fall, Parkinson's disease, pirates, Poor Little Rich Girl, Robert Bresson, Robert Montgomery, Robin Williams, romance, Rosalind Russell, Rudolf Klein-Rogge, rural America, San Francisco, short films, showbusiness, silent films, Stephen Sondheim, storytelling, strippers, success, suicide, surrealism, survival, Tabu, The Aeronauts, The Charge of the Light Brigade, the Criterion Channel, The Forbidden Room, The Rare Breed, The Sea Wolf, The Southerner, thrillers, Tony Richardson, Trevor Howard, Udo Kier, Vanessa Redgrave, Werner Herzog Eats His Shoe, westerns
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KPK on the Cinema (92): The Films of October 2019
. Rocktober! My favorite month. Another birthday and great weather in Santa Cruz by the sea. Welcome back, autumn. (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles … Continue reading →
Posted in KPK on the CINEMA
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Tagged 56 Up, A Private War, Aaron Paul, Abbas Kiarostami, action, Ad Astra, adventure, aging, animals, Antonino Banderas, aristocracy, art, Ash is Purist White, betrayal, biography, black culture, blacksploitation, Brad Pitt, Breaking Bad, Brian Wilson, Britain, Bryan Cranston, Bryce Dallas Howard, change, Charlotte Rampling, child abuse, children, China, Chinese cinema, Chris Parnell, Chris Pratt, cinema, classics, comedy, conflict, corruption, crime, crops, David Crosby, dinosaurs, documentaries, Dolemite Is My Name, Donald Sutherland, drama, Echo in the Canyon, Eddie Murphy, El Camino, epics, Eric Clapton, escape, families, fantasy, farmers, farming, fathers, film criticism, films, financial fraud, Fiona Apple, gangsters, Gary Oldman, gender roles, genetics, Geraldine Chaplin, Graham Nash, Hale County This Morning This Evening, HBO, historical fiction, humor, Iranian culture, J.A. Bayona, Jackson Browne, Jakob Dylan, James Cromwell, Jamie Dornan, Jennifer Fox, Jia Zhangke, John Sebastian, journalism, Jurassic World Fallen Kingdom, Keira Knightley, Kevin Keelan, KPK, KPKeelan, KPKworld, Laura Dern, Laurel Canyon, Leo Tolstoy, life, Liv Tyler, Los Angeles, love, Marie Colvin, Matthew Heineman, memory, mental health, Meryl Streep, Michael Apted, Michelle Phillips, movies, music, musicians, nationalism, nature, Netflix, Norah Jones, nostalgia, obsession, opinion, parenting, Paul Conroy, people, performing, period pieces, Polish cinema, politics, privilege, Ralph Fiennes, Ramell Ross, rape, revenge, reviews, Ringo Starr, rock and roll, Roger McGuinn, romance, Rosamund Pike, science fiction, sequels, Sergei Bondarchuk, Seven Up series, shame, Sharon Stone, shell companies, social class, Soviet cinema, space travel, Stanley Tucci, Stephen Stills, Steven Soderbergh, success, survival, suspense, sustainability, the 1960’s, The Biggest Little Farm, The Duchess, the human condition, The Laundromat, the Panama papers, the seventies, The Tale, time, Toby Jones, Tom Petty, Tommy Lee Jones, USSR, values, Vince Gilligan, violence, war, War and Peace, Weather Forecast, Where is the Friends House?, Will Forte
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