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Tag Archives: D.W. Griffith
KPK on the CINEMA (113): The Films of July 2021
. This month: Fantasy! Film Noir! Psychological Drama! Comedy! Superheroes! Biblical Silliness! Biography! Animation! Environmental Disaster! Crime and Punishment at the F.B.I.! Another coming-of-age story from Judd Apatow! Social Satire from Jean Renoir! A serial murderer on the loose! The … Continue reading →
Posted in KPK on the CINEMA
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Tagged 1906, action, American history, Angela Lansbury, animation, art, Bible stories, biblical epics, Billy Cook, biography, Black Panthers, Body and Soul, Boudu Saved From Drowning, boxing, California history, Chris Pine, cinema, Clark Gable, class, comedy, comic book characters, corruption, crime, criticism, D.W. Griffith, Daniel Kaluuya, death, Death Takes a Holiday, disaster films, Don Hertzfeldt, drama, earthquakes, entertainment, experimental, F.B.I., fantasy, film noir, films, France, Frederick March, French cinema, Gal Godot, genius, George Sanders, George Tobias, Grim Reaper, Hedy Lamarr, Herbert Anderson, heroes, heroines, Ida Lupino, ideas, illness, It’s Such a Beautiful Day, Jean Renoir, Jean Seberg, Jeanette MacDonald, Jesse Plemons, John Garfield, Judas and the Black Messiah, Kevin Keelan, kidnapping, killers, Kirsten Wiig, KPK, KPKeelan, KPKworld, LaKeith Stanfield, Lilith, love, Lynda Carter, Martin Sheen, mental illness, movies, murder, musicals, opinion, Pablo Pascal, Percy Anderson, Peter Fonda, race, redemption, reviews, Robert Rossen, Robert Ryan, Robert Wise, romance, Samson and Delilah, San Francisco, Spenser Tracy, superheroes, supernatural, The Hitch-Hiker, the meaning of life, The Set-Up, Victor Mature. D. W Griffith, W. S. Van Dyke, Walk a Crooked Mile, Warren Beatty, Wonder Woman 1984
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