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Tag Archives: apartheid
FLIX PIX (1074): “It’s Hard to Find SOMETHING OF VALUE in Racial Injustice”
SOMETHING OF VALUE (directed by Richard Brooks, 1957) ***+ (out of 5) . > I have made a point of fully appreciating both Harry Belafonte and Sidney Poitier while they were still here on the planet with me, an especially good … Continue reading
Posted in Flix Pix
Tagged Africa, apartheid, arts, cinema, colonialism, criticism, drama, entertainment, films, Flix Pix, history, ideas, Kenya, Kevin Keelan, KPK, KPKeelan, KPKworld, Mau-Mau, movies, opinion, racism, reviews, Richard Brooks, Rock Hudson, Sidney Poitier, Something of Value, South Africa, tragedy, violence
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FLIX PIX (915): “Pioneering Black Filmmaker Euzhan Palcy Directs A DRY WHITE SEASON”
A DRY WHITE SEASON (directed by Euzhan Palcy, 1989) **** (out of 5) . > Donald Sutherland, Marlon Brando, Susan Sarandon and Jürgen Prochnow team up in the first film Hollywood ever entrusted to a black female director. . Euzhan Palcy … Continue reading
Posted in Flix Pix
Tagged A Dry White Season, apartheid, arts, bigotry, cinema, corruption, courtroom drama, criticism, Donald Sutherland, entertainment, equality, Euzhan Palcy, films, ideas, injustice, Jürgen Prochnow, Kevin Keelan, KPK, KPKeelan, KPKworld, Marlon Brando, movies, opinion, prejudice, racism, reviews, social justice, South Africa, Susan Sarandon
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KPK on the CINEMA (103): The Films of September 2020
. SEPTEMBER 2020. Amid the global pandemic horror, the cinematic bounty overfloweth! (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles in purple have been expanded for Flix … Continue reading
Posted in KPK on the CINEMA
Tagged 21 Days, 47 Ronin, A Dry White Season, aboriginals, action, adventure, Alps, Alvarez Kelly, Ann Sheridan, Anya Taylor-Joy, apartheid, Australian cinema, Authur Laurents, Autumn de Wilde, Bill Nighy, British politics, Carey Mulligan, Cary Grant, Civil War, colonialism, comedies, coming of age, divorce, documentaries, Donald Sutherland, drama, Ed Oxenbould, Edward Dmytryk, Edward G. Robinson, Elke Sommer, Emma., empowerment, endurance, equality, F.W. Murnau, families, farce, feminism, Fred Astaire, Fred Schepisi, Greek cinema, Harakiri, Henry James, High Heels, historical drama, history, Howard Hawks, humor, I Was a Male War Bride, Jake Gyllenhaal, James Woods, Jane Austen, Japanese cinema, John Cleese, John Entwistle, Johnny Flynn, Julie Delpy, Kathleen Turner, Keith Moon, Kenji Mizoguchi, Kirsten Dunst, Laurence Olivier, Maiden, Man With the Gun, Marilyn Monroe, Marlon Brando, Monty Python, music, musicals, mysteries, native populations, Nobel Prize, parody, Paul Dano, Paul Newman, Pedro Almodovar, performance, period pieces, Pete Townsend, Peter Cook, Peter Lawford, politics, racism, Richard Widmark, Robert J. Flaherty, Robert Mitchum, rock and roll, Roger Daltrey, romance, Royal Wedding, Sam Shepard, satire, silent films, Sofia Coppola, South Africa, south seas, Spanish cinema, Spencer Tracy, sports, survival, taboos, Tabu A Tale of the South Seas, The Chant of Jimmie Blacksmith, The Kids Are Alright, The Last Hurrah, The Nightcomers, The Prince and the Showgirl, The Prize, The Rise and Rise of Michael Rimmer, The Virgin Suicides, The Who, thrillers, Tracy Edwards, tragedy, tribal rituals, Turn of the Screw, violence, Vivien Leigh, Volker Schlöndorff, Voyager, westerns, Whitbread Round the World Race, wildlife, William Holden, World War II, yacht racing, Yorgos Lanthimos
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KPK on the CINEMA (102): The Films of August 2020
. AUGUST 2020: A sombre time, but a great crop of movies! So many 4-and-a half and five-star films! Oh, the bounty, amid all the horror! Just pinch me. (All ratings are on a 5 star scale. Note that a classic … Continue reading
Posted in KPK on the CINEMA
Tagged A Disability Revolution, activism, Adir Miller, Africa, Ali Ungár, American Indians, Americana, Americans with Disabilities Act, Andy Devine, animation, Anne Hathaway, Anthony Mann, apartheid, Austrian cinema, beekeeping, bees, Bill Plympton, Bill Pullman, Bruno Ganz, Burt Lancaster, Camp Jened, Cannibal! The Musical, Carl Reiner, celebrity, Chris Evans, Christopher Plummer, Cinema Verite, closure, colonialism, comedies, coming of age, corporate crime, courtroom drama, Crip Camp, Criss Cross, Dan Duryea, dancing, Daniel Craig, Dark Waters, Delmer Daves, Devil’s Doorway, Dick Van Dyke, disability, documentaries, Don Johnson, Dorotha Segda, drama, dreams, Du Pont, Earl Hamner Jr., Edgar Buchanan, Edward Everett Horton, Esy Morales, family films, fantasy, Frank Oz, Fred Astaire, genocide, Ginger Rogers, Hair High, Henry Fonda, Holocaust, homesteading, Honeyland, human rights, humor, Hungarian cinema, I Married a Strange Person, Idiots & Angels, Ildikó Enyedi, Inside Daisy Clover, Israeli cinema, Jamie Lee Curtis, Jews, John Carradine, John Doucette, John Ford, John Wayne, Joseph Gordon-Levitt, Kenya, Knives Out, M. Emmet Walsh, Macedonia, Macedonian cinema, magical realism, Mare Winningham, Mark Ruffalo, Matt Stone, Mau-Mau, Maureen O’Hara, Michael Shannon, Michele Lee, Mickey Rooney, murder, musicals, Mutant Aliens, My 20th Century, mysteries, Natalie Wood, Nazis, noir, Out in the Dark, people, Percy Helton, Peter Simonischek, Plymptoons, poisoning, pollution, queer cinema, racism, redemption, relationships, responsibility, revenge, Revengeance, Rian Johnson, Richard Brooks, Robert Redford, Robert Siodmak, Robert Taylor, Rock Hudson, Roddy McDowall, Ruth Gordon, satire, Sidney Poitier, Sigmund Freud, Slovakian cinema, Something of Value, South Africa, Spencer’s Mountain, Stagecoach, success, surrealism, survival, Teflon, The Comic, The Interpreter, The Matchmaker, the past, The Tobacconist, The Tune, The Waltons, Tim Robbins, Todd Haynes, Toni Collette, Top Hat, trauma, Trey Parker, tribalism, violence, Wally Cox, westerns, whodunit, World War II, Yvonne De Carlo
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