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Tag Archives: Ace in the Hole
FLIX PIX (862): “Billy Wilder’s Tragically Prescient ACE IN THE HOLE”
ACE IN THE HOLE (directed by Billy Wilder, 1951) ***** (out of 5) . > I have been looking for Billy Wilder’s very dark, cynical take on the depravity of the media since I projected it to a film class at … Continue reading →
Posted in Flix Pix
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Tagged Ace in the Hole, arts, Billy Wilder, cinema, classics, corruption, criticism, cynicism, drama, exploitation, films, ideas, journalism, Kevin Keelan, Kirk Douglas, KPK, KPKeelan, KPKworld, movies, newspapers, opinion, reporters, reviews, The Big Carnival, the press
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KPK on the CINEMA (101): The Films of July 2020
. > JULY 2020! Most of us are still alive! Well that’s something… (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles in purple have been expanded for … Continue reading →
Posted in KPK on the CINEMA
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Tagged A Beautiful Day in the Neighborhood, Ace in the Hole, Adolph Green, Aldolph Green, Alfre Woodard, Alice Pearce, alienation, Allison Janney, Ally Sheedy, American history, Ann Miller, Anne Baxter, art, Arthur Kennedy, astronomy, Atacama Desert, Atlanta, Augusto Pinochet, Barbara Stanwyck, Barbra Bel Geddes, Best Foreign Film, Betty Comden, Betty Garrett, Bill O’Reilly, Billy Wilder, biography, Blood on the Moon, Bombshell, Brian Keith, British cinema, Brock Peters, Centennial Park bombing, Charlize Theron, child abuse, Chilean cinema, Chris Cooper, Christine Lahti, Ciarán Hinds, cinema, Cinema Verite, Clint Eastwood, comedies, concentration camps, corruption, courage, crime, criticism, Cynthia Erivo, David Holzman’s Diary, David Spade, denial, dictators, documentaries, Down in the Delta, drama, dramady, dysfunction, Edward Dmytryk, Edward G. Robinson, Elio Petri, Elmer Bernstein, Ennio Morricone, Eric Rohmer, exploitation, families, fascism, fathers and sons, FBI, films, forensics, Fox News, Françoise Fabian, Frank Ferguson, Frank Sinatra, Fred Rogers, Fritz Lang, Gene Kelly, genocide, George Reeves, Geraldo Rivera, Gian Maria Volonté, Girl With the Green Eyes, Glenn Ford, Gretchen Carlson, grief, Harriet, Harriet Tubman, Having a Wild Weekend, Herbie Hancock, heroism, Holland Taylor, Holocaust, ideas, Investigation of a Citizen Above Suspicion, Italian cinema, Jack Elam, Jaime Sánchez, Jane Fonda, Jay Roach, Jean Louis Trintignant, Jeanine Pirro, Jim McBride, John Boorman, John Hamm, John Lithgow, journalism, Juano Hernandez, Jules Munshin, justice, Kate McKinnon, Kathy Bates, Kathy Scruggs, Kevin Keelan, Kirk Douglas, KPK, KPKeelan, KPKworld, Lauren Lapkus, Laurence Harvey, Leonard Bernstein, Life During Wartime, love, Luis Buñuel, Lynn Redgrave, Malcolm McDowell, Margot Robbie, Marie-Christine Barrault, Marketa Kimbrell, Marlene Dietrich, Matthew Rhys, Maya Angelou, media, Megyn Kelly, Mel Ferrer, mercenaries, Mississippi, mocumentaries, mothers of the disappeared, movies, Mr. Rogers' Neighborhood, murder, musicals, My Night at Maud’s, Nazism, Netflix, New Orleans, New York, Nicole Kidman, Nostalgia For the Light, obsession, Olivia Wilde, On the Town, opinion, outlaws, Paul Reubens, Paul Walter Hauser, people, personalities, Peter Finch, policing, Post-Traumatic Stress Disorder, power, prostitution, PTSD, Rancho Notorious, Raymond St. Jacques, relationships, revenge, reviews, Richard Jewell, Richard Kind, Rita Tushingham, road trips, Rob Schneider, Robert Mitchum, Robert Preston, Robert Wise, rock and roll, Rod Steiger, Roger Ailes, romance, Rupert Murdoch, Russell Johnson, sailors, satire, Saul Bass, scandal, science, sexism, Shirley Henderson, Sidney Lumet, slander, slavery, spoofs, Stanley Donen, surrealism, survivor’s guilt, technology, terrorism, The Big Carnival, The Dave Clark Five, The Pawnbroker, The Phantom of Liberty, the press, the underground railroad, The Violent Men, The Wrong Missy, Todd Solondz, Tom Hanks, Tom Junod, trauma, Vera-Ellen, Walk on the Wild Side, Walter Brennan, westerns, William Frawley, workplace abuse, World War II
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“Shelter in Place and Watch Some Truly Great Movies on Kanopy!” (by KPKeelan)
. . Stuck at home while the world shuts down cold to avoid a very tiny bully? Don’t binge on TV shows that are more product than provocative. It has never been easier for the public to access truly wonderful … Continue reading →
Posted in QUIET in the BACK!
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Tagged 5 Broken Cameras, A Man Called Ove, Ace in the Hole, Aguirre the Wrath of God, Alicia Vikander, Arctic, Barbara Stanwyck, Barry Jenkins, Billy Wilder, Brie Larson, Burt Lancaster, Buster Keaton, Cartel Land, Cecil B. DeMille, cinema, denial, Echo in the Canyon, Eighth Grade, Embrace of the Serpent, Ex Machina, Federico Fellini, film, Frank Capra, Gary Cooper, H.G. Wells, Harakiri, Holy Motors, hunger, I Am Not a Witch, Israel, Jafar Panahi, Jakob Dylan, Kanopy, Kevin Keelan, Kirsten Dunst, Klaus Kinski, KPK, KPKeelan, KPKworld, Lars von Trier, Last Year at Marienbad, Lina Wertmüller, lists, Loving Vincent, Mads Mikkelsen, Marina Abramović, Meet John Doe, Melancholia, Moonlight, movies, Mustang, Nowhere in Africa, Of Fathers and Sons, Oldboy, Omar, opinion, Palestine, Rachel Weisz, reviews, Robert Eggers, Room, Roy Andersson, Scarlett Johansson, Seven Beauties, Seven Chances, streaming movies, suggestions, Swept Away, Tanna, Terry Gilliam, The 10 Commandments, The Artist is Present, The Queen of Versailles, The Witch A New England Fable, The Zero Theorem, Theeb, Things to Come, This is Not a Film, Timbuktu, Timothy Spall, Under the Skin, Victoria, Vincent Van Gogh, War Witch, Werner Herzog, Willem Dafoe, You the Living
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