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Tag Archives: Andrew Scott
QuickPix (48): “Great DRAMA For You to Savor, Vol. 16”
> Welcome to KPK’s “QuickPix”, brief capsule reviews of very worthy films- not a stinker in the lot. Culled from my monthly compendiums, every title here is a 4 to 5 star movie. It don’t get any better than this. … Continue reading →
Posted in QuickPix
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Tagged Aaron Copeland, Andrew Scott, arts, broken hearts, brothers, Christian Petzold, coming of age, conflict, disappointment, disease, drama, German cinema, Henry James, Iceland, Icelandic cinema, identity, Israel, livestock, love, loyalty, Montgomery Clift, negotiation, Olivia de Havilland, Oslo, Oslo Peace Accords, Palestinian Liberation Organization, Paris, PLO, politics, QuickPix, Ralph Richardson, Rams, redemption, refugees, romance, Ruth Wilson, sacrifice, The Heiress, tragedy, Transit, true stories, Washington Square, William Wyler, World War II
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FLIX PIX (339): “There is No Denying DENIAL”
DENIAL (directed by Andrew Scott, 2016) **** (out of 5) . > Rachel Weisz, Tom Wilkerson and Timothy Spall all kick ass in this asskicking drama about a slimy Holocaust denier who brings a defamation suit against the wrong author. . … Continue reading →
Posted in Flix Pix
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Tagged Andrew Scott, courtroom drama, criticism, denial, films, genocide, Holocaust, justice, Kevin Keelan, KPK, KPKeelan, KPKworld, movies, opinion, Rachel Weisz, reviews, Timothy Spall, Tom Wilkinson, World War II
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KPK on the CINEMA (112): The Films of June 2021
. No 5-star classics this month, but everything else is represented, from one-and-a-half miserable lumps to four-and-a-half dazzling stars. Enjoy ruminating with me! (All films are rated on a 5-star basis and must be over a decade old to be … Continue reading →
Posted in KPK on the CINEMA
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Tagged 007, action, addiction, afterlife, aging, alcoholism, ambition, Andrew Scott, Angela Lansbury, Anne Hathaway, anti-Semitism, Arabian Nights, Arabic literature, art, Ben Kingsley, Ben Wheatley, Better Days, Between Two Worlds, biography, British cinema, Broadway, bullying, camp, China, Chinese cinema, Chris Evans, Christian Petzold, cinema, Colossal, comedy, competition, composers, conflict, corruption, crime, criticism, Crock of Gold, cults, Cyd Charisse, Dean Martin, death, Derek Flint, dialogue, Dinah Shore, disasters, drama, Edmund Gwenn, Eleanor Parker, enemies, entertainment, escape, Ethiopia, Ethiopian Jews, Eugene O'Neill, fame, families, fantasy, films, Frank Sinatra, Franz Liszt, Gaoko exams, genius, George Tobias, Gerard Butler, German cinema, ghosts, Gower Champion, Greenland, Greg Kinnear, Haley Bennett, Heaven, hell, higher education, history, horror, House, ideas, identity, Irish music, Israel, Italian cinema, James Bond, Jason Sudeikis, Jerome Kern, Jews, John Garfield, judgement, Judy Garland, June Allyson, justice, Ken Russell, Kevin Keelan, Kill List, Korean cinema, KPK, KPKeelan, KPKworld, Lena Horne, Lisztomania, live theatre, love, loyalty, Massad, Matt Helm, migration, monsters, movies, murder, musicals, musicians, negotiation, Operation Joshua, Operation Moses, opinion, Oslo, Oslo Peace Accords, P.L.O., Palestine, Palestinian Liberation Organization, parables, patriarchy, Paul Henried, Paul Robeson, Peace Accords, performers, persecution, Pier Paolo Pasolini, postwar Italy, power, race, realism, Red Sea Diving Resort, redemption, refugees, rescue, responsibility, reviews, Richard Wagner, Ringo Starr, Roger Daltry, romance, Ruth Wilson, satire, sci-fi, science fiction, sexism, sexuality, Shane MacGowan, showtunes, spoof, spy spoofs, stardom, Stella Stevens, success, Sudan, supernatural, surrealism, Sydney Greenstreet, The Book of One Thousand and One Nights, The Emperor Jones, The Pogues, The Popes, The Silencers, thrillers, Till the Clouds Roll By, tragedy, Transit, true stories, Umberto D., Van Heflin, Van Johnson, Victor Buono, violence, Vittorio de Sica, World War II
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KPK on the CINEMA (32): The Films of AUGUST 2014
. AUGUST 2014- 32 films: French ballet, John Wayne, Errol Morris, Ginger Baker, George Cukor, Howard Hawks and William Wyler, Danish Royalty, Ip Man, Jimmy Stewart, Ralph Fiennes and Charles Dickens, Fredrick Wiseman, Ian McKellan and Patrick Stewart WAITING FOR GODOT, … Continue reading →
Posted in KPK on the CINEMA
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Tagged A Double Life, A Royal Affair, Agnès Jaoui, American politics, Andrew Scott, Angela Lansbury, Ben Stiller, Beware of Mr. Baker, Bille August, Boxing Gym, Charles Dickens, Come and Get It, corruption, Edgar Rice Burroughs, Edward G. Robinson, Errol Morris, Frank Capra, Frederick Wiseman, Frozen, George Cukor, Ginger Baker, Great Expectations, Howard Hawks, Howard Lindsay, Ian McKellen, In a Better World, Ip Man, Jean-Pierre Bacri, Jimmy Stewart, John Wayne, Jonathan Glazer, Katherine Hepburn, Kathleen Hanna, Keeper of the Flame, Le Danse, Let It Rain, Locke, Margaret Hamilton, Max Von Sydow, McLintock!, Mike Birbiglia, Miranda July, Nicole Kidman, Olivia Colman, Patrick Stewart, political campaigns, power, Ralph Fiennes, Richard Brooks, Russel Crouse, Ruth Wilson, Saving Mr. Banks, Sleepwalk With Me, Spencer Tracy, Standard Operating Procedure, Steven Knight, Suzanne Bier, The Baader-Meinhof Complex, The Future, The Grandmaster, The Invisible Woman, The Naked Spur, The Night Train to Lisbon, The Paris Opera Ballet, The Punk Singer, The Secret Life of Walter Mitty, The State of the Union, Theatreland, thrillers, Tom Hanks, Tom Hardy, Tom Holland, Van Johnson, Waiting for Godot, Walt Disney, William Wyler
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