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Tag Archives: Canadian films
KPK on the CINEMA (100): The Films of JUNE 2020
. JUNE 2020 was a busy film month! Not much else to do, if you have no sex partner and you can hardly heave the house! In this bunch, we get comedies, romances, dramas, animation, film noir, sci-fi, horror, caper … Continue reading →
Posted in KPK on the CINEMA
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Tagged 10cc, 8½, A Boy and His Dog, A Ship to India, Abbas Kiarostami, abuse, addiction, Adventures in Psychedelics, Akira Kurosawa, Alan King, And Life Goes On, Andy Richter, Andy Williams, animals, animation, Anthony Bourdain, ants, art, assistants, bank robbers, Barbara Bel Geddes, battle of the sexes, belief, belonging, Ben Stiller, betrayal, Bill Kreutzmann, biography, Birger Malmsten, Blake Edwards, Book of Exodus, brotherhood, Buñuel in the Labyrinth of the Turtles, Bunny Lake is Missing, Burt Lancaster, Canadian films, capers, Carrie Fisher, celebrity, censorship, Cesar Romero, Chadwick Boseman, Charles Bronson, childhood, Christopher Walken, cinema, class, classics, Cold Turkey, comedies, coming of age, Communism, composers, crime, criticism, Czech cinema, Czechoslovakia, Da 5 Bloods, dada, Dan Duryea, Danny Kaye, Dash Shaw, David Cross, Deepak Chopra, Delmer Daves, Delroy Lindo, destruction, Dianne Foster, Diary of a Chambermaid, Dick Van Dyke, disaster films, documentaries, Don Johnson, Donald O’Connor, Donovon, drama, Drive a Crooked Road, drugs, Dyan Cannon, dystopia, earthquakes, Emilio D'Alessandro, emotion, environment, Ernest Borgnine, Experiment in Terror, faith, families, family secrets, fantasy, farce, fascism, fathers and sons, Federico Fellini, feminism, film history, film noir, filmmakers, filmmaking, films, folktales, Frankenstein, Fred MacMurray, Fred Willard, French cinema, friendship, Fritz Lang, Gary Cooper, Gaza, Gene Kelly, General Francisco Franco, George C. Scott, Georgina Hale, Glenn Ford, Gloria Grahame, God, God Went Surfing With the Devil, Guns N' Roses, Harlan Ellison, Have a Good Trip, Helen Gurley Brown, Henry Fonda, Herb Alpert, historical drama, Holger Löwenadler, hope, horror, humor, hunger, hypocrisy, ideas, identity, illness, Ingmar Bergman, injustice, insecurity, Iran, Iranian cinema, Israeli cinema, Italian cinema, Jack Elam, Jacques Tati, Jane Mansfield, Japanese cinema, jazz, jealousy, Jean Reno, Jeanne Moreau, Jesus, Jews, John Lennon, Jour de Fête, journalism, Judaism, Karl Malden, Ken Russell, Kevin Keelan, Kevin McCarthy, kidnapping, Kier Dullea, Kim Novak, Koker, KPK, KPKeelan, KPKworld, Lacey Schwartz, Land Without Bread, Las Hurdes, Lauren Bacall, Laurence Olivier, L’Age D’Or, Led Zeppelin, Lee Marvin, Lee Remick, legends, Lewis Black, lies, life, Life and Nothing More, Little White Lie, Louis Armstrong, LSD, Luis Buñuel, Mahler, Marcello Mastroianni, Maria Schell, Martin Balsom, Mélanie Thierry, metaphor, Michael Murphy, Mickey Rooney, Miloš Forman, monsters, Moses, movies, murder, musicals, musicians, My Entire High School Sinking Into the Sea, Natalie Wood, Natasha, Natasha Lyonne, Natural disasters, Netflix, Nick Kroll, Nigel Davenport, Nina Paley, Noel Coward, Norman Lear, Oingo Boingo, opinion, oppression, Otto Preminger, Palestinians, parenting, peace, people, Phase IV, poverty, psychoactive substances, psychological drama, PTSD, Pushover, Quincy Jones, race, racism, Ramón Acín, Red Nichols, relationships, religion, resilience, reviews, Richard Quine, Rob Corddry, Robert Powell, romance, Rosie Perez, Ross Martin, S is For Stanley, sacrifice, Salvador Dalí, Sarah Silverman, Satchmo, satire, Saul Bass, scandals, sci-fi, science fiction, Sean Connery, Seder-Masochism, self doubt, Sex and the Single Girl, sexism, sexual politics, Sidney Lumet, sight gags, sisters, slapstick, smoking, social criticism, social justice, soldiers, Spain, Spanish cinema, Spike Lee, Stanley Kubrick, Stefanie Powers, Sting, stories, suffering, surfing, surrealism, surrealists, surveillance, suspense, Swedish cinema, symbolism, tabloids, teenage sexuality, teenagers, terrorism, The Age of Gold, The Anderson Tapes, the Bible, The Big Heat, The Burglar, the Church, The Firemen’s Ball, The Five Pennies, The Four Tops, The Hanging Tree, The Holy Land, The Men Who Tread on the Tiger’s Tail, The Pointer Sisters, The Spirit of the Beehive, the state, thriller, tobacco companies, Tony Curtis, tradition, tragedy, Tuesday Weld, Vera Cruz, Victor Erice, Vietnam War, violence, westerns, Will Forte, writer’s block, Zach Leary
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KPK on the CINEMA (67): The Films of SEPTEMBER 2017
. Not many films to review this month, as I spent some time catching up on TV series like Orange is the New Black, and The Young Pope… At least I tried to watch The Young Pope. After seeing YOUTH, … Continue reading →
Posted in KPK on the CINEMA
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Tagged A Story of Floating Weeds, Aaron Eckhart, Allison Janney, animation, art, Arthur Penn, Bill Nye, Bill Plympton, biography, Bleed For This, Canadian films, Cannery Row, capers, Cheatin’, Chris O’Dowd, Ciarán Hinds, cinema, criticism, Dave Franco, Debra Winger, documentaries, drama, Dying to Know, E.G. Marshall, Ellen Page, Emily Blunt, family, films, Horton Foote, Isla Fisher, James Fox, Jane Fonda, Japanese cinema, Jesse Eisenberg, Jessica Williams, John Steinbeck, Jude Law, Kevin Keelan, KPK, KPKeelan, KPKworld, Lillian Hellman, M. Emmet Walsh, Mark Ruffalo, Marlon Brando, Miles Teller, Morgan Freeman, movies, Neil DeGrasse Tyson, Netflix, Nick Nolte, Now You See Me, Paolo Sorrentino, psychedelic culture, Ram Dass, reviews, Robert Duvall, Robert Redford, romantic comedy, science, Space Camp, space travel, Tallulah, Tammy Blanchard, The Chase, The Girl on the Train, The Incredible Jessica James, The Lego Batman Movie, The Mars Generation, The Young Pope, thrillers, Timothy Leary, TV series, Vinny Pazienza, Woody Harrelson, Yasujirō Ozu
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