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Tag Archives: Eugenio Derbez
FLIX PIX (1083): “CODA = Children Of Deaf Adults”
CODA (directed by Sian Heder, 2021) **** (out of 5) . > C.O.D.A.- It’s an acronym for “Children Of Deaf Adults”, and hopefully, one that will be much more widely known after this year’s Oscar season. . The heavy buzz for … Continue reading →
Posted in Flix Pix
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Tagged arts, children of deaf adults, cinema, Coda, coming of age, criticism, deafness, disability, drama, economics, Emilia Jones, entertainment, Eugenio Derbez, families, films, Flix Pix, ideas, Kevin Keelan, KPK, KPKeelan, KPKworld, Marlee Matlin, movies, opinion, relationships, reviews, romance, Sian Heder, Troy Kotsur
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“KPK Looks at the 2021 BEST PICTURE Nominees” (by KPKeelan)
. BELFAST CODA DON’T LOOK UP DRIVE MY CAR DUNE KING RICHARD LICORICE PIZZA NIGHTMARE ALLEY THE POWER OF THE DOG WEST SIDE STORY – – – – – – BELFAST (directed by Kenneth Branagh) ****+ > Altogether, over 14 … Continue reading →
Posted in QUIET in the BACK!
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Tagged abuse, Academy Awards, Adam McKay, Ansel Elgort, Ariana DeBose, Ariana Grande, arts, Ashleigh Banfield, Aunjanue Ellis, Australian cinema, Bardem, Belfast, Benedict Cumberbatch, biography, Bradley Cooper, carnies, Cate Blanchett, Catholics, Charlotte Rampling, childhood, children of deaf adults, Chris Evans, Ciarán Hinds, cinema, climate change, Coda, coming of age, con men, conflict, criticism, Dave Bautista, David Alvarez, David Strathairn, deafness, Denis Villeneuve, disability, disaster films, division, Don’t Look Up, drama, Drive My Car, Dune, economics, Emilia Jones, entertainment, epics, Eugenio Derbez, families, fantasy, film criticism, film noir, films, Frank Herbert, fraud, gangs, gentrification, global warming, grifters, Guillermo Del Toro, Himesh Patel, ideas, Irish politics, Jane Campion, Jason Momoa, Jennifer Lawrence, Jesse Plemons, Jonah Hill, Josh Brolin, Jude Hill, Judi Dench, Keith Carradine, Kenneth Branagh, Kevin Keelan, Kiersten Dunst, King Richard, Kodi Smit-McPhee, KPK, KPKeelan, KPKworld, Leonard Bernstein, Leonardo DiCaprio, Licorice Pizza, Liev Schreiber, Mark Rylance, Marlee Matlin, Mary Steenburgen, memory, Meryl Streep, movies, musicals, Nightmare Alley, Northern Ireland, opinion, Oscar Isaac, Oscar nominees, parenting, Paul Thomas Anderson, Protestants, Rachel Zegler, Reinaldo Marcus Green, relationships, religion, remakes, revenge, reviews, Richard Jenkins, Richard Williams, romance, Romeo and Juliet, Ron Perlman, Rooney Mara, Ryusuke Hamaguchi, Sarah Silverman, Serena Williams, Sian Heder, social satire, spiritualism, sports films, Stellan Skarsgård, Stephen Sondheim, Steven Spielberg, success, suggestions, tennis, The Power of the Dog, the troubles, Tim Blake Nelson, Timothée Chalamet, Toni Collette, tragedy, tribalism, Troy Kotsur, Tyler Perry, Venus Williams, violence, West Side Story, westerns, Will Smith, Willem Dafoe, Zendaya
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KPK on the CINEMA (118): The Films of December 2021
. > Another December- another year-end rush of great movies! (All films are rated on a 5 star basis and must be over a decade old to get 5 stars.) > This month I have some fun reviewing the following … Continue reading →
