Tag Archives: A Call to Spy

KPK on the CINEMA (104): The Films of October 2020

Posted on July 28, 2021 by KPKeelan

. OCTOBER 2020: Some wonderful stuff here! Bon Appétit. (All ratings are on a 5 star scale. Note that a classic only becomes a classic after a decade or more.) (Titles in purple have been expanded for Flix Pix columns.) > … Continue reading →

Posted in KPK on the CINEMA | Tagged A Call to Spy, A Woman’s Face, Aardman Studios, abortion, abuse, action, adventure, aliens, ambition, American Utopia, Amos Nachoum, Andrei Tarkovsky, animals, animation, anti-Semitism, apocalypse, art, astronauts, Aulcie, Aulcie Perry, basketball, Beau Travail, Bill Paxton, Billy Budd, biography, Birdboy, British cinema, Broadway, brothers, capitalism, Cary Grant, celebrity, Channing Tatum, childhood, children, choices, cinema, Claire Denis, class, classics, Claymation, Clint Eastwood, Columbia, comedies, coming of age, complicity, concert films, Coney Island, conservation, corruption, Countdown, courage, crime, criticism, cruelty, David Attenborough, David Byrne, David McKenzie, discipline, documentaries, drama, dreams, drug abuse, earth, economics, Edgar Buchanan, elegy, Elmer Rice, emeralds, environment, equality, Erland Josephson, espionage, Ewan McGregor, exploitation, exposés, families, family films, fantasy, farm animals, Farmageddon, films, Foreign Legion, Frederick Wiseman, French cinema, French resistance, George Stevens, government, Grace Kelly, Green Fire, hardship, Hate Among Us, hatred, Haywire, HBO, healthcare, heroes, historical drama, human rights, humor, ideas, immigrants, incarceration, infidelity, Ingrid Bergman, injustice, insanity, institutions, James Caan, jealousy, Jean Arthur, justice, Ken Loach, Kevin Keelan, King Vidor, KPK, KPKeelan, KPKworld, labor, Life On Our Planet, Little Fugitive, machismo, medicine, mental health, Michael Douglas, Michael Fassbender, mining, missions, movies, musicals, NASA, nature, Nazis, neglect, Never Rarely Sometimes Always, New York, oceans, opinion, people, personalities, photographers, photography, polar bears, poverty, puns, redemption, rescues, revenge, reviews, Rex Ingram, Richard Burton, Richie Andrusco, Robert Altman, Robert Duvall, romance, Ronald Coleman, Sarah Megan Thomas, sci-fi, science fiction, Shaun the Sheep, Sorry We Missed You, space program, Spanish cinema, spies, Spike Lee, sports, Steven Soderbergh, Stewart Granger, Street Scene, surrealism, survival, suspense, sustainability, Swedish cinema, Sylvia Sidney, Talking Heads, The Forgotten Children, the moon, The Picture of His Life, The Sacrifice, The Talk of the Town, thrillers, Titicut Follies, tragedy, trauma, treatment, violence, warnings, Where Eagles Dare, wildlife, women, working, World War II | Leave a comment

Tag Archives: A Call to Spy

KPK on the CINEMA (104): The Films of October 2020

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