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Tag Archives: Asim Abbasi
KPK on the CINEMA (79): The Films of September 2018
. A brand new month, a brand new crop o’ films! A lifetime love of movies. (All films are rated on a 5 star basis and must be over a decade old to get that 5 star designation.) (Titles in … Continue reading
Posted in KPK on the CINEMA
Tagged 12, 12 Angry Men, A Street Cat Named Bob, Adam Driver, addiction, Alec Baldwin, Alexander Payne, Ali Fazal, Anna Kendrick, art, Asim Abbasi, Ben Foster, biography, Blackkklansman, blacksploitation, Born in China, buskers, Cake, China, Christian Bale, cinema, comedy, corruption, criticism, Dave Franco, David Duke, Denis Villeneuve, destruction, disaster films, Disneynature, documentaries, doppelgangers, Downsizing, drama, Eddie Izzard, Enemy, extinction, films, Forest Whitaker, Fred Armisen, genocide, golden monkeys, Harry Belafonte, Hillary Swank, history, Hostiles, How It Ends, ideas, India, Isabella Rossellini, Jake Gyllenhaal, James Bowen, Jennifer Aniston, Jesse Plemons, John C. Reilly, John David Washington, John Krakowski, John Maclean, Judi Dench, juries, justice, Kat Graham, Kate Micucci, Kevin Keelan, KPK, KPKeelan, KPKworld, Luke Treadaway, Matt Damon, Michael Buscemi, Michael Fassbender, Michael Gambon, Michael Peña, movies, murder, Natural disasters, nature, Nick Offerman, Nikita Mikhalov, Olivia Williams, opinion, overpopulation, pandas, police brutality, psychological thrillers, racism, reviews, Roger Spottiswoode, Ron Stallworth, Rosamund Pike, Russian cinema, Sam Worthington, sci-fi, Scott Cooper, Simon Callow, singers, Slow West, snow leopards, special effects, Spike Lee, success, surrealism, The Decameron, The Homesman, the Indian Wars, the Ku Klux Klan, The Little Hours, the seventies, Theo James, Tommy Lee Jones, Topher Grace, tragedy, Victoria & Abdul, Wes Studi, westerns, wildlife
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