Posted in KPK on the CINEMA
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Tagged 007, A Rainy Day in New York, Aardman Studios, absurdism, abuse, action, Adam McKay, addiction, Adrien Brody, Alejandro Jodorowsky, animation, Anjelica Huston, Anthony Bourdain, Ariana Grande, Arthur Hiller, Ashleigh Banfield, Australian cinema, B-movies, Ben Whishaw, Beneath the Planet of the Apes, Benedict Cumberbatch, Benicio Del Toro, Bill Murray, biography, Bob Balaban, Bob Cummings, brainwashing, British secret service, California, Cartoon Salon, Cate Blanchett, Charlton Heston, Cherry Jones, childhood, children, children of deaf adults, Chris Evans, Christoph Waltz, cinema, Coda, comedies, comedy, coming of age, conflict, conformity, cooking, corporate influence, criticism, culture, Dakota Johnson, Daniel Craig, death, Demián Bichir, depression, Diego Luna, Diego Maradona, Dirk Bogarde, disaster films, documentaries, Don Pedro Colley, Donald Sutherland, Don’t Look Up, Down’s Syndrome, drama, economics, Edward Norton, Elisabeth Moss, Elle Fanning, Emilia Jones, English cinema, entertainment, Ernst Lubitsch, espionage, estrangement, Eugenio Derbez, experimentation, exploitation, families, family, family drama, Fando y Lis, fantasy, fate, Filippo Scotti, film criticism, filmmaking, films, folktales, football, forgiveness, Frances McDormand, friendship, German cinema, global warming, grief, Henry Winkler, Hermione Gingold, Himesh Patel, humor, Ian Fleming, ideas, improvisation, independent films, individuality, Irish cinema, Irish folklore, isolation, Italian cinema, Italy, James Bond, James Franciscus, Jane Campion, Jason Schwartzman, Jeffrey Wright, Jennifer Lawrence, Jesse Plemons, John Cassavetes, John Hawkes, Jonah Hill, Jude Law, Julieta, Karl Malden, Keenan Wynn, Keith Carradine, Kevin Keelan, Kiersten Dunst, Kodi Smit-McPhee, KPK, KPKeelan, KPKworld, land, Lashana Lynch, Léa Seydoux, legends, Leonardo DiCaprio, Leslie Caron, Liev Schreiber, life, Liiev Schreiber, Linda Harrison, Locksmith Animation, Lois Smith, manipulation, Mark Rylance, marketing, Marlee Matlin, Marlon Brando, Mathieu Amalric, Meryl Streep, metaphor, Mexican cinema, mind control, Monterey, mothers and daughters, movies, Naomie Harris, Naples, New York, New York City, No Time to Die, One Eyed Jacks, opinion, Owen Wilson, Paolo Sorrentino, Pedro Almodovar, peer pressure, people, personalities, pro wrestling, Promise Her Anything, psychological drama, race, Ralph Finnes, Rami Malek, Rebecca Hall, relationships, research, revenge, reviews, road trips, Roadrunner, Robin Wright, robots, romance, Ron Perlman, Ron’s Gone Wrong, Rory Kinnear, Saoirse Ronan, Sarah Silverman, sci-fi, science, science fiction, Selena Gomez, self esteem, sequels, Shadows, Shia LaBeouf, silent films, soccer, social criticism, social media, social satire, Spanish cinema, spies, suicide, supernatural, superstition, surrealism, survival, symbolism, technology, The Doll, The French Dispatch, The Hand of God, The Mind Benders, The Peanut Butter Falcon, The Power of the Dog, Thomas Haden Church, Tilda Swinton, Timothée Chalamet, tragedy, travel, Troy Kotsur, Tyler Perry, values, Victor Buono, Warren Beatty, Wes Anderson, westerns, Willem Dafoe, William Peter Blatty, Wolfwalkers, Woody Allen, Zach Galifianakis, Zack Gottsagen
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