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Tag Archives: Ali Ungár
FLIX PIX (876): “THE INTERPRETER is The Best Slovakian Film You Have Not Seen
THE INTERPRETER (directed by Martin Šulík, 2018) ****+ (out of 5) . > A nervous 80-year old man knocks on a door, fingering the gun in his pocket. . After finding a book detailing his war crimes, ‘Jiri’ has traveled to … Continue reading
Posted in Flix Pix
Tagged Ali Ungár, arts, cinema, closure, criticism, drama, entertainment, films, genocide, history, Holocaust, ideas, Jews, Kevin Keelan, KPK, KPKeelan, KPKworld, Martin Šulík, movies, Nazis, opinion, Peter Simonischek, redemption, responsibility, revenge, reviews, Slovakian cinema, The Interpreter, the past, tragedy, trauma, World War II
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KPK on the CINEMA (102): The Films of August 2020
. AUGUST 2020: A sombre time, but a great crop of movies! So many 4-and-a half and five-star films! Oh, the bounty, amid all the horror! Just pinch me. (All ratings are on a 5 star scale. Note that a classic … Continue reading
Posted in KPK on the CINEMA
Tagged A Disability Revolution, activism, Adir Miller, Africa, Ali Ungár, American Indians, Americana, Americans with Disabilities Act, Andy Devine, animation, Anne Hathaway, Anthony Mann, apartheid, Austrian cinema, beekeeping, bees, Bill Plympton, Bill Pullman, Bruno Ganz, Burt Lancaster, Camp Jened, Cannibal! The Musical, Carl Reiner, celebrity, Chris Evans, Christopher Plummer, Cinema Verite, closure, colonialism, comedies, coming of age, corporate crime, courtroom drama, Crip Camp, Criss Cross, Dan Duryea, dancing, Daniel Craig, Dark Waters, Delmer Daves, Devil’s Doorway, Dick Van Dyke, disability, documentaries, Don Johnson, Dorotha Segda, drama, dreams, Du Pont, Earl Hamner Jr., Edgar Buchanan, Edward Everett Horton, Esy Morales, family films, fantasy, Frank Oz, Fred Astaire, genocide, Ginger Rogers, Hair High, Henry Fonda, Holocaust, homesteading, Honeyland, human rights, humor, Hungarian cinema, I Married a Strange Person, Idiots & Angels, Ildikó Enyedi, Inside Daisy Clover, Israeli cinema, Jamie Lee Curtis, Jews, John Carradine, John Doucette, John Ford, John Wayne, Joseph Gordon-Levitt, Kenya, Knives Out, M. Emmet Walsh, Macedonia, Macedonian cinema, magical realism, Mare Winningham, Mark Ruffalo, Matt Stone, Mau-Mau, Maureen O’Hara, Michael Shannon, Michele Lee, Mickey Rooney, murder, musicals, Mutant Aliens, My 20th Century, mysteries, Natalie Wood, Nazis, noir, Out in the Dark, people, Percy Helton, Peter Simonischek, Plymptoons, poisoning, pollution, queer cinema, racism, redemption, relationships, responsibility, revenge, Revengeance, Rian Johnson, Richard Brooks, Robert Redford, Robert Siodmak, Robert Taylor, Rock Hudson, Roddy McDowall, Ruth Gordon, satire, Sidney Poitier, Sigmund Freud, Slovakian cinema, Something of Value, South Africa, Spencer’s Mountain, Stagecoach, success, surrealism, survival, Teflon, The Comic, The Interpreter, The Matchmaker, the past, The Tobacconist, The Tune, The Waltons, Tim Robbins, Todd Haynes, Toni Collette, Top Hat, trauma, Trey Parker, tribalism, violence, Wally Cox, westerns, whodunit, World War II, Yvonne De Carlo
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