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Tag Archives: Dream Scenario
FLIX PIX (1177): “There is a Love That Transcends in Celene Song’s Resonant PAST LIVES”
. PAST LIVES (directed by Celine Song, 2023) ****+ (out of 5) . > Canadian/Korean playwright turned filmmaker Celine Song really hit the bull’s eye on this, her maiden effort. . Ms. Song has fashioned a small film that garnered a … Continue reading →
Posted in Flix Pix
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Tagged arts, attachments, Celine Song, cinema, criticism, drama, Dream Scenario, entertainment, films, Flix Pix, Greta Lee, ideas, John Magaro, Kevin Keelan, Korean culture, KPK, KPKeelan, KPKworld, love, marriage, movies, opinion, Past Lives, people, relationships, reviews, romance, Teo Yoo
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KPK on the CINEMA (144): “The Films of FEBRUARY 2024”
. > This month: Three superhero flicks- one terrible, the other two, surprisingly good. Two animated films, one a disappointment, the other one pretty damn good. The biography of a comedy legend. A smattering of more obscure titles from the … Continue reading →
Posted in KPK on the CINEMA
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Tagged A Foreign Affair, A Guy Named Joe, Abraham Lincoln, abuse, acceptance, action, Adolphe Menjou, adventure, Alan Arkin, Angela Bassett, animation, Anthony Asquith, Anthony Mann, Antonio Banderas, archeology, arts, awareness, Barry Nelson, beauty, Billy Crudup, Billy Wilder, biography, Bradley Cooper, British cinema, British history, Canadian cinema, Carl Reiner, Cary Grant, celebrity, children, Chris Pratt, cinema, Clifford Odets, comedy, comic books, corruption, coups, crime, criminals, criticism, cynicism, Dalton Trumbo, Dan Duryea, Daniel Kaluuya, Dave Bautista, David Niven, Dianne Wiest, Dick Powell, dictatorship, Disney, diversity, documentaries, documentary, drama, Dream Scenario, dreams, Dylan Gelula, dystopia, Edward Scissorhands, Elaine May, English history, entertainment, epics, escapes, Ester Williams, exploitation, extremism, fame, families, family separation, fantasy, films, Four Daughters, Fred Zinnemann, friendship, fulfillment, Guardians of the Galaxy, Guns of Darkness, Harrison Ford, Harry Lloyd, HBO, Henry Selick, historical fiction, Hugh Griffith, human rights, humor, humorists, Hundreds of Beavers, ideas, Indiana Jones and the Dial of Destiny, injustice, Iranian cinema, Irene Dunne, Islamic State, Issa Rae, Jackie Earle Haley, Jafar Panahi, James Hong, James Mangold, Jane Wyatt, Japanese cinema, Jean Arthur, John Cassavetes, John Lund, John Rhys-Davies, Johnny Depp, Jordan Peele, Julianne Nicholson, June Duprez, Kaouther Ben Hania, Karen Allen, Kathy Bates, Keegan-Michael Key, Kevin Keelan, King Richard III, Koji Yakusho, KPK, KPKeelan, KPKworld, Kristoffer Borgli, Leslie Caron, Lewis Milestone, Lionel Barrymore, love, Lucasfilm, Mads Mikkelsen, Malin Åkerman, Marlene Dietrich, Marlon Brando, Marvel Studios, Mel Brooks: Unwrapped, melodrama, Michael Cera, Mike Cheslik, Mikey and Nicky, military, Miss Ethel Barrymore, Montgomery Clift, movies, Mutiny On the Bounty, nature, Nazis, Ned Beatty, Netflix, Nicolas Cage, nihilism, No Bears, nonconformity, None But the Lonely Heart, opinion, oppression, Oscar Isaac, parable, patriarchy, Patrick Wilson, people, Perfect Days, Peter Falk, Philippa Langley, Phoebe Waller-Bridge, Pom Klementieff, pop culture, radicalization, rape, relationships, reviews, Richard Harris, romance, Ruby Dee, Sally Hawkins, sci-fi, science fiction, seafaring, sequels, silent films, slapstick, slice of life, Spencer Tracy, Spider-Man: Across the Spider-Verse, Stephen Frears, Steve Coogan, superheroes, supernatural, superstition, surrealism, Tahiti, talent, terrorism, The Lost King, The Search, The Tall Target, thrillers, Tim Burton, Tim Meadows, time travel, Toby Jones, Tokyo, tradition, tragedy, trauma, Trevor Howard, true stories, Tunisian cinema, underground filmmaking, Van Johnson, Victor Fleming, Vin Diesel, Vincent Price, Ving Rhames, Vol. 3, Ward Bond, Watchmen, Wendell & Wild, Will Geer, Wim Wenders, Winona Ryder, women, workers, World War II, Zack Snyder
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QUIET in the BACK!: “Here Comes the Year-End Cinema Bounty”
. > Every year around this time, I compile a list of upcoming year-end film releases that I am looking forward to. Despite the various labor strikes and the strangulating effects of the evolving marketplace, the New York Times helped … Continue reading →
Posted in QUIET in the BACK!
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Tagged A.I., Aardman Studios, action, Adam Driver, Alexander Payne, American Fiction, Amsterdam, Anatomy of a Fall, animation, Another Body, Aquaman and the Lost Kingdom, Argentine cinema, artificial intelligence, Barry Keoghan, Bayard Rustin, biography, biopics, Bradley Cooper, Chicken Run: Dawn of the Nugget, comedy, courtroom drama, deep-fake porn, Dicks: The Musical, documentaries, drama, Dream Scenario, El Juicio, Emma Stone, Enzo Ferrari, Fallen Leaves, fantasy, Ferrari, Finnish cinema, Flora and Son, Four Daughters, French cinema, Hayao Miyazaki, Hite Report, Islamic fundamentalism, Jeffrey Wright, Joan Baez: I Am A Noise, Joaquin Phoenix, John Carney, Joseph Gordon-Levitt, Julienne Moore, Killers of the Flower Moon, Leonard Bernstein, Maestro, Martin Scorsese, May December, Michael Fassbender, Michael Mann, musicals, My Love Affair With Marriage, Napoleon, Natalie Portman, Nathan Lane, Next Goal Wins, Nicholas Cage, Occupied City, Paul Giamatti, Poor Things, Priscilla, racial satire, Ridley Scott, Rustin, Saltburn, sci-fi, science fiction, sequels, soccer, Sofia Coppola, sports, Steve McQueen, Studio Ghibli, superheroes, Taika Waititi, The Boy & The Heron, The Creator, The Disappearance of Shere Hite, The Holdovers, The Trial, The Zone of Interest, Todd Haynes, Tunisian cinema, World War II, Yorgos Lanthimos
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