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Tag Archives: Cyd Charisse
KPK on the CINEMA (112): The Films of June 2021
. No 5-star classics this month, but everything else is represented, from one-and-a-half miserable lumps to four-and-a-half dazzling stars. Enjoy ruminating with me! (All films are rated on a 5-star basis and must be over a decade old to be … Continue reading →
Posted in KPK on the CINEMA
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Tagged 007, action, addiction, afterlife, aging, alcoholism, ambition, Andrew Scott, Angela Lansbury, Anne Hathaway, anti-Semitism, Arabian Nights, Arabic literature, art, Ben Kingsley, Ben Wheatley, Better Days, Between Two Worlds, biography, British cinema, Broadway, bullying, camp, China, Chinese cinema, Chris Evans, Christian Petzold, cinema, Colossal, comedy, competition, composers, conflict, corruption, crime, criticism, Crock of Gold, cults, Cyd Charisse, Dean Martin, death, Derek Flint, dialogue, Dinah Shore, disasters, drama, Edmund Gwenn, Eleanor Parker, enemies, entertainment, escape, Ethiopia, Ethiopian Jews, Eugene O'Neill, fame, families, fantasy, films, Frank Sinatra, Franz Liszt, Gaoko exams, genius, George Tobias, Gerard Butler, German cinema, ghosts, Gower Champion, Greenland, Greg Kinnear, Haley Bennett, Heaven, hell, higher education, history, horror, House, ideas, identity, Irish music, Israel, Italian cinema, James Bond, Jason Sudeikis, Jerome Kern, Jews, John Garfield, judgement, Judy Garland, June Allyson, justice, Ken Russell, Kevin Keelan, Kill List, Korean cinema, KPK, KPKeelan, KPKworld, Lena Horne, Lisztomania, live theatre, love, loyalty, Massad, Matt Helm, migration, monsters, movies, murder, musicals, musicians, negotiation, Operation Joshua, Operation Moses, opinion, Oslo, Oslo Peace Accords, P.L.O., Palestine, Palestinian Liberation Organization, parables, patriarchy, Paul Henried, Paul Robeson, Peace Accords, performers, persecution, Pier Paolo Pasolini, postwar Italy, power, race, realism, Red Sea Diving Resort, redemption, refugees, rescue, responsibility, reviews, Richard Wagner, Ringo Starr, Roger Daltry, romance, Ruth Wilson, satire, sci-fi, science fiction, sexism, sexuality, Shane MacGowan, showtunes, spoof, spy spoofs, stardom, Stella Stevens, success, Sudan, supernatural, surrealism, Sydney Greenstreet, The Book of One Thousand and One Nights, The Emperor Jones, The Pogues, The Popes, The Silencers, thrillers, Till the Clouds Roll By, tragedy, Transit, true stories, Umberto D., Van Heflin, Van Johnson, Victor Buono, violence, Vittorio de Sica, World War II
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KPK on the CINEMA (107): The Films of January 2021
. January 2021! At last. The end of our great national nightmare and a return to sanity! This batch was so easy to review. Probably because I enjoyed most of the movies so very much, I imagine. (All ratings are … Continue reading →
Posted in KPK on the CINEMA
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Tagged action, adventure, Alfred Hitchcock, arts, Bacurau, Barbara Feldon, Birds of Prey, boy, Brazilian cinema, Cecil Kellaway, Charles Laughton, cinema, classics, comedies, coming of age, corruption, criticism, Cyd Charisse, Dan Dailey, Delbert Mann, Dick Van Dyke, drama, entertainment, Ewan McGregor, experimental film, fantasy, film, Fitzwilly, Gene Kelly, George Cukor, Graham Greene, Guy Maddin, horror, ideas, It’s Always Fair Weather, John McGiver, Jungle Book, justice, Kevin Keelan, KPK, KPKeelan, KPKworld, Lionel Barrymore, Maggie Smith, Margot Robbie, Maureen O’Sullivan, Michael Kidd, movies, musicals, New Zealand cinema, Norman Fell, opinion, Oscar Wilde, revenge, reviews, Robert Young, Rosie Perez, Rudyard Kipling, Sabu, Sam Waterston, sci-fi, science fiction, superheroes, supernatural, Taika Waititi, The Canterville Ghost, The Green Fog, Tod Browning, Travels With My Aunt, Vertigo, violence, World War II, Zoltan Korda
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