Tag Archives: antisemitism

FLIX PIX (1028): “Meet THE FABELMANS”

Posted on March 3, 2023 by KPKeelan

THE FABELMANS (directed by Steven Spielberg, 2022) **** (out of 5) . > Steven Spielberg’s long anticipated fictionalized biopic is finally out, and it is an absolute delight. . THE FABELMANS is an unabashed love letter to the incomparable magic of the … Continue reading →

Posted in Flix Pix | Tagged antisemitism, arts, autobiography, cinema, coming of age, criticism, David Lynch, drama, entertainment, families, filmmakers, filmmaking, films, Flix Pix, Gabriel LaBelle, humor, ideas, John Ford, John Williams, Judd Hirsch, Kevin Keelan, KPK, KPKeelan, KPKworld, love, marriage, Michele Williams, movies, opinion, Paul Dano, relationships, reviews, Seth Rogan, Steven Spielberg, The Fabelmans, Tony Kushner | Leave a comment

KPK on the CINEMA (132): “The Films of February 2023”

Posted on March 1, 2023 by KPKeelan

. > February is often the best movie month for me. By this time of year, all the Oscar nominees are well known and I have begun the annual quest to see all the films honored in major categories. By … Continue reading →

Posted in KPK on the CINEMA | Tagged abuse, action, Adolf Hitler, All Quiet on the Western Front, All That Breathes, Angela Cartwright, animal rescue, animal welfare, animation, antisemitism, Au Hazard Balthazar, autobiography, Ben Affleck, Ben Whishaw, Benito Mussolini, biography, black comedy, boxers, boxing, Carlo Collodi, Cate Blanchett, Charlize Theron, Chris Williams, Christoph Waltz, civilization, Claire Foy, Clarence Williams III, class, classic literature, climbing, Colin Firth, comedy, coming of age, compassion, control, corruption, couples, crime, criminals, cruelty, Daniel Brühl, Daniel Craig, Danny Trejo, Dave Bautista, David John Bradley, David Lynch, Dean Jones, deceit, Dennis Farina, Detective Benoit Blanc, documentaries, Donal Logue, drama, Edward Berger, Edward Norton, empathy, Empire of Light, England, environment, Eo, Ewan McGregor, exploitation, fairy tales, faith, Fall, families, fantasy, fascist Italy, Felix Kammerer, filmmakers, filmmaking, Fire of Love, forgiveness, Frances McDormand, friendship, Gabriel LaBelle, Gary Sinise, gender, gender roles, German cinema, Glass Onion, Guillermo Del Toro’s Pinocchio, HBO, heroism, Hindi language, hubris, humanism, humor, identity, Indian cinema, injustice, interracial couples, Israeli cinema, Janelle Monáe, Jared Harris, Jerzy Skolimowski, Jessie Buckley, John Ford, John Frankenheimer, John Turturro, John Williams, Judd Hirsch, justice, Karl Urban, Kate Hudson, Kathryn Hahn, Katia Krafft, kindness, Kites, Leslie Odom Jr., love, marriage, Maurice Krafft, media influencers, mental illness, Micheal Ward, Michele Williams, Mohammad Saud, murder mystery, musicals, My Neighbor Adolf, Nadeem Shehzad, nature, Netflix, New Delhi, obsession, Olivia Colman, parenting, Paul Dano, Paul Newman, Polish cinema, pollution, power, prisoners, privilege, racism, rape, recklessness, Reindeer Games, relationships, religious fundamentalism, remakes, revenge, Rian Johnson, Robert Loggia, Robert Wise, Rocky Graziano, romance, Ron Jeremy, Ron Perlman, Rooney Mara, Ruben Östlund, sacrifice, Sal Mineo, Sam Mendes, Sarah Polley, satire, science, scientists, Seth Rogan, sexism, social commentary, Somebody Up There Likes Me, spirituality, Steve McQueen, Steven Spielberg, suicide, supernatural, survival, Thatcherism, The Fabelmans, The Sea Beast, Tilda Swinton, Toby Jones, Tony Kushner, tragedy, transgender, trauma, Triangle of Sadness, violence, vulcanism, wealth, Women Talking, World War I | Leave a comment

KPK on the CINEMA (130): “The Films of December 2022”

Posted on February 9, 2023 by KPKeelan

. I allowed myself to get dozens of film reviews in arrears again, while busily completing a slew of new stories for 2023’s TALES FROM A WINDBAG. (Read them!) https://lastcre8iveiconoclast.wordpress.com/category/tales-from-a-windbag/) Almost caught-up now. Unfortunately, there are six pretty bad films … Continue reading →

Posted in KPK on the CINEMA | Tagged Abigail Breslin, addiction, adventure, ageing, Akira Kurosawa, alcoholism, Alessandro Nivola, All Fall Down, Amsterdam, Angela Lansbury, Angelo Badalamenti, animation, antisemitism, Anya Taylor-Joy, arts, Broadway, Burt Lancaster, Cary Grant, Chris Rock, Christian Bale, cinema, classics, clones, comedies, comedy, conmen, crime, criminals, criticism, Damsel, David O. Russell, David Zelner, Dick Powell, Dinner For Schmucks, Dominique Pinon, drama, Dreyfus affair, dystopia, Edward Dmytryk, entertainment, espionage, Eva Marie Saint, families, fantasy, Farewell, films, flight, France, Frank Oz, French cinema, Gene Tierney, Gore Verbinski, Graham Grene, history, horror, Howard Hawks, I Accuse, ideas, injustice, Isla Fisher, Japanese cinema, Jay Roach, Jean Arthur, Jean-Pierre Jeunet, Joan Rivers, John Cheever, John David Washington, Johnny Depp, Jose Ferrer, Jules Dassin, Karl Malden, Kermit the Frog, Kevin Keelan, KPK, KPKeelan, KPKworld, Madadayo, Marc Caro, Margot Robbie, Marx brothers, Matthias Schoenaerts, Mia Wasikowska, Michael Shannon, Mike Myers, Miss Piggy, movies, murder, musicals, My Lovely, My Sweet, Nathan Zelner, Ned Beatty, Nicol Williamson, Night and the City, noir, Only Angels Have Wings, opinion, Otto Preminger, Paul Rudd, persecution, pilots, Rami Malek, Rango, Raymond Chandler, relationships, respect, reviews, Richard Widmark, Rita Hayworth, Robert De Niro, Robert Morley, Robert Pattinson, Ron Perlman, sci-fi, science fiction, spies, Steve Carell, surrealism, Taylor Swift, The Big Store, The City of Lost Children, The Human Factor, The Muppets Take Manhattan, The Swimmer, Thomas Mitchell, Timothy Olyphant, Tom Stoppard, violence, Warren Beatty, westerns, William Inge, Zoe Saldana | Leave a comment

Tag Archives: antisemitism

FLIX PIX (1028): “Meet THE FABELMANS”

KPK on the CINEMA (130): “The Films of December 2022”

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