Tag Archives: Armie Hammer

FLIX PIX (1211): “Don’t Bother to CALL ME BY YOUR NAME. I Won’t Answer”

Posted on March 21, 2024 by KPKeelan

CALL ME BY YOUR NAME (directed by James Ivory, 2017) **+ (out of 5) . > Big buzz. James Ivory. Solid box office. Critical acclaim, including a Best Picture nomination. A long series of sequels in the works… … and one … Continue reading →

Posted in Flix Pix | Tagged Armie Hammer, arts, attraction, Call Me By Your Name, cinema, criticism, films, gay couples, ideas, James Ivory, Kevin Keelan, KPK, KPKeelan, KPKworld, love, lust, movies, opinion, reviews, romance, Timothée Chalamet | Leave a comment

KPK on the CINEMA (89): The Films of July 2019

Posted on July 13, 2021 by KPKeelan

. JULY! Not a big roster films this month, but several recurring elements: lots of family drama, serious foreign films, including glimpses into Iranian culture, female directors, biographies, and check out the dates. Most were released in 2018. Aside from … Continue reading →

Posted in KPK on the CINEMA | Tagged Abbas Kiarostami, action, American history, Argentine cinema, Armie Hammer, art, Asghar Farhadi, Bathtubs Over Broadway, biography, Birds of Passage, Capernaum, children, cinema, Ciro Guerra, Close-Up, collectors, Columbian cinema, comedians, comedy, conspiracies, courts, crime, Cristina Gallego, culture, Daniel Giménez Cacho, documentaries, drama, drug dealing, Embrace of the Serpent, envy, Everybody Knows, fame, families, fantasy, Felicity Jones, films, forgiveness, fraud, friendship, historical fiction, Hollywood, impostors, indigenous peoples, industrial musicals, Iranian cinema, Javier Bardem, John C. Reilly, jurisprudence, justice, Kathy Bates, Kevin Keelan, kidnapping, KPK, KPKeelan, KPKworld, Laurel and Hardy, Lebanese cinema, lies, Lucrecia Martel, Mimi Leder, moviemaking, movies, Nadine Labaki, Oliver Hardy, On the Basis of Sex, opinion, Penelope Cruz, period pieces, poverty, reenactments, refugees, relationships, reviews, rivalry, Ruth Bader Ginsberg, secrets, Solomon Kane, South America, Stan & Ollie, Stan Laurel, Stephen Root, Steve Coogan, Steve Young, supernatural, Supreme Court, thrillers, tragedy, tribalism, violence, Zama | Leave a comment

KPK on the CINEMA (78): The Films of August 2018

Posted on July 2, 2021 by KPKeelan

. A busy cinema month for me. Looks like the dark stories in TALE OF TALES impressed me the most. I love that twisted storybook stuff… (All ratings are on a 5 star scale. Note that a classic only becomes a … Continue reading →

Posted in KPK on the CINEMA | Tagged Agnès Varda, Alejandro Jodorowsky, Alfred Hitchcock, All The Money in the World, Amadeus, animals, Antonio Salieri, Armie Hammer, art, artists, Ben Bradley, biography, Bob Odenkirk, Bradley Whitford, Call Me By Your Name, Chantal Goya, Chilean cinema, chimps, Christopher Plummer, cinema, cold war, comedy, crime, criticism, cult films, Cynthia Nixon, Daniel Day-Lewis, Daniel Ellsberg, David Cross, designers, Director’s Cut, documentaries, Dominique Pinon, drama, Elizabeth Berridge, Elizabeth Olsen, Encke King, Endless Poetry, F. Murray Abraham, fairytales, family films, fantasy, fashion, filmmakers, filmmaking, films, François Truffaut, French cinema, friendship, Giambattista Basile, gore, graphic novels, Harry Palmer, Helena Bonham Carter, history, Hitchcock Truffaut, Hollywood, homosexuality, horror, humans, humor, I Tonya, ideas, Italian cinema, J. Paul Getty, Jacques Cluzaud, Jacques Perrin, James Ivory, Jane, Jane Goodall, Jean Luc Godard, Jean-Pierre Jeunet, Jean-Pierre Léaud, Jeffrey Jones, Jeremy Renner, João Pedro Rodrigues, John Barry, John C. Reilly, John Steuart Curry, JR, Judy Davis, Justin Long, Kenneth McMillan, Kenny Baker, Kevin Keelan, Kevin Smith, Kevin Spacey, kidnapping, KPK, KPKeelan, KPKworld, Los Angeles Plays Itself, love, Marc Caro, Mark Wahlberg, Masculin Féminin, Matteo Garrone, melodrama, Meryl Streep, Michael Caine, Michael Perkins, Michelle Williams, Miloš Forman, mime, moviemaking, movies, murder, Nancy Kerrigan, Nat Turner, Nate Parker, National Geographic, nature, new wave, opera, Paul Hamy, Paul Thomas Anderson, period pieces, Peter Shaffer, Phantom Thread, photography, politics, pop culture, Portuguese cinema, privilege, puppetry, reviews, Ridley Scott, romance, Salma Hayek, Sarah Paulson, satire, Simon Callow, slavery, spies, Steven Spielberg, stories, style, surrealism, suspense, Tale of Tales, the 1960’s, The Birth of a Nation, The Circus, The Ipcress File, The Ornithologist, the Pentagon Papers, The Post, the sexes, the Washington Post, The Young and Prodigious T. S. Spivet, Thom Andersen, thrillers, Timothée Chalamet, Timothy Hutton, Toby Jones, Tom Hanks, Tom Hulce, Tonya Harding, Tracy Letts, Tusk, Vincent Cassel, Vincent Schiaveli, wealth, wildlife, Wind River, Winged Migration, Wolfgang Amadeus Mozart | Leave a comment

Tag Archives: Armie Hammer

FLIX PIX (1211): “Don’t Bother to CALL ME BY YOUR NAME. I Won’t Answer”

KPK on the CINEMA (89): The Films of July 2019

KPK on the CINEMA (78): The Films of August 2018

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