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Tag Archives: Alasdair Gray
“KPK Looks at All Ten BEST PICTURE Nominees for 2023- A Stellar Year For Cinema!”
. > Holy crap! What an embarrassment of riches! You won’t hear me whining that 2023 was a tepid year for movies. Ten titles nominated this year. Two of them are over-rated. 8 of them are a cornucopia of cinematic … Continue reading →
Posted in QUIET in the BACK!
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Tagged Aaron Copland, Adolph Green, Alasdair Gray, America Ferrera, American Fiction, American Indians, Anatomy of a Fall, arts, attachments, Barbie, Barry Corbin, Betty Comden, biography, biopics, Bradley Cooper, Carey Mulligan, Celine Song, Charlie Musselwhite, Christopher Nolan, Cillian Murphy, cinema, comedy, coming of age, conductors, Cord Jefferson, corruption, courtroom drama, criticism, Cuba, drama, dramady, Dua Lipa, Emily Blunt, Emma Stone, entertainment, epics, Erika Alexander, exploitation, fame, families, fantasy, farce, Felicia Montealegre, feminism, films, Flix Pix, Florence Pugh, Florida, Foster, Frankenstein, French cinema, Gary Oldman, gender roles, genius, girls, government, greed, Greta Gerwig, Greta Lee, history, ideas, injustice, Jack White, Jeffrey Wright, Jerrod Carmichael, Jesse Plemons, John Cena, John Lithgow, John Magaro, Josh Hartnett, Justine Triet, Kate McKinnon, Kevin Keelan, Killers of the Flower Moon, kinship, Korean culture, KPK, KPKeelan, KPKworld, Leonard Bernstein, Leonardo DiCaprio, Leslie Uggams, liberation, Lily Gladstone, love, Maestro, Margot Robbie, Mark Ruffalo, marriage, Martin Scorsese, Matt Damon, Mattel, Michael Cera, movies, murder, music, musicians, mystery, Netflix, Noah Baumbach, nuclear weapons, ocean, opinion, Oppenheimer, Osage Nation, parody, Past Lives, patriarchy, people, Pete Yorn, politics, Poor Things, Project Trinity, publishing, racism, Ramy Youssef, relationships, reviews, Rhea Perlman, Rhys Ifans, Robert De Niro, Robert Downey Jr., romance, Ruth Handler, Ryan Gosling, Sandra Hüller, Sarah Silverman, satire, science, scientists, self-actualization, sex, sexism, sexuality, Simu Liu, steampunk, stereotypes, Sterling K. Brown, surrealism, survival, Teo Yoo, the arms race, The Zone of Interest, tragedy, westerns, Will Farrell, Willem Dafoe, women, World War II
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FLIX PIX (1170): “Yorgos Lanthimos Looked at the World and Exclaimed: “POOR THINGS!”
. POOR THINGS (directed by Yorgos Lanthimos, 2023) ****+ (out of 5) . > Ack! Gasp! Sputter! Choke! Snort! Guffaw! Holy fuck, what a bizarro film!! Surrealism has a new King, and his name is Yargos Lanthimos. . Part Frankenstein, part Candide, … Continue reading →
Posted in Flix Pix
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Tagged Alasdair Gray, arts, cinema, comedy, coming of age, criticism, Emma Stone, entertainment, exploitation, fantasy, feminism, films, Flix Pix, Frankenstein, gender roles, ideas, Jerrod Carmichael, Kevin Keelan, KPK, KPKeelan, KPKworld, liberation, Mark Ruffalo, movies, opinion, Poor Things, Ramy Youssef, reviews, self-actualization, sex, sexism, steampunk, surrealism, Willem Dafoe
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KPK on the CINEMA (142): “The Films of December 2023”
. > All hail December, the time of year most of the really great stuff hits America’s big silver screens (O the joy!), and tiny streaming devices (O, the horror!). Just check out how many of these titles came out in … Continue reading →
Posted in KPK on the CINEMA
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Tagged 20 Days in Mariupol, A Christmas Carol, A.O. Scott, Aardman Studios, Aaron Copland, Aaron Sorkin, ABC TV, action, actresses, Adam Clayton Powell Jr., Adir Miller, Adolph Green, adventure, aggression, Alasdair Gray, Albert Brooks: Defending My Life, Alexander Payne, allegory, Amanda Plummer, American history, American politics, American Symphony, amnesia, Andy Richter, animation, Anne Baxter, Anne Hathaway, Annette Bening, anthologies, Anthony Hopkins, anti-Semitism, Anwar Sadat, Armageddon Time, artists, arts, attachments, Audra McDonald, Banks Repeta, Barack Obama, Bayard Rustin, Bella Ramsey, Ben Gazzara, Ben Kingsley, Betty Comden, Bill Irwin, biography, biopics, blaxploitation, Bob Balaban, Bob Costas, Bradley Cooper, Branford Marsalis, Brian de Palma, British cinema, Britt Ekland, brutality, Bullworth, bullying, cancer, Carey Mulligan, Carol For Another Christmas, Celine Song, Charles Laughton, Charles Melton, Chicken Run: Dawn of the Nugget, Chris Rock, Christian Bale, Christine Baranski, cinema, civil rights, Colman Domingo, comedians, comedies, comedy, coming of age, con artists, conductors, conscience, conspiracies, Coretta Scott King, creativity, criticism, Cuba, Da'Vine Joy Randolph, Daniel Craig, Daniel Day-Lewis, Dave Bautista, David Alan Grier, David Cross, David Griffin, David Zucker, death, Dennis Quaid, determination, Diana Nyad, diplomacy, Disney animation, documentaries, documentary, Dominic Sessa, Don Cheadle, Doris Kearns Goodwin, drama, Drew Barrymore, Duncan Jones, dystopia, ecology, Emma Stone, endurance swimming, entertainment, environment, environmental disasters, equality, Eric Bana, escape, Ethan Hawke, Eva Marie Saint, exploitation, explorers, fame, families, fantasy, farce, Farley Granger, Felicia Montealegre, feminism, filmmakers, filmmaking, films, Florence Pugh, Florida, folk heroes, Francis Ford Coppola, Frankenstein, fraud, Fred Allen, friendship, gender roles, genius, George Hamilton, George Kennedy, George Lucas, Golda, Golda Meir, Greta Lee, grief, grifters, Halle Berry, Harrison Ford, Hayao Miyazaki, Hayley Atwell, HBO, Helen Mirren, Henry Hathaway, Henry King, Henry Kissinger, Henry Koster, history, Holly Hunter, homosexuality, horror, Howard Hawks, humor, I Love You Again, ideas, Imelda Staunton, Indians, injustice, insanity, invasion, irony, isolationism, Israel, Israeli cinema, Israeli history, J. 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