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Tag Archives: America Ferrera
“KPK Looks at All Ten BEST PICTURE Nominees for 2023- A Stellar Year For Cinema!”
. > Holy crap! What an embarrassment of riches! You won’t hear me whining that 2023 was a tepid year for movies. Ten titles nominated this year. Two of them are over-rated. 8 of them are a cornucopia of cinematic … Continue reading →
Posted in QUIET in the BACK!
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Tagged Aaron Copland, Adolph Green, Alasdair Gray, America Ferrera, American Fiction, American Indians, Anatomy of a Fall, arts, attachments, Barbie, Barry Corbin, Betty Comden, biography, biopics, Bradley Cooper, Carey Mulligan, Celine Song, Charlie Musselwhite, Christopher Nolan, Cillian Murphy, cinema, comedy, coming of age, conductors, Cord Jefferson, corruption, courtroom drama, criticism, Cuba, drama, dramady, Dua Lipa, Emily Blunt, Emma Stone, entertainment, epics, Erika Alexander, exploitation, fame, families, fantasy, farce, Felicia Montealegre, feminism, films, Flix Pix, Florence Pugh, Florida, Foster, Frankenstein, French cinema, Gary Oldman, gender roles, genius, girls, government, greed, Greta Gerwig, Greta Lee, history, ideas, injustice, Jack White, Jeffrey Wright, Jerrod Carmichael, Jesse Plemons, John Cena, John Lithgow, John Magaro, Josh Hartnett, Justine Triet, Kate McKinnon, Kevin Keelan, Killers of the Flower Moon, kinship, Korean culture, KPK, KPKeelan, KPKworld, Leonard Bernstein, Leonardo DiCaprio, Leslie Uggams, liberation, Lily Gladstone, love, Maestro, Margot Robbie, Mark Ruffalo, marriage, Martin Scorsese, Matt Damon, Mattel, Michael Cera, movies, murder, music, musicians, mystery, Netflix, Noah Baumbach, nuclear weapons, ocean, opinion, Oppenheimer, Osage Nation, parody, Past Lives, patriarchy, people, Pete Yorn, politics, Poor Things, Project Trinity, publishing, racism, Ramy Youssef, relationships, reviews, Rhea Perlman, Rhys Ifans, Robert De Niro, Robert Downey Jr., romance, Ruth Handler, Ryan Gosling, Sandra Hüller, Sarah Silverman, satire, science, scientists, self-actualization, sex, sexism, sexuality, Simu Liu, steampunk, stereotypes, Sterling K. Brown, surrealism, survival, Teo Yoo, the arms race, The Zone of Interest, tragedy, westerns, Will Farrell, Willem Dafoe, women, World War II
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“My Thoughts on the 96th ACADEMY AWARDS” (by KPKeelan)
. > With chronic insomnia, I was awake to watch the live-streamed announcement of the nominated films from 2023. It was almost exactly what I expected, and largely, what I hoped for. My thoughts, dear readers: . The ten BEST … Continue reading →
Posted in QUIET in the BACK!
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Tagged 20 Days in Mariupol, Academy Awards, America Ferrera, American Fiction, Anatomy of a Fall, Annette Bening, arts, Asteroid City, Barbie, Christopher Nolan, cinema, criticism, Da'Vine Joy Randolph, El Conde, Elemental, Emma Stone, entertainment, films, Greta Gerwig, Hayao Miyazaki, ideas, Jeffrey Wright, Jodie Foster, John Batiste, Justine Triet, Kevin Keelan, Killers of the Flower Moon, KPK, KPKeelan, KPKworld, Lily Gladstone, Maestro, Mark Ruffalo, Martin Scorsese, movies, Napoleon, Nyad, opinion, Oppenheimer, Oscars, Past Lives, Perfect Days, Poor Things, Robbie Robertson, Robert De Niro, Robert Downey Jr., Sandra Hüller, Spider-Man: Across the Spider-Verse, Sterling K. Brown, The Boy and the Heron, The Holdovers, The Zone of Interest, Wes Anderson, Wim Wenders
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Flix Pix (1103): “BARBIE is a Sweet Pink Acid Cocktail. Drink Up!”
. BARBIE (directed by Greta Gerwig, 2023) *** (out of 5) . > WARNING! Have you seen the movie BARBIE? Millions of men who see this piece of woke propaganda are waking up to find their junk has disappeared! This film … Continue reading →
Posted in Flix Pix
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Tagged America Ferrera, Barbie, comedy, Dua Lipa, farce, feminism, gender roles, girls, Greta Gerwig, John Cena, Kate McKinnon, Margot Robbie, Mattel, Michael Cera, Noah Baumbach, parody, patriarchy, Rhea Perlman, Ruth Handler, Ryan Gosling, sexism, Simu Liu, stereotypes, Will Farrell, women
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KPK on the CINEMA (138): “The Films of August 2023”
. > Last month: OPPENHEIMER. This month: BARBIE. What an odd couple. (What would their offspring look like? A plastic Shiva- destroyer of worlds and purveyor of high fashion?) Kinda slow month. Busy realizing some old, previously unrecorded stories. Three … Continue reading →
Posted in KPK on the CINEMA
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Tagged 65, Abraham Lincoln, Adam Driver, Adolf Hitler, adventure, Agnes Moorehead, Alexander Graham Bell, America Ferrera, anti-nuclear, Arlene Dahl, arts, Barbie, Bernard Herrmann, Broken Lance, Cast Ronald Colman, cattlemen, Cesar Romero, Chico Marx, cinema, classics, Cleopatra, Colm Bairéad, comedy, coming of age, County Waterford, criticism, Dennis Hopper, Diane Baker, dinosaurs, drama, Dua Lipa, Edward Dmytryk, Edward Everett Horton, entertainment, families, fantasy, farce, feminism, films, Gaelic language, gender roles, geology, girls, Greta Gerwig, Groucho Marx, Harpo Marx, Hedy Lamarr, Hippocrates, ideas, Ireland, Irish cinema, Irwin Allen, James Mason, Joan of Arc, John Carradine, John Cena, Journey to the Center of the Earth, Jules Verne, Kate McKinnon, Katharine Hepburn, Kenan Wynn, Kevin Keelan, KPK, KPKeelan, KPKworld, Lucille Ball, Margot Robbie, Marie Antoinette, Mark Antony, Mattel, Michael Cera, miners, Moses, movies, Napoleon, Nero, Noah Baumbach, opinion, parody, Pat Boon, patriarchy, Peter Lorre, Queen Elizabeth, ranchers, reviews, Rhea Perlman, Richard Widmark, Robert Wagner, romance, Ruth Handler, Ryan Gosling, Satan, sci-fi, science fiction, sexism, Simu Liu, Sir Isaac Newton, Sir Walter Raleigh, Spencer Tracy, stereotypes, The Quiet Girl, The Story of Mankind, Vincent Price, Virginia Mayo, westerns, Will Farrell, William Shakespeare, Without Love, women
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