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Tag Archives: Aquaman and the Lost Kingdom
KPK on the CINEMA (145): “The Films of MARCH 2024”
. > Eight 4-star films! Damn, that’s a good month. So much cinematic pleasure. Let’s dig in! (All films are rated on a 5-star basis and must be over a decade old to get 5 stars.) Titles in PURPLE have been … Continue reading →
Posted in KPK on the CINEMA
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Tagged #MeToo, 1921, A Minute's Wait, Aaron Jackson, abuse, acceptance, action, Adam Arkin, adventure, Alex Sharp, Alex Wolff, Amber Heard, American Samoa, Andre Brugher, Andreas Malm, animation, anthologies, Anya Taylor-Joy, Aquaman and the Lost Kingdom, arts, Ashley Judd, Austin Butler, Bill Nighy, biographies, Black Americans, Blitz Bazawule, Bowen Yang, British cinema, British folk heroes, British history, bureaucracy, capitalism, Cavalcade, change, Charlotte Rampling, Christopher Walken, cinema, classics, Coleman Domingo, comedy, coming of age, cooking, corruption, crime, criticism, Cyril Cusack, Daniel Goldhaber, Danielle Brooks, Dave Bautista, David Allen Grier, death, Denis Villeneuve, Dick Powell, Dicks: The Musical, disasters, discrimination, Dolph Lundgren, Donald Trump, drama, Dune: Part Two, ecoterrorism, Elizabeth Moss, Elvis Presley, England, entertainment, environmental activism, epics, families, family ties, Fantasia Barrino, fantasy, farce, fate, feminism, films, Florence Pugh, folk heroes, football, fossil fuels, Frank Herbert, Frank O'Connor, friendship, Fucking Identical Twins, Gene de Paul, Geoffrey Keen, global warming, grief, Gwyneth Paltrow, Halle Bailey, Harvey Weinstein, historical epics, historical fiction, How to Blow Up a Pipeline, Howard Keel, humor, ideas, Ikiru, illness, Irish cinema, Irish culture, irony, Isabella Rossellini, It Happened Tomorrow, Jack MacGowran, James Austin Johnson, James Neilson, Jane Powell, Jason Mamoa, Javier Bardem, Jennifer Ehle, Jenny Slate, Jodi Kantor, John Ford, John Rhys-Davies, Johnny Mercer, Jon Batiste, Josh Brolin, Josh Sharp, Julie Newmar, justice, Kevin Keelan, KPK, KPKeelan, KPKworld, Lady Gregory, Léa Seydoux, Lesley Stahl, life, Linda Darnell, living, Louis Gossett Jr, love, Marcel the Shell with Shoes On, Martin J. McHugh, Martin Short, Marvel films, Megan Mullally, Megan Thee Stallion, Megan Twohey, Michael Fassbinder, Michael Hordern, Michael Kidd, Michael Sarnoski, mockumentaries, monkeywrenching, mortality, movies, musicals, Nathan Lane, nature, New York Times, Next Goal Wins, Nick Offerman, Nicolas Cage, Noel Coward, oceans, opinion, Patricia Clarkson, Patrick MacGoohan, Patrick Wilson, pets, philosophy, Pig, pollution, Priscilla, profanity, protest, Rebecca Ferguson, relationships, remakes, René Clair, resistance, reviews, romance, Russ Tamblyn, sabotage, Samantha Morton, Sasha Lane, sci-fi, science fiction, sequels, Seven Brides For Seven Brothers, sexism, sexual assault, She Said, silent films, smugglers, soccer, Sofia Coppola, sports, Stanley Donen, Stellan Skarsgård, superheroes, supernatural, Taika Waititi, Taraji P. Henson, Terry Gilkyson, The Color Purple, The Johnstown Flood, The Majesty of the Law, the rape of the Sabine Women, The Rising of the Moon, The Scarecrow of Romney Marsh, the troubles, The Wonderful World of Color, Thomas Rongen, thrillers, time, time travel, Timothée Chalamet, true stories, truffle hunters, Tyrone Power, underdogs, Walt Disney, Whoopi Goldberg, Will Arnett, Willem Dafoe, World War I, Zendaya
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QUIET in the BACK!: “Here Comes the Year-End Cinema Bounty”
. > Every year around this time, I compile a list of upcoming year-end film releases that I am looking forward to. Despite the various labor strikes and the strangulating effects of the evolving marketplace, the New York Times helped … Continue reading →
Posted in QUIET in the BACK!
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Tagged A.I., Aardman Studios, action, Adam Driver, Alexander Payne, American Fiction, Amsterdam, Anatomy of a Fall, animation, Another Body, Aquaman and the Lost Kingdom, Argentine cinema, artificial intelligence, Barry Keoghan, Bayard Rustin, biography, biopics, Bradley Cooper, Chicken Run: Dawn of the Nugget, comedy, courtroom drama, deep-fake porn, Dicks: The Musical, documentaries, drama, Dream Scenario, El Juicio, Emma Stone, Enzo Ferrari, Fallen Leaves, fantasy, Ferrari, Finnish cinema, Flora and Son, Four Daughters, French cinema, Hayao Miyazaki, Hite Report, Islamic fundamentalism, Jeffrey Wright, Joan Baez: I Am A Noise, Joaquin Phoenix, John Carney, Joseph Gordon-Levitt, Julienne Moore, Killers of the Flower Moon, Leonard Bernstein, Maestro, Martin Scorsese, May December, Michael Fassbender, Michael Mann, musicals, My Love Affair With Marriage, Napoleon, Natalie Portman, Nathan Lane, Next Goal Wins, Nicholas Cage, Occupied City, Paul Giamatti, Poor Things, Priscilla, racial satire, Ridley Scott, Rustin, Saltburn, sci-fi, science fiction, sequels, soccer, Sofia Coppola, sports, Steve McQueen, Studio Ghibli, superheroes, Taika Waititi, The Boy & The Heron, The Creator, The Disappearance of Shere Hite, The Holdovers, The Trial, The Zone of Interest, Todd Haynes, Tunisian cinema, World War II, Yorgos Lanthimos
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