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Tag Archives: America America
KPK on the CINEMA (120): The Films of February 2022″
. > February is here, and before the end of the month: the Oscar nominations. This year, I on on it, baby! The quest to see all the previous year’s most celebrated films is on. Titles in PURPLE have been … Continue reading →
Posted in KPK on the CINEMA
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Tagged 101 Dalmatians, A.I., About Endlessness, action, adventure, Afghanistan, aging, Alex Trebek, Alicia Vikander, Alzheimer’s, ambition, America America, animation, artificial intelligence, arts, Barry Keoghan, Bigbug, biographies, Bradley Cooper, carnies, Cate Blanchett, Channing Tatum, child abuse, cinema, classics, Columbian refugees, comedies, comedy, coming of age, con artists, crime, criminals, criticism, Cruella, Daniel Brühl, Danish cinema, David Gordon Green, David Lowery, David Strathairn, death, Dev Patel, diaspora, Dick Johnson is Dead, Disney, Disney animation, documentaries, drama, Dwayne Johnson, dying, dystopia, Elia Kazan, emigration, Emma Stone, Emma Thompson, Encanto, England, entertainment, espionage, families, family, fantasy, fascism, fashion, fate, film noir, films, Flee, fraud, Free Guy, French cinema, Gael García Bernal, Greece, Greek emigration, grief, grifters, Grigori Rasputin, Guillermo Del Toro, hope, human life, human rights, human trafficking, Humphrey Bogart, ideas, immigrants, Jack Farthing, Jean-Pierre Jeunet, Jodie Comer, Joe, Joel Edgerton, John Huston The Green Knight, Jonas Poher Rasmussen, Kaiser Wilhelm, karma, Kevin Keelan, King George, KPK, KPKeelan, KPKworld, Kristen Stewart, Lady Diana, life, Lin-Manuel Miranda, love, M. Night Shyamalan, Maggie Gyllenhaal, Mary Steenburgen, memory, motherhood, movies, musicals, Netflix, Nicholas Cage, Nightmare Alley, obsession, Old, Olivia Coleman, online gaming, opinion, origin stories, people, Peter Lorre, philosophy, poverty, prequels, Prince Charles, Queen Elizabeth, Ralph Fiennes, refugees, remakes, responsibility, revenge, reviews, Rhys Ifans, Richard Jenkins, Ron Perlman, Rooney Mara, Roy Andersson, royal family, royalty, Rufus Sewell, Ryan Reynolds, Sally Hawkins, satire, science fiction, Sean Harris, sequels, smuggling, social criticism, social satire, Spencer, spies, Stanley Tucci, Stathis Giallelis, supernatural, Surface Pressure, surrealism, Swedish cinema, Sydney Greenstreet, Taika Waititi, technology, The Future, the Internet of everything, The King's Man, The Lost Daughter, The Maltese Falcon, The Mitchells Vs. The Machine, Thomasin McKenzie, Tim Blake Nelson, Timothy Spall, Tom Hollander, Toni Collette, tragedy, Tsar Nicholas, Tye Sheridan, villains, We Don’t Talk About Bruno, Willem Dafoe, World War I
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